Panasonic TS7 vs Canon G3 X
The Panasonic Lumix DC-TS7 (called Panasonic FT7 in some regions) and the Canon PowerShot G3 X are two digital cameras that were announced, respectively, in May 2018 and June 2015. Both the TS7 and the G3X are fixed lens compact cameras that are based on a 1/2.3-inch (TS7) and an one-inch (G3X) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Canon provides 20 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic TS7||Canon G3 X|
|Fixed lens compact camera||Fixed lens compact camera|
|28-128mm f/3.3-5.9||24-600mm f/2.8-5.6|
|20.2 MP, 1/2.3" Sensor||20 MP, 1" Sensor|
|4K/30p Video||1080/60p Video|
|ISO 80-3200 (80-6400)||ISO 125-12800 (125-25600)|
|Electronic viewfinder (1170k dots)||Viewfinder optional|
|3.0" LCD, 1040k dots||3.2" LCD, 1620k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|10 shutter flaps per second||5.9 shutter flaps per second|
|Waterproof body (nom)||Weathersealed body|
|300 shots per battery charge||300 shots per battery charge|
|117 x 76 x 37 mm, 319 g||123 x 77 x 105 mm, 733 g|
Body comparison: Panasonic TS7 vs Canon G3 X
An illustration of the physical size and weight of the Panasonic TS7 and the Canon G3 X is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the TS7 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G3 X is notably larger (7 percent) than the Panasonic TS7. Moreover, the G3X is substantially heavier (130 percent) than the TS7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic TS7»||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||Panasonic TS7|
|Canon G3 X«||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||Canon G3 X|
|Canon SX740« »||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||115 mm||78 mm||51 mm||399 g||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||-||Canon SX730|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 70D« »||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||-||Canon 70D|
|Fujifilm XF10« »||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499||Fujifilm XF10|
|Nikon A1000« »||114 mm||72 mm||41 mm||330 g||250||n||Jan 2019||429||Nikon A1000|
|Nikon W300« »||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||Nikon W300|
|Panasonic ZS70« »||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||Panasonic ZS70|
|Panasonic FZ1000« »||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Sony HX99« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||Sony WX800|
|Sony RX10 II« »||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||-||Sony RX100 IV|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TS7 was launched at a markedly lower price (by 55 percent) than the G3X, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic TS7 vs Canon G3 X
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic TS7 features a 1/2.3-inch sensor and the Canon G3 X an one-inch sensor. The sensor area in the G3X is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the TS7 has a native 4:3 aspect ratio, while the one in the G3X offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic TS7 offers a higher resolution of 20.2 megapixels, compared with 20 MP of the Canon G3 X. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the G3X). However, it should be noted that the TS7 is much more recent (by 2 years and 10 months) than the G3X, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Panasonic Lumix DC-TS7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Canon PowerShot G3 X are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 125-25600..
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic TS7»||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TS7|
|Canon G3 X«||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Nikon A1000« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon A1000|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TS7 provides a higher video resolution than the G3X. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Panasonic TS7 vs Canon G3 X
Apart from body and sensor, cameras can and do differ across a range of features. For example, the TS7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G3X relies on live view and the rear LCD for framing. That said, the G3X can be equipped with an optional viewfinder – the EVF-DC1. The table below summarizes some of the other core capabilities of the Panasonic TS7 and Canon G3 X in connection with corresponding information for a sample of similar cameras.
|Panasonic TS7»||1170||n||3.0||1040||fixed||n||1300||10.0||Y||Y||Panasonic TS7|
|Canon G3 X«||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y||Canon G3 X|
|Canon SX740« »||-||n||3.0||922||tilting||n||3200||10.0||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||2000||9.0||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||n||3.0||922||tilting||n||3200||5.9||Y||Y||Canon SX730|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 70D|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||4000||6.0||Y||n||Fujifilm XF10|
|Nikon A1000« »||1166||n||3.0||1036||tilting||Y||4000||7.0||Y||Y||Nikon A1000|
|Nikon W300« »||-||n||3.0||921||fixed||n||4000||7.0||Y||Y||Nikon W300|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y||Panasonic FZ1000|
|Sony HX99« »||638||n||3.0||922||tilting||Y||2000||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||2000||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||2000||10.0||Y||Y||Sony WX800|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y||Sony RX10 II|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G3X has a touchscreen, while the TS7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G3X has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the TS7 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the TS7 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the TS7 and the G3X have zoom lenses built in. The TS7 has a 28-128mm f/3.3-5.9 optic and the G3X offers a 24-600mm f/2.8-5.6 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. The G3X offers the faster maximum aperture.
Concerning the storage of imaging data, both the TS7 and the G3X write their files to SDXC cards.
Connectivity comparison: Panasonic TS7 vs Canon G3 X
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TS7 and Canon PowerShot G3 X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic TS7»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Canon G3 X«||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Nikon A1000« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon A1000|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the G3X has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TS7 does not feature such a mic input.
Both the TS7 and the G3X are recent models that feature in their makers' current product line-up. The TS7 replaced the earlier Panasonic TS6, while the G3X does not have a direct predecessor.
Review summary: Panasonic TS7 vs Canon G3 X
So what conclusions can be drawn? Is the Panasonic TS7 better than the Canon G3 X or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DC-TS7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (10 vs 5.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Less heavy: Is lighter (by 414g or 56 percent) and hence easier to carry around.
- Water-proof: Can be used in the rain and for underwater photography (up to 31m).
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
- More modern: Reflects 2 years and 10 months of technical progress since the G3X launch.
Reasons to prefer the Canon PowerShot G3 X:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (2000/sec vs 1300/sec) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.3).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in June 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the G3X is the clear winner of the contest (18 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the TS7 or the G3X handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic TS7 vs Canon G3 X
This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic TS7»||Rec||-||-||-||3.5/5||May 2018||449||Panasonic TS7|
|Canon G3 X«||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon SX740« »||Rec||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||Rec||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||Rec||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Fujifilm XF10« »||-||-||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Nikon A1000« »||-||-||-||-||-||Jan 2019||429||Nikon A1000|
|Nikon W300« »||Rec||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Panasonic ZS70« »||HiRec||-||4/5||-||4/5||Apr 2017||449||Panasonic ZS70|
|Panasonic FZ1000« »||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Sony HX99« »||-||-||-||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D vs Panasonic FZ330
- Canon 600D vs Nikon D60
- Fujifilm X-H1 vs Nikon D600
- Leica X-U Typ 113 vs Sony RX10 III
- Nikon D3500 vs Leica CL
- Olympus E-M1 II vs Leica Q Typ 116
- Olympus E-M5 II vs Nikon D70
- Panasonic GH5 vs Canon T3i
- Panasonic GX7 vs Canon R
- Panasonic GX7 vs Panasonic TZ100
- Sony A7R II vs Sony A9
- Sony HX400V vs Canon M100
Specifications: Panasonic TS7 vs Canon G3 X
|Camera Model||Panasonic TS7||Canon G3 X|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-128mm f/3.3-5.9||24-600mm f/2.8-5.6|
|Launch Date||May 2018||June 2015|
|Launch Price||USD 449||USD 999|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 4.55 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||20.2 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3888 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.18 μm||2.41 μm|
|Pixel Density||71.80 MP/cm2||17.18 MP/cm2|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||80-3200 ISO||125-12800 ISO|
|ISO Boost||80-6400 ISO||125-25600 ISO|
|Image Processor||Venus||DIGIC 6|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Resolution||1170k dots||n/a|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Maximum Shutter Speed||1/1300s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||5.9 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Environmental Sealing||Waterproof body (nom)||Weathersealed body|
|Battery Type||DMW-BCM13 power pack||NB-10L power pack|
|Battery Life (CIPA)||300 shots per charge||300 shots per charge|
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
123 x 77 x 105 mm
(4.8 x 3.0 x 4.1 in)
|Camera Weight||319 g (11.3 oz)||733 g (25.9 oz)|
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