Olympus TG-6 vs Panasonic GF6

The Olympus Tough TG-6 and the Panasonic Lumix DMC-GF6 are two digital cameras that were officially introduced, respectively, in May 2019 and April 2013. The TG-6 is a fixed lens compact, while the GF6 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (TG-6) and a Four Thirds (GF6) sensor. The Olympus has a resolution of 12 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus TG-6		Panasonic GF6
Fixed lens compact camera		Mirrorless system camera
25-100mm f/2.0-4.9		Micro Four Thirds lenses
12 MP – 1/2.3" sensor		15.8 MP – Four Thirds sensor
4K/30p Video		1080/60i Video
ISO 100-12,800		ISO 160-12,800 (160 - 25,600)
No viewfinder, LCD framing		No viewfinder, LCD framing
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Tilting touchscreen
20 shutter flaps per second		4.2 shutter flaps per second
In-body stabilization		Lens stabilization only
Waterproof body (15m)		not weather sealed
340 shots per battery charge		340 shots per battery charge
113 x 66 x 32 mm, 253 g		111 x 65 x 38 mm, 323 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Tough TG-6 and the Panasonic Lumix DMC-GF6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus TG-6 and the Panasonic GF6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The TG-6 can be obtained in two different colors (black, red), while the GF6 is available in four color-versions (black, brown, red, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF6 is somewhat smaller (3 percent) than the Olympus TG-6. It is worth mentioning in this context that the TG-6 is splash and dust resistant, while the GF6 does not feature any corresponding weather-sealing. More than that, the TG-6 is water-proof up to 15m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TG-6 has a lens built in, whereas the GF6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF6 and their specifications in the Micro Four Thirds Lens Catalog.

The power pack in the TG-6 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus TG-6	113 mm	66 mm	32 mm	253 g	340	Y	May 2019	US$ 449	ebay.com
2.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	US$ 499	ebay.com
3.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	US$ 399	amazon.com
4.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	US$ 389	ebay.com
5.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	US$ 499	ebay.com
6.		Olympus TG-4	112 mm	66 mm	31 mm	247 g	380	Y	Apr 2015	US$ 379	ebay.com
7.		Olympus TG-5	113 mm	66 mm	32 mm	250 g	340	Y	May 2017	US$ 449	ebay.com
8.		Olympus XZ-1	111 mm	65 mm	42 mm	275 g	320	n	Jan 2011	US$ 499	ebay.com
9.		OM System TG-7	114 mm	66 mm	33 mm	249 g	330	Y	Sep 2023	US$ 549	amazon.com
10.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	US$ 599	ebay.com
11.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
12.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
13.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
14.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	US$ 499	ebay.com
15.		Panasonic TS7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	US$ 449	ebay.com
16.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	US$ 399	amazon.com
17.		Sony HX99	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	US$ 449	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TG-6 was launched at a lower price than the GF6, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus TG-6 features a 1/2.3-inch sensor and the Panasonic GF6 a Four Thirds sensor. The sensor area in the GF6 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 15.8MP, the GF6 offers a higher resolution than the TG-6 (12MP), but the GF6 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 1.53μm for the TG-6) due to its larger sensor. However, the TG-6 is a much more recent model (by 6 years and 1 month) than the GF6, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Panasonic GF6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF6 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Olympus TG-6 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Olympus Tough TG-6 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-GF6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.

In terms of underlying technology, the TG-6 is build around a BSI-CMOS sensor, while the GF6 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus TG-6	1/2.3	12.0	4000	3000	4K/30p	20.7	12.2	1127	52
2.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
3.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
4.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
5.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
6.		Olympus TG-4	1/2.3	15.9	4608	3456	1080/30p	20.2	11.6	737	47
7.		Olympus TG-5	1/2.3	12.0	4000	3000	4K/30p	20.5	11.9	934	50
8.		Olympus XZ-1	1/1.7	10.1	3664	2752	720/30p	18.8	10.4	117	34
9.		OM System TG-7	1/2.3	12.0	4000	3000	4K/30p	20.9	12.7	1553	54
10.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
11.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
12.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
13.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
14.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
15.		Panasonic TS7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
16.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
17.		Sony HX99	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1058	51
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TG-6 provides a higher video resolution than the GF6. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The TG-6 and the GF6 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Olympus TG-6 and Panasonic GF6 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus TG-6	none	n	3.0 / 1040	fixed	n	1/2000s	20.0/s	Y	Y
2.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
3.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
4.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
5.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
6.		Olympus TG-4	none	n	3.0 / 460	fixed	n	1/2000s	5.0/s	Y	Y
7.		Olympus TG-5	none	n	3.0 / 460	fixed	n	1/2000s	20.0/s	Y	Y
8.		Olympus XZ-1	optional	n	3.0 / 614	fixed	n	1/2000s	2.0/s	Y	Y
9.		OM System TG-7	none	n	3.0 / 1040	fixed	n	1/2000s	20.0/s	Y	Y
10.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
11.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
12.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
13.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
14.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
15.		Panasonic TS7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
16.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
17.		Sony HX99	638	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF6 has a touchscreen, while the TG-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Olympus TG-6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the TG-6 and the GF6 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Tough TG-6 and Panasonic Lumix DMC-GF6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus TG-6	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
3.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
4.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
5.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Olympus TG-4	-	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus TG-5	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Olympus XZ-1	Y	mono / -	-	-	mini	2.0	-	-	-
9.		OM System TG-7	-	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
11.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Panasonic TS7	-	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-
17.		Sony HX99	-	stereo / mono	-	-	micro	2.0	Y	Y	Y

Travel and landscape photographers will find it useful that the TG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the TG-6 and the GF6 have been discontinued, but can regularly be found used on ebay. The GF6 was replaced by the Panasonic GF7, while the TG-6 was followed by the OM System TG-7. Further information on the features and operation of the TG-6 and GF6 can be found, respectively, in the Olympus TG-6 Manual (free pdf) or the online Panasonic GF6 Manual.

Review summary

So what conclusions can be drawn? Is the Olympus TG-6 better than the Panasonic GF6 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Olympus Tough TG-6:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• Faster burst: Shoots at higher frequency (20 vs 4.2 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the GF6 requires a separate lens.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the GF6).
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
• Easier geotagging: Features an internal GPS sensor to log localization data.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 6 years and 1 month of technical progress since the GF6 launch.

Reasons to prefer the Panasonic Lumix DMC-GF6:

• More detail: Has more megapixels (15.8 vs 12MP), which boosts linear resolution by 15%.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been around for much longer (launched in April 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (12 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus TG-6 and the Panasonic GF6 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the TG-6 or the GF6 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus TG-6	4/5	+ +	4.5/5	76/100	4/5	4/5	May 2019	US$ 449	ebay.com
2.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	US$ 499	ebay.com
3.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	US$ 399	amazon.com
4.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	US$ 389	ebay.com
5.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	US$ 499	ebay.com
6.		Olympus TG-4	..	+	..	79/100	4/5	4/5	Apr 2015	US$ 379	ebay.com
7.		Olympus TG-5	..	+ +	4.5/5	..	4/5	4/5	May 2017	US$ 449	ebay.com
8.		Olympus XZ-1	4/5	..	..	74/100	4.5/5	4.5/5	Jan 2011	US$ 499	ebay.com
9.		OM System TG-7	4/5	..	4.5/5	..	4/5	4/5	Sep 2023	US$ 549	amazon.com
10.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	US$ 599	ebay.com
11.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
12.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
13.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
14.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	US$ 499	ebay.com
15.		Panasonic TS7	..	+	..	..	..	3.5/5	May 2018	US$ 449	ebay.com
16.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	US$ 399	amazon.com
17.		Sony HX99	..	..	..	..	4/5	4.5/5	Aug 2018	US$ 449	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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