Sony A6500 Comparison Review
The Sony Alpha A6500 is a mirrorless interchangeable lens camera that was announced in October 2016 and is equipped with an APS-C sensor. It offers a resolution of 24 megapixel.
The Sony A6500 has a Camera Elo of 2847. This very strong rating puts it among the elite group of camera grand masters. The A6500 ranks among the top 20 percent of all mirrorless interchangeable lens cameras. In terms of its sensor size category (APS cameras), the A6500 ranks among the top 10 percent.
|Mirrorless system camera|
|Sony E mount lenses|
|24 MP, APS-C Sensor|
|ISO 100-25600 (100-51200)|
|Electronic viewfinder (2359k dots)|
|3.0" LCD, 922k dots|
|11 shutter flaps per second|
|350 shots per battery charge|
|120 x 67 x 53 mm, 453 g|
Read on to find out more about the camera's size, sensor, features, reception by expert reviewers, and how it compares to other digital cameras.
Body comparison with a credit card
The side-by-side display below illustrates the physical size of the Sony A6500 vis-à-vis a credit card. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The table below summarizes the key physical specs of the Sony A6500 alongside a set of comparators. If you want to review a camera pair side-by-side, just select a right-side comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Sony A6500||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Canon G1 X Mark III« »||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The Sony A6500 was launched in the US market at a price of $1,399. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison with a 35mm slide
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
The Sony A6500 features an APS-C sensor and has a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the Sony A6500 among the medium-sized sensor cameras that aim to strike a balance between image quality and portability.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but can also record movies. The A6500 indeed provides movie recording capabilities. The highest resolution format that the A6500 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder with a resolution of 2359k dots. The viewfinder offers a field of view of 100% and a magnification of 0.70x. The adjacent tables list some of the other core features of the Sony A6500 along with similar information for a selection of comparators.
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One convenient feature of the A6500 is the presence of an on-board flash. While this built-in flash is not very powerful, it can at times be useful as a fill-in light to brighten deep shadow areas.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Canon G1 X Mark III« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Olympus PEN-F« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
It is notable that the A6500 has a microphone port. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
While the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).
|Sony A6500||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||Sony A6500|
|Canon G1 X Mark III« »||+||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199||Olympus PEN-F|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Sony A6500 FAQ
Below are some additional questions and answers concerning some particular features of the A6500.
What technology is the imaging sensor in the A6500 based on?
The camera features a CMOS (Complementary Metal–Oxide–Semiconductor) sensor.
Which image processing chip is used to convert the raw signal into an image file and perform noise reduction and image sharpening?
Sony equipped the A6500 with the BIONZ X image processor.
What is the ISO sensitivity range of the A6500?
The camera has a native sensitivity range from ISO 100 to ISO 25600.
What is the life expectancy of the shutter in the Sony Alpha A6500?
Sony mentions a shutter rating of 200 000 actuations for the A6500. This number represents a Mean Time before Failure, that is an average value. The shutter might fail earlier, or it might last longer. Anyway, in order to exhaust the expected shutter life of the A6500 over, say, three years, one would have to take about 200 pictures each and every day.
How do I find the shutter count on my Sony A6500?
Sony embeds the number of shutter actuations in image metadata. You can check the number of shots that your A6500 has taken up to now by uploading a recent image to the online shutter count app.
Is completely silent shooting possible with the Sony A6500?
The camera has an electronic shutter option, so that it is indeed feasible to capture images without any shutter noise.
Is it difficult to use manual focus lenses with the Sony A6500?
The A6500 offers focus peaking as a manual focus aid. This feature works by placing a colored highlight on in-focus zones within the image.
Does the Sony A6500 feature an autofocus assist light?
Yes, the camera has a lamp built-in that can illuminate the subject and improve autofocus in low-light settings.
What is the fastest shutter speed that can be used with flash?
The A6500's flash sync speed is 1/160 sec.
Does the Sony A6500 support the Ultra High Speed (UHS) bus interface for SD cards?
Yes, the camera can indeed use UHS-I cards (data transfer speed of up to 104 MB/s).
Which battery does the A6500 use?
The camera gets its power from the NP-FW50 (here at amazon), which is a rechargeable Lithium-Ion power pack.
Is there a vertical grip available for the A6500?
Sony does not offer an optional battery grip, but third party suppliers do (see here on eBay).
Where can I find the best deals for the A6500?
Camera to camera comparisons
If you would like to see a side-by-side review of this and another camera, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark III vs Sony A6500
- Canon 400D vs Sony A6500
- Canon 650D vs Sony A6500
- Canon G1 X Mark III vs Sony A6500
- Canon T6 vs Sony A6500
- Panasonic G5 vs Sony A6500
- Pentax K-1 vs Sony A6500
- Sony A6500 vs Sony A77 II
- Sony A6500 vs Sony NEX-5N
- Sony A6500 vs Sony RX1
- Sony A6500 vs Sony RX10
- Sony A6500 vs Sony RX100 III
|Camera Model||Sony A6500|
|Camera Type||Mirrorless system camera|
|Camera Lens||Sony E mount lenses|
|Launch Date||October 2016|
|Launch Price||USD 1399|
|Sensor Format||APS-C Sensor|
|Sensor Size||23.5 x 15.6 mm|
|Sensor Area||366.6 mm2|
|Sensor Diagonal||28.2 mm|
|Sensor Resolution||24 Megapixels|
|Image Resolution||6000 x 4000 pixels|
|Pixel Pitch||3.91 μm|
|Pixel Density||6.55 MP/cm2|
|Moiré control||Anti-Alias filter|
|Movie Capability||4K/30p Video|
|ISO Setting||100-25600 ISO|
|ISO Boost||100-51200 ISO|
|Image Processor||BIONZ X|
|DXO Sensor Quality (score)||85|
|DXO Color Depth (bits)||24.5|
|DXO Dynamic Range (EV)||13.7|
|DXO Low Light (ISO)||1405|
|Viewfinder Type||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch|
|LCD Resolution||922k dots|
|LCD Attachment||Tilting screen|
|Autofocus System||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking|
|Maximum Shutter Speed||1/4000s|
|Continuous Shooting||11 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations|
|Silent Shooting||Electronic Shutter|
|Time Lapse Photography||no Intervalometer|
|Image Stabilization||In-body stabilization|
|Fill Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards|
|Second Storage Option||Single card slot|
|UHS card support||UHS-I|
|USB Connector||USB 2.0|
|HDMI Port||micro HDMI|
|Microphone Port||External MIC port|
|Wifi Support||Wifi built-in|
|Near-Field Communication||NFC built-in|
|Environmental Sealing||Weathersealed body|
|Battery Type||NP-FW50 power pack|
|Battery Life (CIPA)||350 shots per charge|
|In-Camera Charging||USB charging|
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||453 g (16.0 oz)|
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