Sony A6400 vs A6500
The Sony Alpha A6400 and the Sony Alpha A6500 are two enthusiast cameras that were officially introduced, respectively, in January 2019 and October 2016. Both the A6400 and the A6500 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A6400||Sony A6500|
|Mirrorless system camera||Mirrorless system camera|
|Sony E mount lenses||Sony E mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-32000 (100-102400)||ISO 100-25600 (100-51200)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2359k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 922k dots|
|Tilting touchscreen||Tilting touchscreen|
|11 shutter flaps per second||11 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|410 shots per battery charge||350 shots per battery charge|
|120 x 67 x 50 mm, 403 g||120 x 67 x 53 mm, 453 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6400 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Sony A6400 vs A6500
An illustration of the physical size and weight of the Sony A6400 and the Sony A6500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
In this particular case, the Sony A6400 and the Sony A6500 have exactly the same width and height, and, thus, have identically-sized bodies. However, the A6500 is markedly heavier (12 percent) than the A6400. It is noteworthy in this context that the A6500 is splash and dust-proof, while the A6400 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Sony E-Mount Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Sony A6400»||120 mm||67 mm||50 mm||403 g||410||n||Jan 2019||899||Sony A6400|
|Sony A6500«||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||Sony A6500|
|Canon 2000D« »||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||Canon 2000D|
|Canon M50« »||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Canon M5« »||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||Canon M5|
|Fujifilm X-T30« »||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899||Fujifilm X-T30|
|Leica C-LUX« »||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||Leica C-LUX|
|Olympus PEN-F« »||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||Olympus PEN-F|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony A6300« »||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Sony A7« »||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A3000« »||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||-||Sony A3000|
|Sony NEX-6« »||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-7« »||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6400 was launched at a markedly lower price (by 36 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Sony A6400 vs A6500
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor and have a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 24 megapixels. This similarity in sensor specs implies that both the A6400 and the A6500 have the same pixel density, as well as the same pixel size. It should, however, be noted that the A6400 is much more recent (by 2 years and 3 months) than the A6500, and its sensor will have benefitted from technological advances during this time.
The Sony Alpha A6400 has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 100-102400. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A6400»||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6500«||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Fujifilm X-T30« »||APS-C||26.0||6240||4160||4K/30p||-||-||-||-||Fujifilm X-T30|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-6« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Sony A6400 vs A6500
Apart from body and sensor, cameras can and do differ across a range of features. The A6400 and the A6500 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2359k dots. The table below summarizes some of the other core capabilities of the Sony A6400 and Sony A6500 in connection with corresponding information for a sample of similar cameras.
|Sony A6400»||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6500«||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Fujifilm X-T30« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T30|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony NEX-6« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One feature that differentiates the A6500 and the A6400 is in-body image stabilization (IBIS). The A6500 reduces the risk of handshake-induced blur with all attached lenses, while the A6400 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The A6400 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the A6400 and the A6500 write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Sony A6400 vs A6500
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6400 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6400»||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6500«||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Fujifilm X-T30« »||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T30|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Olympus PEN-F« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-6« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
Both the A6400 and the A6500 are recent models that are part of the current product line-up. The A6500 replaced the earlier Sony A6300, while the A6400 followed on from the Sony A6300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
Review summary: Sony A6400 vs A6500
So what conclusions can be drawn? Is the Sony A6400 better than the Sony A6500 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Sony Alpha A6400:
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less heavy: Is lighter (by 50g or 11 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (410 versus 350) on a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More modern: Reflects 2 years and 3 months of technical progress since the A6500 launch.
Reasons to prefer the Sony Alpha A6500:
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been around for much longer (launched in October 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the A6400 emerges as the winner of the contest (6 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6400 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A6400 or the A6500 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony A6400 vs A6500
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A6400»||+||85/100||4.5/5||-||4/5||Jan 2019||899||Sony A6400|
|Sony A6500«||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||Sony A6500|
|Canon 2000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Fujifilm X-T30« »||+ +||84/100||4.5/5||-||4.5/5||Feb 2019||899||Fujifilm X-T30|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199||Olympus PEN-F|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony NEX-6« »||+ +||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark IV vs Sony A6400
- Canon 4000D vs Sony A6500
- Canon 700D vs Sony A6400
- Canon G1 X Mark III vs Sony A6400
- Epson R-D1 vs Sony A6400
- Fujifilm X100 vs Sony A6500
- Nikon D7100 vs Sony A6400
- Nikon W150 vs Sony A6400
- Olympus E-PL3 vs Sony A6500
- Panasonic TS7 vs Sony A6500
- Samsung NX500 vs Sony A6400
- Sony A6500 vs Sony A850
Specifications: Sony A6400 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6400||Sony A6500|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||January 2019||October 2016|
|Launch Price||USD 899||USD 1399|
|Sensor Specs||Sony A6400||Sony A6500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||366.6 mm2||366.6 mm2|
|Sensor Diagonal||28.2 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.91 μm||3.91 μm|
|Pixel Density||6.55 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-32000 ISO||100-25600 ISO|
|ISO Boost||100-102400 ISO||100-51200 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||83||85|
|DXO Color Depth (bits)||24||24.5|
|DXO Dynamic Range (EV)||13.6||13.7|
|DXO Low Light (ISO)||1431||1405|
|Screen Specs||Sony A6400||Sony A6500|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A6400||Sony A6500|
|Autofocus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||11 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||200 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A6400||Sony A6500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Sony A6400||Sony A6500|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||NP-FW50 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||410 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 50 mm
(4.7 x 2.6 x 2.0 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||403 g (14.2 oz)||453 g (16.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.