Leica V-LUX 4 vs Sony A6500
The Leica V-LUX 4 and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in September 2012 and October 2016. The V-LUX 4 is a fixed lens compact, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (V-LUX 4) and an APS-C (A6500) sensor. The Leica has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica V-LUX 4||Sony A6500|
|Fixed lens compact camera||Mirrorless system camera|
|25-600mm f/2.8||Sony E mount lenses|
|12 MP, 1/2.3" Sensor||24 MP, APS-C Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-3,200 (100 - 6,400)||ISO 100-25,600 (100 - 51,200)|
|Electronic viewfinder (1312k dots)||Electronic viewfinder (2359k dots)|
|3.0 LCD, 460k dots||3.0 LCD, 922k dots|
|Swivel screen (not touch-sensitive)||Tilting touchscreen|
|12 shutter flaps per second||11 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|540 shots per battery charge||350 shots per battery charge|
|125 x 87 x 110 mm, 588 g||120 x 67 x 53 mm, 453 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 4 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica V-LUX 4 and the Sony A6500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (26 percent) than the Leica V-LUX 4. It is noteworthy in this context that the A6500 is splash and dust-proof, while the V-LUX 4 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 4 has a lens built in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6500 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the V-LUX 4 gets 540 shots out of its BP-DC12 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349|
|Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V-LUX 4 was launched at a lower price than the A6500, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica V-LUX 4 features a 1/2.3-inch sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the V-LUX 4 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.
With 24MP, the A6500 offers a higher resolution than the V-LUX 4 (12MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.53μm for the V-LUX 4) due to its larger sensor. Moreover, the A6500 is a much more recent model (by 4 years) than the V-LUX 4, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V-LUX 4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica V-LUX 4 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica V-LUX 4 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the V-LUX 4. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6500 offers a substantially higher resolution than the one in the V-LUX 4 (2359k vs 1312k dots). The table below summarizes some of the other core capabilities of the Leica V-LUX 4 and Sony A6500 in connection with corresponding information for a sample of similar cameras.
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
|Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y|
|Leica X Vario||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y|
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the V-LUX 4 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The V-LUX 4 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The V-LUX 4 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 4 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-|
|Leica X Vario||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX 3||Y||stereo||-||-||-||mini||2.0||-||-||-|
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-|
It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V-LUX 4 does not provide wifi capability.
Both the V-LUX 4 and the A6500 have been discontinued, but can regularly be found used on eBay. The V-LUX 4 was replaced by the Leica V-LUX Typ 114, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Is there a clear favorite between the Leica V-LUX 4 and the Sony A6500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Leica V-LUX 4:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the A6500 requires a separate lens.
- Longer lasting: Can take more shots (540 versus 350) on a single battery charge.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Reasons to prefer the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1312k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (120x67mm vs 125x87mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 4 years of technical progress since the V-LUX 4 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (19 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 4 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the V-LUX 4 or the A6500 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica V-LUX 4||..||..||..||..||..||Sep 2012||949|
|Sony A6500||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399|
|Canon G1 X Mark II||+||77/100||4/5||4/5||4.5/5||Feb 2014||799|
|Canon G1 X||+||76/100||4/5||4/5||4.5/5||Jan 2012||799|
|Canon SX50||+ +||72/100||4.5/5||..||4.5/5||Sep 2012||429|
|Leica V-LUX Typ 114||..||..||..||..||5/5||Sep 2014||1,349|
|Leica X Vario||..||..||4/5||4/5||4/5||Jun 2013||2,850|
|Leica D-LUX 6||..||..||4/5||..||4/5||Sep 2012||699|
|Leica V-LUX 3||..||..||..||..||..||Dec 2011||949|
|Leica V-LUX 2||..||..||..||..||..||Sep 2010||849|
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Panasonic FZ200||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Panasonic FZ150||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499|
|Sony A6600||+||83/100||4.5/5||..||4/5||Aug 2019||1,399|
|Sony A6300||+||85/100||5/5||5/5||5/5||Feb 2016||999|
|Sony A7||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Leica V-LUX 4
- Canon 1D X Mark II vs Leica V-LUX 4
- Canon 70D vs Leica V-LUX 4
- Canon M3 vs Leica V-LUX 4
- Leica S Typ 006 vs Leica V-LUX 4
- Leica V-LUX 4 vs Nikon D5200
- Leica V-LUX 4 vs Ricoh GR
- Nikon D850 vs Sony A6500
- Panasonic TS7 vs Sony A6500
- Sony A6500 vs Sony A68
- Sony A6500 vs Sony NEX-5N
- Sony A6500 vs Sony RX100 III
Specifications: Leica V-LUX 4 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX 4||Sony A6500|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8||Sony E mount lenses|
|Launch Date||September 2012||October 2016|
|Launch Price||USD 949||USD 1,399|
|Sensor Specs||Leica V-LUX 4||Sony A6500|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.5 x 15.6 mm|
|Sensor Area||28.0735 mm2||366.6 mm2|
|Sensor Diagonal||7.7 mm||28.2 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.53 μm||3.91 μm|
|Pixel Density||42.74 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 6,400 ISO||100 - 51,200 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.5|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1405|
|Screen Specs||Leica V-LUX 4||Sony A6500|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1312k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica V-LUX 4||Sony A6500|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica V-LUX 4||Sony A6500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica V-LUX 4||Sony A6500|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||540 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
125 x 87 x 110 mm
(4.9 x 3.4 x 4.3 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||588 g (20.7 oz)||453 g (16.0 oz)|
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