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Panasonic G80 versus Sony A6500

The Panasonic Lumix DMC-G80 (called Panasonic G85 in some regions) and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in September 2016 and October 2016. Both the G80 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G80) and an APS-C (A6500) sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Panasonic G80 vs Sony A6500

An illustration of the physical size and weight of the Panasonic G80 and the Sony A6500 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the G80 – represents the basis or 100 percent across all the size and weight measures).

Snapsort Panasonic G80 vs Sony A6500
Compare G80 versus A6500 top
Compare G80 and A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (29 percent) than the Panasonic G80. Moreover, the A6500 is markedly lighter (10 percent) than the G80. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G80) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G80 gets 330 shots out of its DMW-BLC12 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic G80» 5.0 in 3.5 in 2.9 in 17.8 oz 330 Y Sep 2016 899 i i Panasonic G80
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Olympus E-M10 II« » 4.7 in 3.3 in 1.9 in 13.8 oz 320 n Aug 2015 799- i Olympus E-M10 II
Olympus E-M5 II« » 4.9 in 3.3 in 1.8 in 16.5 oz 310 Y Feb 2015 1,099 i i Olympus E-M5 II
Olympus E-P5« » 4.8 in 2.7 in 1.5 in 14.8 oz 330 n May 2013 999- i Olympus E-P5
Olympus E-M5« » 4.8 in 3.5 in 1.7 in 15.0 oz 360 Y Feb 2012 1,299- i Olympus E-M5
Panasonic GH5« » 5.5 in 3.9 in 3.4 in 25.6 oz 410 Y Jan 2017 1,999 i i Panasonic GH5
Panasonic GX80« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX80
Panasonic G7« » 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Panasonic GX7« » 4.8 in 2.8 in 2.2 in 14.2 oz 350 n Aug 2013 999- i Panasonic GX7
Panasonic GH3« » 5.2 in 3.7 in 3.2 in 19.4 oz 540 Y Sep 2012 1,299- i Panasonic GH3
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G80 was launched at a markedly lower price (by 36 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Panasonic G80 vs Sony A6500

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G80 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G80 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

Panasonic G80 and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the G80 (15.8MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G80) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the G80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

G80 versus A6500 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the G80 (overall score 14 points higher). The advantage is based on 1.7 bits higher color depth, 1.2 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Panasonic G80» Four Thirds 15.8 4592 34484K/30p22.812.565671Panasonic G80
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Olympus E-M10 II« » Four Thirds 15.9 4608 34561080/60p23.112.584273Olympus E-M10 II
Olympus E-M5 II« » Four Thirds 15.9 4608 34561080/60p23.012.584273Olympus E-M5 II
Olympus E-P5« » Four Thirds 15.9 4608 34561080/30p22.812.489572Olympus E-P5
Olympus E-M5« » Four Thirds 15.9 4608 34561080/60i22.812.382671Olympus E-M5
Panasonic GH5« » Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
Panasonic GX80« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX80
Panasonic G7« » Four Thirds 15.8 4592 34484K/30p----Panasonic G7
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Panasonic GX7« » Four Thirds 15.8 4592 34481080/60p22.612.271870Panasonic GX7
Panasonic GH3« » Four Thirds 15.9 4608 34561080/60p22.712.481271Panasonic GH3
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Panasonic G80 vs Sony A6500

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G80 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The adjacent table lists some of the other core features of the Panasonic G80 and Sony A6500 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Panasonic G80»2360 n 3.0 1040 swivel Y 4000 9.0 Y Y Panasonic G80
Sony A6500«2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Olympus E-M10 II« »2360 n 3.0 1040 tilting Y 4000 8.0 Y Y Olympus E-M10 II
Olympus E-M5 II« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus E-M5 II
Olympus E-P5« »- n 3.0 1037 tilting Y 8000 9.0 Y Y Olympus E-P5
Olympus E-M5« »1440 n 3.0 610 tilting Y 4000 9.0 n Y Olympus E-M5
Panasonic GH5« »3680 n 3.2 1620 swivel Y 8000 12.0 n Y Panasonic GH5
Panasonic GX80« »2765 n 3.0 1040 tilting Y 4000 8.0 Y Y Panasonic GX80
Panasonic G7« »2360 n 3.0 1040 swivel Y 4000 7.0 Y n Panasonic G7
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Panasonic GX7« »2760 n 3.0 1040 tilting Y 8000 5.0 Y Y Panasonic GX7
Panasonic GH3« »1746 n 3.0 614 swivel Y 4000 6.0 Y n Panasonic GH3
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7

Both the G80 and the A6500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G80 replaced the earlier Panasonic G7, while the A6500 followed on from the Sony A6300.

Review summary: Panasonic G80 vs Sony A6500

So what conclusions can be drawn? Is there a clear favorite between the Panasonic G80 and the Sony A6500? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Panasonic Lumix DMC-G80:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).

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Advantages of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
  • Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 128x89mm) and will fit more readily into a bag.

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (8 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

G80 04:08 A6500

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G80 or the A6500 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic G80»HiRec84/1005/54.5/54.5/5 Sep 2016 899 i i Panasonic G80
Sony A6500«HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Olympus E-M10 II« »HiRec80/1005/55/55/5 Aug 2015 799- i Olympus E-M10 II
Olympus E-M5 II« »HiRec81/1005/54.5/55/5 Feb 2015 1,099 i i Olympus E-M5 II
Olympus E-P5« »HiRec78/1004.5/54.5/55/5 May 2013 999- i Olympus E-P5
Olympus E-M5« »HiRec80/1004.5/55/55/5 Feb 2012 1,299- i Olympus E-M5
Panasonic GH5« »HiRec85/1004.5/55/55/5 Jan 2017 1,999 i i Panasonic GH5
Panasonic GX80« »HiRec82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX80
Panasonic G7« »HiRec80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Panasonic GX7« »Rec79/1005/54.5/55/5 Aug 2013 999- i Panasonic GX7
Panasonic GH3« »HiRec79/1004.5/55/54.5/5 Sep 2012 1,299- i Panasonic GH3
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.

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