Panasonic G80 vs Sony A7S II
The Panasonic Lumix DMC-G80 (called Panasonic G85 in some regions) and the Sony Alpha 7S II are two digital cameras that were revealed to the public, respectively, in September 2016 and September 2015. Both the G80 and the A7S II are mirrorless interchangeable lens cameras that are based on a Four Thirds (G80) and a full frame (A7S II) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 12 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic G80||Sony A7S II|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|15.8 MP, Four Thirds Sensor||12 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 200-25600||ISO 100-102400 (50-409600)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|9 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|330 shots per battery charge||370 shots per battery charge|
|128 x 89 x 74 mm, 505 g||127 x 96 x 60 mm, 627 g|
Body comparison: Panasonic G80 vs Sony A7S II
The side-by-side display below illustrates the physical size and weight of the Panasonic G80 and the Sony A7S II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G80 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably larger (7 percent) than the Panasonic G80. Moreover, the A7S II is markedly heavier (24 percent) than the G80. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G80) and the Sony FE Lens Catalog (A7S II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic G80»||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G80|
|Sony A7S II«||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||799||-||Olympus E-M10 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX80« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX80|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G80 was launched at a markedly lower price (by 70 percent) than the A7S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic G80 vs Sony A7S II
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G80 features a Four Thirds sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G80 has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the Panasonic G80 offers a higher resolution of 15.8 megapixels, compared with 12 MP of the Sony A7S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 8.40μm for the A7S II). However, it should be noted that the G80 is a somewhat more recent model (by 1 year) than the A7S II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the G80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-G80 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7S II offers substantially better image quality than the G80 (overall score 14 points higher). The advantage is based on 0.8 bits higher color depth, 0.8 EV in additional dynamic range, and 2.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic G80»||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G80|
|Sony A7S II«||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX80« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic G80 vs Sony A7S II
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7S II offers a slightly higher resolution than the one in the G80 (2400k vs 2360k dots). The adjacent table lists some of the other core features of the Panasonic G80 and Sony A7S II along with similar information for a selection of comparators.
|Panasonic G80»||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y||Panasonic G80|
|Sony A7S II«||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y||Olympus E-M1 II|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y||Olympus E-M1|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||8000||9.0||Y||Y||Olympus E-P5|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y||Panasonic GH5|
|Panasonic GX80« »||2765||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Panasonic GX80|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||4000||7.0||Y||n||Panasonic G7|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||8000||10.0||n||Y||Panasonic GX8|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||8000||12.0||Y||n||Panasonic GH4|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y||Sony A7R III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||8000||20.0||n||Y||Sony A9|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||8000||5.0||n||n||Sony A7S|
One difference between the cameras concerns the presence of an on-board flash. The G80 has one, while the A7S II does not. While the built-in flash of the G80 is not very powerful, it can at times be useful as a fill-in light.The G80 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7S II does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The G80 writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison: Panasonic G80 vs Sony A7S II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G80 and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G80»||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G80|
|Sony A7S II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Panasonic G7« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
It is notable that the A7S II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G80 lacks such a headphone port.
Both the G80 and the A7S II are recent models that feature in their makers' current product line-up. The A7S II replaced the earlier Sony A7S, while the G80 followed on from the Panasonic G7.
Review summary: Panasonic G80 vs Sony A7S II
So what is the bottom line? Is the Panasonic G80 better than the Sony A7S II or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-G80:
- More detail: Offers more megapixels (15.8 vs 12MP) with a 13% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 122g or 19 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year after the A7S II).
Arguments in favor of the Sony Alpha 7S II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.2 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Longer lasting: Gets more shots (370 versus 330) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in September 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (10 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the G80 and the A7S II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Panasonic G80 vs Sony A7S II
This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Panasonic G80»||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||Panasonic G80|
|Sony A7S II«||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-||Olympus E-M10 II|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||HiRec||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX80« »||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX80|
|Panasonic G7« »||HiRec||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Panasonic GX8« »||Rec||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||HiRec||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Sony A7R III« »||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||HiRec||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
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Specifications: Panasonic G80 vs Sony A7S II
|Camera Model||Panasonic G80||Sony A7S II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2016||September 2015|
|Launch Price||USD 899||USD 2999|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 13.0 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||15.8 Megapixels||12 Megapixels|
|Image Resolution||4592 x 3448 pixels||4240 x 2832 pixels|
|Pixel Pitch||3.77 μm||8.40 μm|
|Pixel Density||7.04 MP/cm2||1.42 MP/cm2|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||100-102400 ISO|
|ISO Boost||no Enhancement||50-409600 ISO|
|Image Processor||Venus||BIONZ X|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Resolution||2360k dots||2400k dots|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||9 shutter flaps/s||5 shutter flaps/s|
|Silent Shooting||Electronic Shutter||Electronic Shutter|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||DMW-BLC12 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||330 shots per charge||370 shots per charge|
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||505 g (17.8 oz)||627 g (22.1 oz)|
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