Canon SX1 vs Panasonic FT7
The Canon PowerShot SX1 IS and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2008 and May 2018. Both the SX1 and the FT7 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Canon has a resolution of 10 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX1 IS and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon SX1 and the Panasonic FT7. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the SX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is notably smaller (21 percent) than the Canon SX1. Moreover, the FT7 is substantially lighter (48 percent) than the SX1. It is noteworthy in this context that the FT7 is splash and dust-proof, while the SX1 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
The power pack in the FT7 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX1 | 128 mm | 88 mm | 88 mm | 615 g | .. | n | Sep 2008 | EUR 579 | ebay.com | |
2. | Panasonic FT7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | EUR 429 | ebay.com | |
3. | Canon G12 | 112 mm | 76 mm | 48 mm | 401 g | 370 | n | Sep 2010 | EUR 549 | ebay.com | |
4. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | EUR 579 | ebay.com | |
5. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | EUR 599 | ebay.com | |
6. | Canon SX10 | 123 mm | 88 mm | 87 mm | 600 g | .. | n | Sep 2008 | EUR 379 | ebay.com | |
7. | Canon SX20 | 123 mm | 88 mm | 87 mm | 600 g | .. | n | Aug 2009 | EUR 379 | ebay.com | |
8. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | EUR 529 | ebay.com | |
9. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | EUR 529 | ebay.com | |
10. | Canon SX70 | 127 mm | 91 mm | 117 mm | 608 g | 325 | n | Sep 2018 | EUR 549 | amazon.com | |
11. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | EUR 399 | ebay.com | |
12. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | EUR 399 | amazon.com | |
13. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | EUR 499 | ebay.com | |
14. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | EUR 529 | ebay.com | |
15. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | EUR 599 | ebay.com | |
16. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | EUR 429 | ebay.com | |
17. | Panasonic TZ95 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | EUR 449 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FT7 was launched at a somewhat lower price (by 25 percent) than the SX1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the FT7 offers a higher resolution of 20.2 megapixels, compared with 10 MP of the SX1. This megapixels advantage translates into a 42 percent gain in linear resolution. On the other hand, these sensor specs imply that the FT7 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 1.67μm for the SX1). However, it should be noted that the FT7 is much more recent (by 9 years and 7 months) than the SX1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the SX1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon SX1 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon PowerShot SX1 IS has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
In terms of underlying technology, the SX1 is build around a CMOS sensor, while the FT7 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX1 | 1/2.3 | 10.0 | 3648 | 2736 | 1080/30p | 19.0 | 10.3 | 144 | 35 | |
2. | Panasonic FT7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
3. | Canon G12 | 1/1.7 | 10.0 | 3648 | 2736 | 720/24p | 20.4 | 11.2 | 161 | 47 | |
4. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
5. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
6. | Canon SX10 | 1/2.3 | 10.0 | 3648 | 2736 | 480/30p | 19.0 | 10.3 | 144 | 35 | |
7. | Canon SX20 | 1/2.3 | 12.0 | 4000 | 3000 | 720/30p | 19.2 | 10.5 | 225 | 37 | |
8. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
9. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
10. | Canon SX70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1063 | 51 | |
11. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
12. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
13. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
14. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
15. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
16. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
17. | Panasonic TZ95 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FT7 provides a better video resolution than the SX1. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the FT7 offers a substantially higher resolution than the one in the SX1 (1170k vs 202k dots). The table below summarizes some of the other core capabilities of the Canon SX1 and Panasonic FT7 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX1 | 202 | n | 2.8 / 230 | swivel | n | 1/3200s | 4.0/s | Y | Y | |
2. | Panasonic FT7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
3. | Canon G12 | optical | n | 2.8 / 461 | swivel | n | 1/4000s | 1.1/s | Y | Y | |
4. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
5. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
6. | Canon SX10 | 202 | n | 2.5 / 230 | swivel | n | 1/3200s | 0.7/s | Y | Y | |
7. | Canon SX20 | 202 | n | 2.5 / 230 | swivel | n | 1/3200s | 0.7/s | Y | Y | |
8. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
9. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
10. | Canon SX70 | 2360 | n | 3.0 / 922 | swivel | n | 1/2000s | 10.0/s | Y | Y | |
11. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
12. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
13. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
14. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
15. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
16. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Panasonic TZ95 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the SX1 and the FT7 have zoom lenses built in. The SX1 has a 28-560mm f/2.8-5.7 optic and the FT7 offers a 28-128mm f/3.3-5.9 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The SX1 offers the faster maximum aperture.
The SX1 writes its imaging data to SDHC cards, while the FT7 uses SDXC cards. The FT7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX1 IS and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX1 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
2. | Panasonic FT7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon G12 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
6. | Canon SX10 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
7. | Canon SX20 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
8. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
10. | Canon SX70 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
11. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
12. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
13. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
14. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
16. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic TZ95 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y |
It is notable that the SX1 has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the SX1 and the FT7 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon and Panasonic. Further information on the features and operation of the SX1 and FT7 can be found, respectively, in the Canon SX1 Manual (free pdf) or the online Panasonic FT7 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Canon SX1 or the Panasonic FT7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot SX1 IS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/3200s vs 1/1300s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.3).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Reasons to prefer the Panasonic Lumix DC-FT7:
- More detail: Has more megapixels (20.2 vs 10MP), which boosts linear resolution by 42%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (1170k vs 202k dots).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (117x76mm vs 128x88mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 296g or 48 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More modern: Reflects 9 years and 7 months of technical progress since the SX1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FT7 is the clear winner of the contest (17 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX1 and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the SX1 and the FT7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX1 | .. | + + | .. | + | .. | 3.5/5 | Sep 2008 | EUR 579 | ebay.com | |
2. | Panasonic FT7 | .. | + | .. | .. | 3.5/5 | 3.5/5 | May 2018 | EUR 429 | ebay.com | |
3. | Canon G12 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Sep 2010 | EUR 549 | ebay.com | |
4. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | EUR 579 | ebay.com | |
5. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | EUR 599 | ebay.com | |
6. | Canon SX10 | .. | + + | .. | .. | .. | 4/5 | Sep 2008 | EUR 379 | ebay.com | |
7. | Canon SX20 | .. | + + | .. | 73/100 | .. | 4/5 | Aug 2009 | EUR 379 | ebay.com | |
8. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | EUR 529 | ebay.com | |
9. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | EUR 529 | ebay.com | |
10. | Canon SX70 | .. | + + | 3.5/5 | .. | 3.5/5 | 3.5/5 | Sep 2018 | EUR 549 | amazon.com | |
11. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | EUR 399 | ebay.com | |
12. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | EUR 399 | amazon.com | |
13. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | EUR 499 | ebay.com | |
14. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | EUR 529 | ebay.com | |
15. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | EUR 599 | ebay.com | |
16. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | EUR 429 | ebay.com | |
17. | Panasonic TZ95 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | EUR 449 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon SX1 vs Panasonic FT7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon SX1 | Panasonic FT7 |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 28-560mm f/2.8-5.7 | 28-128mm f/3.3-5.9 |
Launch Date | September 2008 | May 2018 |
Launch Price | USD 599 | USD 449 |
Sensor Specs | Canon SX1 | Panasonic FT7 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | 1/2.3" Sensor |
Sensor Size | 6.17 x 4.55 mm | 6.17 x 4.55 mm |
Sensor Area | 28.0735 mm2 | 28.0735 mm2 |
Sensor Diagonal | 7.7 mm | 7.7 mm |
Crop Factor | 5.6x | 5.6x |
Sensor Resolution | 10 Megapixels | 20.2 Megapixels |
Image Resolution | 3648 x 2736 pixels | 5184 x 3888 pixels |
Pixel Pitch | 1.67 μm | 1.18 μm |
Pixel Density | 35.55 MP/cm2 | 71.80 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 4K/30p Video |
ISO Setting | 100 - 1,600 ISO | 80 - 3,200 ISO |
ISO Boost | 100 - 3,200 ISO | 80 - 6,400 ISO |
Screen Specs | Canon SX1 | Panasonic FT7 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.45x | |
Viewfinder Resolution | 202k dots | 1170k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.8inch | 3.0inch |
LCD Resolution | 230k dots | 1040k dots |
LCD Attachment | Swivel screen | Fixed screen |
Shooting Specs | Canon SX1 | Panasonic FT7 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Continuous Shooting | 4 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Canon SX1 | Panasonic FT7 |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | YES HDMI | micro HDMI |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Canon SX1 | Panasonic FT7 |
Environmental Sealing | not weather sealed | Waterproof body (31m) |
Battery Type | Canon 4xAA | Panasonic DMW-BCM13 |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
128 x 88 x 88 mm (5.0 x 3.5 x 3.5 in) |
117 x 76 x 37 mm (4.6 x 3.0 x 1.5 in) |
Camera Weight | 615 g (21.7 oz) | 319 g (11.3 oz) |
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