Panasonic FT7 vs Fujifilm X-E3
The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Fujifilm X-E3 are two digital cameras that were announced, respectively, in May 2018 and September 2017. The FT7 is a fixed lens compact, while the X-E3 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FT7) and an APS-C (X-E3) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic FT7||Fujifilm X-E3|
|Fixed lens compact camera||Mirrorless system camera|
|28-128mm f/3.3-5.9||Fujifilm X mount lenses|
|20.2 MP, 1/2.3" Sensor||24 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 80-3200 (80-6400)||ISO 200-12800 (100-51200)|
|Electronic viewfinder (1170k dots)||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|10 shutter flaps per second||8 shutter flaps per second|
|Waterproof body (nom)||Not weather sealed|
|300 shots per battery charge||350 shots per battery charge|
|117 x 76 x 37 mm, 319 g||121 x 74 x 43 mm, 337 g|
Body comparison: Panasonic FT7 vs Fujifilm X-E3
The side-by-side display below illustrates the physical size and weight of the Panasonic FT7 and the Fujifilm X-E3. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 and the Fujifilm X-E3 are of equal size. It is worth mentioning in this context that the FT7 is splash and dust resistant, while the X-E3 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the X-E3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-E3 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the FT7 gets 300 shots out of its DMW-BCM13 battery, while the X-E3 can take 350 images on a single charge of its NP-W126S power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic FT7»||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Fujifilm X-E3«||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Fujifilm X-T30« »||4.6 in||3.3 in||1.9 in||13.5 oz||380||n||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Panasonic TZ200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FT7 was launched at a lower price than the X-E3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic FT7 vs Fujifilm X-E3
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Fujifilm X-E3 an APS-C sensor. The sensor area in the X-E3 is 1214 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the FT7 has a native 4:3 aspect ratio, while the one in the X-E3 offers a 3:2 aspect.
With 24MP, the X-E3 offers a higher resolution than the FT7 (20.2MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.18μm for the FT7) due to its larger sensor. However, the FT7 is a somewhat more recent model (by 8 months) than the X-E3, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The X-E3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Fujifilm X-E3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200..
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FT7»||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Fujifilm X-E3«||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-E3|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Fujifilm X-T30« »||APS-C||26.0||6240||4160||4K/30p||-||-||-||-||Fujifilm X-T30|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-A5|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2S|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Panasonic TZ200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic TZ200|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic FT7 vs Fujifilm X-E3
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-E3 offers a substantially higher resolution than the one in the FT7 (2360k vs 1170k dots). The table below summarizes some of the other core capabilities of the Panasonic FT7 and Fujifilm X-E3 in connection with corresponding information for a sample of similar cameras.
|Panasonic FT7»||1170||n||3.0||1040||fixed||n||1300||10.0||Y||Y||Panasonic FT7|
|Fujifilm X-E3«||2360||n||3.0||1040||fixed||Y||4000||8.0||n||n||Fujifilm X-E3|
|Canon SX740« »||-||n||3.0||922||tilting||n||3200||10.0||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||2000||9.0||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||n||3.0||922||tilting||n||3200||5.9||Y||Y||Canon SX730|
|Fujifilm X-T30« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||n||Fujifilm X-T30|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n||Fujifilm X-A5|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||4000||6.0||Y||n||Fujifilm XF10|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n||Fujifilm X-E2|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Leica C-LUX|
|Nikon W300« »||-||n||3.0||921||fixed||n||4000||7.0||Y||Y||Nikon W300|
|Panasonic TZ200« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Panasonic TZ200|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic TZ90|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
One difference between the cameras concerns the presence of an on-board flash. The FT7 has one, while the X-E3 does not. While the built-in flash of the FT7 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the FT7 and the X-E3 write their files to SDXC cards.
Connectivity comparison: Panasonic FT7 vs Fujifilm X-E3
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Fujifilm X-E3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FT7»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Fujifilm X-E3«||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Fujifilm X-T30« »||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T30|
|Fujifilm X-A5« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Fujifilm X-T20« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-E2S« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Panasonic TZ200« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ200|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
It is notable that the X-E3 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The FT7 does not feature such a mic input.
Both the FT7 and the X-E3 are recent models that feature in their makers' current product line-up. The X-E3 replaced the earlier Fujifilm X-E2S, while the FT7 followed on from the Panasonic FT6.
Review summary: Panasonic FT7 vs Fujifilm X-E3
So what is the bottom line? Is there a clear favorite between the Panasonic FT7 and the Fujifilm X-E3? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-FT7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the X-E3 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-E3).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Can be used in the rain and for underwater photography (up to 31m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 8 months after the X-E3).
Advantages of the Fujifilm X-E3:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1170k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 1300/sec) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More heavily discounted: Has been on the market for longer (launched in September 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the X-E3 is the clear winner of the contest (16 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the FT7 and the X-E3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic FT7 vs Fujifilm X-E3
This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic FT7»||Rec||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Fujifilm X-E3«||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899||Fujifilm X-E3|
|Canon SX740« »||Rec||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||Rec||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||Rec||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Fujifilm X-T30« »||-||-||-||-||-||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A5« »||Rec||-||4/5||4/5||3.5/5||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||-||-||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Fujifilm X-T20« »||HiRec||82/100||5/5||-||4.5/5||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Nikon W300« »||Rec||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Panasonic TZ200« »||HiRec||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||HiRec||-||4/5||-||4/5||Apr 2017||449||Panasonic TZ90|
|Sony RX100 VI« »||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
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Specifications: Panasonic FT7 vs Fujifilm X-E3
|Camera Model||Panasonic FT7||Fujifilm X-E3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-128mm f/3.3-5.9||Fujifilm X mount lenses|
|Launch Date||May 2018||September 2017|
|Launch Price||USD 449||USD 899|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.6 x 4.55 mm|
|Sensor Area||28.0735 mm2||368.16 mm2|
|Sensor Diagonal||7.7 mm||28.3 mm|
|Sensor Resolution||20.2 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3888 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.18 μm||3.92 μm|
|Pixel Density||71.80 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||200-12800 ISO|
|ISO Boost||80-6400 ISO||100-51200 ISO|
|Image Processor||Venus||X-Processor Pro|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1170k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/1300s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||8 shutter flaps/s|
|Silent Shooting||Electronic Shutter||Electronic Shutter|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Waterproof body (31m)||Not weather sealed|
|Battery Type||DMW-BCM13 power pack||NP-W126S power pack|
|Battery Life (CIPA)||300 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
121 x 74 x 43 mm
(4.8 x 2.9 x 1.7 in)
|Camera Weight||319 g (11.3 oz)||337 g (11.9 oz)|
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