Panasonic GX80 vs Sony A7

The Panasonic Lumix DMC-GX80 (called Panasonic GX85 in some regions) and the Sony Alpha A7 are two digital cameras that were announced, respectively, in April 2016 and October 2013. Both the GX80 and the A7 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GX80) and a full frame (A7) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GX80		Sony A7
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.8 MP – Four Thirds sensor		24 MP – Full Frame sensor
4K/30p Video		1080/60p Video
ISO 200-25,600		ISO 100-25,600 (50 - 51,200)
Electronic viewfinder (2765k dots)		Electronic viewfinder (2400k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1230k dots
Tilting touchscreen		Tilting screen (no touchscreen)
8 shutter flaps per second		5 shutter flaps per second
In-body stabilization		Lens stabilization only
not weather sealed		Weathersealed body
290 shots per battery charge		340 shots per battery charge
122 x 71 x 44 mm, 426 g		127 x 94 x 48 mm, 474 g

Check GX80 price at
amazon.com
Check A7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX80 and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GX80 and the Sony A7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The GX80 can be obtained in two different colors (black, silver), while the A7 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is notably larger (38 percent) than the Panasonic GX80. Moreover, the A7 is markedly heavier (11 percent) than the GX80. It is noteworthy in this context that the A7 is splash and dust-proof, while the GX80 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GX80) and the Sony FE Lens Catalog (A7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GX80 gets 290 shots out of its DMW-BLG10 battery, while the A7 can take 340 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GX80	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	799	amazon.com
2.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
3.		Olympus E-M10 III	122 mm	84 mm	50 mm	410 g	330	n	Aug 2017	649	ebay.com
4.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
6.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
7.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	699	ebay.com
8.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	849	ebay.com
9.		Panasonic G80	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
10.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
11.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
12.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
13.		Samsung NX1	139 mm	102 mm	66 mm	550 g	500	Y	Sep 2014	1,499	ebay.com
14.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	1,799	amazon.com
15.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
16.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
17.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GX80 was launched at a markedly lower price (by 53 percent) than the A7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GX80 features a Four Thirds sensor and the Sony A7 a full frame sensor. The sensor area in the A7 is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GX80 has a native 4:3 aspect ratio, while the one in the A7 offers a 3:2 aspect.

With 24MP, the A7 offers a higher resolution than the GX80 (15.8MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.77μm for the GX80) due to its larger sensor. However, the GX80 is a much more recent model (by 2 years and 5 months) than the A7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GX80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-GX80 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7 offers substantially better image quality than the GX80 (overall score 19 points higher). The advantage is based on 1.9 bits higher color depth, 1.6 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GX80	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
2.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
3.		Olympus E-M10 III	Four Thirds	15.9	4608	3456	4K/30p	23.1	12.8	1120	74
4.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
7.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
8.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
9.		Panasonic G80	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
10.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
11.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
12.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
13.		Samsung NX1	APS-C	28.0	6480	4320	4K/30p	24.2	13.2	1363	83
14.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
15.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
16.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
17.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX80 provides a higher video resolution than the A7. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GX80 offers a higher resolution than the one in the A7 (2765k vs 2400k dots). The following table reports on some other key feature differences and similarities of the Panasonic GX80, the Sony A7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GX80	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
2.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
3.		Olympus E-M10 III	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.6/s	Y	Y
4.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
7.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
8.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
9.		Panasonic G80	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
10.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
11.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
12.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
13.		Samsung NX1	2360	Y	3.0 / 1036	tilting	Y	1/8000s	15.0/s	Y	n
14.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
15.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
17.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GX80 has one, while the A7 does not. While the built-in flash of the GX80 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GX80 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GX80 writes its imaging data to SDXC cards, while the A7 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX80 and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GX80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Olympus E-M10 III	Y	stereo / mono	-	-	micro	2.0	Y	-	-
4.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
9.		Panasonic G80	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
12.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Samsung NX1	Y	stereo / mono	Y	Y	micro	3.0	Y	Y	Y
14.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
15.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the A7 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GX80 lacks such a headphone port.

The GX80 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7 was succeeded by the Sony A7 II. Further information on the features and operation of the GX80 and A7 can be found, respectively, in the Panasonic GX80 Manual (free pdf) or the online Sony A7 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic GX80 or the Sony A7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DMC-GX80:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (2765k vs 2400k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (122x71mm vs 127x94mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 48g or 10 percent) and hence easier to carry around.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
• More modern: Reflects 2 years and 5 months of technical progress since the A7 launch.

Reasons to prefer the Sony Alpha A7:

• More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Gets more shots (340 versus 290) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been around for much longer (launched in October 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the A7 emerges as the winner of the match-up (16 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GX80 and the Sony A7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GX80 and the A7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GX80	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	799	amazon.com
2.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
3.		Olympus E-M10 III	..	+	5/5	80/100	4.5/5	4.5/5	Aug 2017	649	ebay.com
4.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
6.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
7.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	699	ebay.com
8.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	849	ebay.com
9.		Panasonic G80	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
10.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
11.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
12.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
13.		Samsung NX1	5/5	..	..	87/100	5/5	5/5	Sep 2014	1,499	ebay.com
14.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	1,799	amazon.com
15.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
16.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
17.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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