Panasonic TS7 vs Pentax K-1

The Panasonic Lumix DC-TS7 (called Panasonic FT7 in some regions) and the Pentax K-1 are two digital cameras that were announced, respectively, in May 2018 and February 2016. The TS7 is a fixed lens compact, while the K-1 is a DSLR. The cameras are based on a 1/2.3-inch (TS7) and a full frame (K-1) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Pentax provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic TS7		Pentax K-1
Fixed lens compact camera		Digital single lens reflex
28-128mm f/3.3-5.9		Pentax K mount lenses
20.2 MP – 1/2.3" sensor		36.2 MP – Full Frame sensor
4K/30p Video		1080/60i Video
ISO 80-3,200 (80 - 6,400)		ISO 100-204,800
Electronic viewfinder (1170k dots)		Optical viewfinder
3.0" LCD – 1040k dots		3.2" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Fully flexible screen (no touchscreen)
10 shutter flaps per second		4.4 shutter flaps per second
Lens-based stabilization		In-body stabilization
Waterproof body (31m)		Weathersealed body
300 shots per battery charge		760 shots per battery charge
117 x 76 x 37 mm, 319 g		137 x 110 x 86 mm, 1010 g

Check TS7 offers at
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Check K-1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TS7 and the Pentax K-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic TS7 and the Pentax K-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The TS7 can be obtained in three different colors (black, blue, orange), while the K-1 is available in two color-versions (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 is considerably larger (69 percent) than the Panasonic TS7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the K-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the TS7 gets 300 shots out of its Panasonic DMW-BCM13 battery, while the K-1 can take 760 images on a single charge of its Pentax D-LI90 power pack. The power pack in the TS7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic TS7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	449	ebay.com
2.		Pentax K-1	137 mm	110 mm	86 mm	1010 g	760	Y	Feb 2016	1,799	ebay.com
3.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	399	amazon.com
4.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	399	ebay.com
5.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
6.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	499	ebay.com
7.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	389	ebay.com
8.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	ebay.com
9.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
10.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	449	ebay.com
11.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
12.		Panasonic FZ80	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	399	ebay.com
13.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670	Y	Feb 2018	1,999	amazon.com
14.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	399	amazon.com
15.		Sony HX99	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	449	ebay.com
16.		Sony HX95	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	429	ebay.com
17.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	3,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TS7 was launched at a lower price than the K-1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic TS7 features a 1/2.3-inch sensor and the Pentax K-1 a full frame sensor. The sensor area in the K-1 is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the TS7 has a native 4:3 aspect ratio, while the one in the K-1 offers a 3:2 aspect.

With 36.2MP, the K-1 offers a higher resolution than the TS7 (20.2MP), but the K-1 nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 1.18μm for the TS7) due to its larger sensor. However, the TS7 is a much more recent model (by 2 years and 2 months) than the K-1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Panasonic TS7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

Unlike the TS7, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-TS7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Pentax K-1 are ISO 100 to ISO 204800 (no boost).

In terms of underlying technology, the TS7 is build around a BSI-CMOS sensor, while the K-1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic TS7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
2.		Pentax K-1	Full Frame	36.2	7360	4912	1080/60i	25.4	14.6	3280	96
3.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
4.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
5.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
6.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
7.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
8.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
9.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
10.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
11.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
12.		Panasonic FZ80	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
13.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
14.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
15.		Sony HX99	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1058	51
16.		Sony HX95	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1057	51
17.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TS7 provides a higher video resolution than the K-1. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the TS7 has an electronic viewfinder (1170k dots), while the K-1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-1 has a higher magnification than the one of the TS7 (0.70x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic TS7, the Pentax K-1, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic TS7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
2.		Pentax K-1	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
3.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
4.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
5.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
6.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
7.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
8.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
9.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
10.		Panasonic ZS80	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
11.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
12.		Panasonic FZ80	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
13.		Pentax K-1 II	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
14.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
15.		Sony HX99	638	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
16.		Sony HX95	638	n	3.0 / 922	tilting	n	1/2000s	10.0/s	Y	Y
17.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The TS7 has one, while the K-1 does not. While the built-in flash of the TS7 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TS7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Pentax K-1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the TS7 and the K-1 write their files to SDXC cards. The K-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the TS7 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TS7 and Pentax K-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic TS7	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Pentax K-1	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
4.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
6.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
8.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
9.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
10.		Panasonic ZS80	-	stereo / mono	-	-	micro	2.0	Y	-	Y
11.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic FZ80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Pentax K-1 II	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
14.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-
15.		Sony HX99	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
16.		Sony HX95	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
17.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

It is notable that the K-1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TS7 does not feature such a mic input.

Studio photographers will appreciate that the Pentax K-1 (unlike the TS7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-1 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the TS7 and the K-1 have been discontinued, but can regularly be found used on ebay. The K-1 was replaced by the Pentax K-1 II, while the TS7 does not have a direct successor. Further information on the features and operation of the TS7 and K-1 can be found, respectively, in the Panasonic TS7 Manual (free pdf) or the online Pentax K-1 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic TS7 and the Pentax K-1? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DC-TS7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• More framing info: Has an electronic viewfinder that displays shooting data.
• Faster burst: Shoots at higher frequency (10 vs 4.4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Comes with a built-in lens, while the K-1 requires a separate lens.
• More compact: Is smaller (117x76mm vs 137x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-1).
• Easier travel charging: Can be conveniently charged via its USB port.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 2 years and 2 months of technical progress since the K-1 launch.

Arguments in favor of the Pentax K-1:

• More detail: Has more megapixels (36.2 vs 20.2MP), which boosts linear resolution by 37%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.45x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1300s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (760 versus 300) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in February 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the K-1 is the clear winner of the contest (23 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic TS7 and the Pentax K-1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the TS7 or the K-1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic TS7	..	+	..	..	..	3.5/5	May 2018	449	ebay.com
2.		Pentax K-1	5/5	..	..	84/100	5/5	5/5	Feb 2016	1,799	ebay.com
3.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	399	amazon.com
4.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	399	ebay.com
5.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
6.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	499	ebay.com
7.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	389	ebay.com
8.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	ebay.com
9.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
10.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	449	ebay.com
11.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	449	ebay.com
12.		Panasonic FZ80	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	399	ebay.com
13.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	1,999	amazon.com
14.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	399	amazon.com
15.		Sony HX99	..	..	..	..	4/5	4.5/5	Aug 2018	449	ebay.com
16.		Sony HX95	..	..	..	..	..	..	Aug 2018	429	ebay.com
17.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	3,199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check TS7 offers at
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Check K-1 offers at
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