Panasonic GX80 versus Panasonic GX800
The Panasonic Lumix DMC-GX80 (called Panasonic GX85 in some regions) and the Panasonic Lumix DMC-GX800 (labelled Panasonic GX850 in some countries) are two digital cameras that were revealed to the public, respectively, in April 2016 and January 2017. Both the GX80 and the GX800 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 15.8 megapixel.
An illustration of the physical size and weight of the Panasonic GX80 and the Panasonic GX800 is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the GX80 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX800 is notably smaller (20 percent) than the Panasonic GX80. Moreover, the GX800 is substantially lighter (37 percent) than the GX80. In this context, it is worth noting that neither the GX80 nor the GX800 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic GX80 (⇒ rgt)||122 mm||71 mm||44 mm||426 g||290||no||2016||799||latest||check|
|Panasonic GX800 (⇒ lft)||107 mm||65 mm||33 mm||269 g||210||no||2017||549||latest||check|
|Olympus E-M10 III (⇒ lft | rgt)||122 mm||84 mm||50 mm||410 g||330||no||2017||649||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Panasonic TZ100 (⇒ lft | rgt)||111 mm||65 mm||44 mm||312 g||300||no||2016||699||latest||check|
|Panasonic G80 (⇒ lft | rgt)||128 mm||89 mm||74 mm||505 g||330||YES||2016||899||latest||check|
|Panasonic G7 (⇒ lft | rgt)||125 mm||86 mm||77 mm||410 g||350||no||2015||649||discont.||check|
|Panasonic GX8 (⇒ lft | rgt)||133 mm||78 mm||63 mm||487 g||330||YES||2015||1,199||latest||check|
|Panasonic GM5 (⇒ lft | rgt)||99 mm||60 mm||36 mm||211 g||220||no||2014||749||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||122 mm||85 mm||71 mm||390 g||340||no||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||99 mm||55 mm||30 mm||204 g||230||no||2013||749||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||123 mm||71 mm||55 mm||402 g||350||no||2013||999||discont.||check|
|Panasonic G5 (⇒ lft | rgt)||120 mm||83 mm||71 mm||396 g||320||no||2012||599||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||115 mm||84 mm||47 mm||336 g||..||no||2011||599||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX800 was launched at a markedly lower price (by 31 percent) than the GX80, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 15.8 megapixel. This similarity in sensor specs implies that both the GX80 and the GX800 have the same pixel density, as well as the same pixel size. It should, however, be noted that the GX800 is a somewhat more recent model (by 9 months) than the GX80, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GX80 (⇒ rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic GX800 (⇒ lft)||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Olympus E-M10 III (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic TZ100 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Panasonic G80 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic G7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GX8 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic G6 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic GX7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic G5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-|
|Panasonic G3 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||21||10.6||667||56|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GX80 has an electronic viewfinder (2765k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX800 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic GX80 and Panasonic GX800 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Panasonic GX80 (⇒ rgt)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Panasonic GX800 (⇒ lft)||no||no||3.0||1040||tilting||YES||500||10.0||4||no|
|Olympus E-M10 III (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.6||5.8||YES|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Panasonic TZ100 (⇒ lft | rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
|Panasonic G80 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||9.0||6.2||YES|
|Panasonic G7 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||7.0||9.3||no|
|Panasonic GX8 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||8000||10.0||no||YES|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic G6 (⇒ lft | rgt)||1440||no||3.0||1036||swivel||YES||4000||7.0||10.5||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Panasonic GX7 (⇒ lft | rgt)||2760||no||3.0||1040||tilting||YES||8000||5.0||7||YES|
|Panasonic G5 (⇒ lft | rgt)||1440||no||3.0||920||swivel||YES||4000||6.0||10.5||no|
|Panasonic G3 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||4.0||11||no|
Both the GX80 and the GX800 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The GX80 replaced the earlier Panasonic GX7, while the GX800 followed on from the Panasonic GF7.
So how do things add up? Which of the two cameras – the Panasonic GX80 or the Panasonic GX800 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-GX80:
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 500/sec) to freeze action.
- Longer lasting: Can take more shots (290 versus 210) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More heavily discounted: Has been on the market for longer (launched in April 2016).
Arguments in favor of the Panasonic Lumix DMC-GX800:
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (107x65mm vs 122x71mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 157g or 37 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
- More modern: Was introduced somewhat (9 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (5 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GX80 or the GX800 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic GX80 (⇒ rgt)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Panasonic GX800 (⇒ lft)||Rec||76/100||4.5/5||-||4.5/5||2017||549||latest||check|
|Olympus E-M10 III (⇒ lft | rgt)||Rec||80/100||4.5/5||..||4.5/5||2017||649||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Panasonic TZ100 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Panasonic G80 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4.5/5||4.5/5||2016||899||latest||check|
|Panasonic G7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||4.5/5||2015||649||discont.||check|
|Panasonic GX8 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||4.5/5||2015||1,199||latest||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||HiRec||-||5/5||-||4.5/5||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||Rec||79/100 Silver||5/5||4.5/5||5/5||2013||999||discont.||check|
|Panasonic G5 (⇒ lft | rgt)||HiRec||-||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||88/100 HiRec||75/100 Silver||4.5/5||4.5/5||5/5||2011||599||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, kindly get in touch, and I will try to update the database with the necessary infos.
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