Canon R7 vs Panasonic GF6

The Canon EOS R7 and the Panasonic Lumix DMC-GF6 are two digital cameras that were revealed to the public, respectively, in May 2022 and April 2013. Both the R7 and the GF6 are mirrorless interchangeable lens cameras that are based on an APS-C (R7) and a Four Thirds (GF6) sensor. The Canon has a resolution of 32.3 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R7		Panasonic GF6
Mirrorless system camera		Mirrorless system camera
		Micro Four Thirds lenses
32.3 MP – APS-C sensor		15.8 MP – Four Thirds sensor
4k/60p Video		1080/60i Video
ISO 100-32,000 (100 - 51,200)		ISO 160-12,800 (160 - 25,600)
Electronic viewfinder (2360k dots)		No viewfinder, LCD framing
3.0" LCD – 1620k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Tilting touchscreen
15 shutter flaps per second		4.2 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
660 shots per battery charge		340 shots per battery charge
132 x 90 x 92 mm, 612 g		111 x 65 x 38 mm, 323 g

Check R7 price at
amazon.com
Check GF6 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R7 and the Panasonic Lumix DMC-GF6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon R7 and the Panasonic GF6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The GF6 can be obtained in four different colors (black, brown, red, white), while the R7 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF6 is considerably smaller (39 percent) than the Canon R7. Moreover, the GF6 is substantially lighter (47 percent) than the R7. It is worth mentioning in this context that the R7 is splash and dust resistant, while the GF6 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R7 gets 660 shots out of its Canon LP-E6NH battery, while the GF6 can take 340 images on a single charge of its Panasonic DMW-BLG10 power pack. The power pack in the R7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R7	132 mm	90 mm	92 mm	612 g	660	Y	May 2022	1,499	amazon.com
2.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
3.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	2,499	amazon.com
4.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	3,899	amazon.com
5.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
6.		Canon 90D	141 mm	105 mm	77 mm	701 g	1300	Y	Aug 2019	1,199	amazon.com
7.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	1,699	amazon.com
8.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	1,699	ebay.com
9.		Nikon Z5	134 mm	101 mm	67 mm	675 g	470	Y	Jul 2020	1,399	amazon.com
10.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	1,699	amazon.com
11.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	499	ebay.com
12.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
13.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
14.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
15.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
16.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	2,199	amazon.com
17.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF6 was launched at a markedly lower price (by 67 percent) than the R7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R7 features an APS-C sensor and the Panasonic GF6 a Four Thirds sensor. The sensor area in the GF6 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the R7 has a native 3:2 aspect ratio, while the one in the GF6 offers a 4:3 aspect.

With 32.3MP, the R7 offers a higher resolution than the GF6 (15.8MP), but the R7 has smaller individual pixels (pixel pitch of 3.20μm versus 3.77μm for the GF6). However, the R7 is a much more recent model (by 9 years and 1 month) than the GF6, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon R7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R7 for good quality output (200 dots per inch) amounts to 34.8 x 23.2 inches or 88.4 x 58.9 cm, for very good quality (250 dpi) 27.8 x 18.6 inches or 70.7 x 47.1 cm, and for excellent quality (300 dpi) 23.2 x 15.5 inches or 58.9 x 39.3 cm. The corresponding values for the Panasonic GF6 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The R7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS R7 has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GF6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R7	APS-C	32.3	6960	4640	4k/60p	24.1	13.8	2092	84
2.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
3.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
4.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
5.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
6.		Canon 90D	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
7.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
8.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
9.		Nikon Z5	Full Frame	24.2	6016	4016	4K/30p	25.3	14.3	2929	95
10.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
11.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
12.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
13.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
14.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
15.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
16.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
17.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R7 provides a higher video resolution than the GF6. It can shoot video footage at 4k/60p, while the Panasonic is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the R7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF6 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon R7, the Panasonic GF6, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R7	2360	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
2.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
3.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon 90D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	11.0/s	Y	n
7.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
8.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
9.		Nikon Z5	3690	n	3.2 / 1040	tilting	Y	1/8000s	4.5/s	n	Y
10.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
11.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
12.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
13.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
14.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
15.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
16.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
17.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the R7 and the GF6 is in-body image stabilization (IBIS). The R7 reduces the risk of handshake-induced blur with all attached lenses, while the GF6 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the R7 and the GF6 write their files to SDXC cards. The R7 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF6 only has one slot. The R7 supports UHS-II cards (on both slots), while the GF6 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R7 and Panasonic Lumix DMC-GF6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R7	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
3.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
5.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon 90D	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
7.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
8.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
9.		Nikon Z5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
12.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
16.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
17.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the R7 has a hotshoe, while the GF6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

The R7 is a recent model that features in the current product line-up of Canon. In contrast, the GF6 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF6 was succeeded by the Panasonic GF7. Further information on the features and operation of the R7 and GF6 can be found, respectively, in the Canon R7 Manual (free pdf) or the online Panasonic GF6 Manual.

Review summary

So how do things add up? Is the Canon R7 better than the Panasonic GF6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Canon EOS R7:

• More detail: Offers more megapixels (32.3 vs 15.8MP) with a 46% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4k/60p vs 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (15 vs 4.2 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Can take more shots (660 versus 340) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 9 years and 1 month of technical progress since the GF6 launch.

Reasons to prefer the Panasonic Lumix DMC-GF6:

• More compact: Is smaller (111x65mm vs 132x90mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 289g or 47 percent) and is thus easier to take along.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in April 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the R7 is the clear winner of the match-up (26 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R7 and the Panasonic GF6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the R7 and the GF6 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R7	4.5/5	+	5/5	87/100	4.5/5	4.5/5	May 2022	1,499	amazon.com
2.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
3.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	2,499	amazon.com
4.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	3,899	amazon.com
5.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
6.		Canon 90D	4/5	+	4.5/5	85/100	4.5/5	4.5/5	Aug 2019	1,199	amazon.com
7.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	1,699	amazon.com
8.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	1,699	ebay.com
9.		Nikon Z5	4/5	..	4/5	89/100	4.5/5	4/5	Jul 2020	1,399	amazon.com
10.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	1,699	amazon.com
11.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	499	ebay.com
12.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
13.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
14.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
15.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
16.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	2,199	amazon.com
17.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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