Panasonic GX80 versus Fujifilm X-T20
The Panasonic Lumix DMC-GX80 (called Panasonic GX85 in some regions) and the Fujifilm X-T20 are two digital cameras that were revealed to the public, respectively, in April 2016 and January 2017. Both the GX80 and the X-T20 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GX80) and an APS-C sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Fujifilm provides 24 MP.
An illustration of the physical size and weight of the Panasonic GX80 and the Fujifilm X-T20 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the GX80 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T20 is notably larger (13 percent) than the Panasonic GX80. However, the X-T20 is markedly lighter (10 percent) than the GX80. In this context, it is worth noting that neither the GX80 nor the X-T20 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (GX80) and the Fujinon X Lens Catalog (X-T20). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic GX80 (⇒ rgt)||122 mm||71 mm||44 mm||426 g||290||no||2016||799||latest||check|
|Fujifilm X-T20 (⇒ lft)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Fujifilm X-A5 (⇒ lft | rgt)||117 mm||68 mm||40 mm||361 g||450||no||2018||399||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Panasonic GX9 (⇒ lft | rgt)||124 mm||72 mm||47 mm||407 g||260||no||2018||849||latest||check|
|Panasonic G80 (⇒ lft | rgt)||128 mm||89 mm||74 mm||505 g||330||YES||2016||899||latest||check|
|Panasonic G7 (⇒ lft | rgt)||125 mm||86 mm||77 mm||410 g||350||no||2015||649||discont.||check|
|Panasonic GX8 (⇒ lft | rgt)||133 mm||78 mm||63 mm||487 g||330||YES||2015||1,199||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||99 mm||60 mm||36 mm||211 g||220||no||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||99 mm||55 mm||30 mm||204 g||230||no||2013||749||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||123 mm||71 mm||55 mm||402 g||350||no||2013||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX80 was launched at a somewhat lower price (by 11 percent) than the X-T20, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GX80 features a Four Thirds sensor and the Fujifilm X-T20 an APS-C sensor. The sensor area in the X-T20 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GX80 has a native 4:3 aspect ratio, while the one in the X-T20 offers a 3:2 aspect.
With 24MP, the X-T20 offers a higher resolution than the GX80 (15.8MP), but the X-T20 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.77μm for the GX80) due to its larger sensor. Moreover, the X-T20 is a somewhat more recent model (by 9 months) than the GX80, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GX80 (⇒ rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Fujifilm X-T20 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Fujifilm X-A5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/15p||..||..||..||..|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic GX9 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Panasonic G80 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic G7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GX8 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic GX7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GX80 offers a higher resolution than the one in the X-T20 (2765k vs 2360k dots). The adjacent table lists some of the other core features of the Panasonic GX80 and Fujifilm X-T20 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Panasonic GX80 (⇒ rgt)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Fujifilm X-T20 (⇒ lft)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Fujifilm X-A5 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||5.7||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Panasonic GX9 (⇒ lft | rgt)||2760||no||3.0||1240||tilting||YES||4000||9.0||6||YES|
|Panasonic G80 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||9.0||6.2||YES|
|Panasonic G7 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||7.0||9.3||no|
|Panasonic GX8 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||8000||10.0||no||YES|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Panasonic GX7 (⇒ lft | rgt)||2760||no||3.0||1040||tilting||YES||8000||5.0||7||YES|
Both the GX80 and the X-T20 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The GX80 replaced the earlier Panasonic GX7, while the X-T20 followed on from the Fujifilm X-T10.
So how do things add up? Which of the two cameras – the Panasonic GX80 or the Fujifilm X-T20 – has the upper hand? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-GX80:
- More detailed viewfinder: Has higher resolution electronic viewfinder (2765k vs 2360k dots).
- More compact: Is smaller (122x71mm vs 118x83mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More affordable: Was introduced into a lower priced segment (11 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2016).
Arguments in favor of the Fujifilm X-T20:
- More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Longer lasting: Gets more shots (350 versus 290) out of a single battery charge.
- More modern: Was introduced somewhat (9 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GX80 comes out slightly ahead of the X-T20 (5 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GX80 or the X-T20 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic GX80 (⇒ rgt)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Fujifilm X-T20 (⇒ lft)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Fujifilm X-A5 (⇒ lft | rgt)||..||..||..||..||..||2018||399||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Panasonic GX9 (⇒ lft | rgt)||..||..||4.5/5||..||4.5/5||2018||849||latest||check|
|Panasonic G80 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4.5/5||4.5/5||2016||899||latest||check|
|Panasonic G7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||4.5/5||2015||649||discont.||check|
|Panasonic GX8 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||4.5/5||2015||1,199||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||Rec||79/100 Silver||5/5||4.5/5||5/5||2013||999||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, kindly get in touch, and I will try to update the database with the necessary infos.
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