Panasonic FT7 vs GH2

The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Panasonic Lumix DMC-GH2 are two digital cameras that were announced, respectively, in May 2018 and September 2010. The FT7 is a fixed lens compact, while the GH2 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FT7) and a Four Thirds (GH2) sensor. The FT7 has a resolution of 20.2 megapixels, whereas the GH2 provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FT7		Panasonic GH2
Fixed lens compact camera		Mirrorless system camera
28-128mm f/3.3-5.9		Micro Four Thirds lenses
20.2 MP – 1/2.3" sensor		15.9 MP – Four Thirds sensor
4K/30p Video		1080/60i Video
ISO 80-3,200 (80 - 6,400)		ISO 160-12,800
Electronic viewfinder (1170k dots)		Electronic viewfinder (1534k dots)
3.0" LCD – 1040k dots		3.0" LCD – 460k dots
Fixed screen (not touch-sensitive)		Swivel screen (not touch-sensitive)
10 shutter flaps per second		3 shutter flaps per second
Waterproof body (31m)		not weather sealed
300 shots per battery charge		330 shots per battery charge
117 x 76 x 37 mm, 319 g		124 x 90 x 76 mm, 442 g

Check FT7 offers at
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Check GH2 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FT7 and the Panasonic Lumix DMC-GH2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic FT7 and the Panasonic GH2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The FT7 can be obtained in three different colors (black, blue, orange), while the GH2 is available in two color-versions (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH2 is notably larger (26 percent) than the Panasonic FT7. It is worth mentioning in this context that the FT7 is splash and dust resistant, while the GH2 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the GH2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH2 and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the FT7 gets 300 shots out of its Panasonic DMW-BCM13 battery, while the GH2 can take 330 images on a single charge of its Panasonic DMW-BLC12 power pack. The power pack in the FT7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic FT7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	US$ 449	ebay.com
2.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	US$ 899	ebay.com
3.		Canon G1 X Mark III	115 mm	78 mm	51 mm	399 g	200	Y	Oct 2017	US$ 1 299	ebay.com
4.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	US$ 399	ebay.com
5.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	US$ 399	amazon.com
6.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	US$ 399	ebay.com
7.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	US$ 499	ebay.com
8.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	US$ 389	ebay.com
9.		Panasonic FZ82	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	US$ 399	amazon.com
10.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	US$ 749	ebay.com
11.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	US$ 899	ebay.com
12.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	US$ 749	ebay.com
13.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	US$ 749	ebay.com
14.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	US$ 999	ebay.com
15.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
16.		Panasonic TZ95	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	US$ 449	ebay.com
17.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	US$ 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FT7 was launched at a lower price than the GH2, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Panasonic GH2 a Four Thirds sensor. The sensor area in the GH2 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Despite having a smaller sensor, the Panasonic FT7 offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the Panasonic GH2. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.76μm for the GH2). However, it should be noted that the FT7 is much more recent (by 7 years and 7 months) than the GH2, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic GH2 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GH2 are ISO 160 to ISO 12800 (no boost).

In terms of underlying technology, the FT7 is build around a BSI-CMOS sensor, while the GH2 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FT7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
2.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
3.		Canon G1 X Mark III	APS-C	24.0	6000	4000	1080/60p	23.8	13.2	1649	81
4.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
5.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
6.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
7.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
8.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
9.		Panasonic FZ82	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
10.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
11.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
12.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
13.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
14.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
15.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
16.		Panasonic TZ95	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
17.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FT7 provides a higher video resolution than the GH2. It can shoot video footage at 4K/30p, while the GH2 is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH2 offers a higher resolution than the one in the FT7 (1534k vs 1170k dots). The following table reports on some other key feature differences and similarities of the Panasonic FT7, the Panasonic GH2, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FT7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
2.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
3.		Canon G1 X Mark III	2360	n	3.0 / 1040	swivel	Y	1/2000s	9.0/s	Y	Y
4.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
5.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
6.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
7.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
8.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
9.		Panasonic FZ82	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
10.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
11.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
12.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
13.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
14.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
15.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
16.		Panasonic TZ95	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

Concerning the storage of imaging data, both the FT7 and the GH2 write their files to SDXC cards. The FT7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GH2 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Panasonic Lumix DMC-GH2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FT7	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Canon G1 X Mark III	Y	stereo / mono	-	-	micro	2.0	Y	Y	Y
4.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
6.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
9.		Panasonic FZ82	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
12.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
15.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic TZ95	-	stereo / mono	-	-	micro	2.0	Y	-	Y
17.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-

It is notable that the FT7 offers wifi support, while the GH2 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the FT7 and the GH2 have been discontinued, but can regularly be found used on ebay. The GH2 was replaced by the Panasonic GH3, while the FT7 does not have a direct successor. Further information on the features and operation of the FT7 and GH2 can be found, respectively, in the Panasonic FT7 Manual (free pdf) or the online Panasonic GH2 Manual.

Review summary

So what is the bottom line? Is the Panasonic FT7 better than the Panasonic GH2 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Panasonic Lumix DC-FT7:

• More detail: Offers more megapixels (20.2 vs 15.9MP) with a 13% higher linear resolution.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
• Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Has a lens built-in, whereas the GH2 requires a separate lens.
• More compact: Is smaller (117x76mm vs 124x90mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the GH2).
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 7 years and 7 months of technical progress since the GH2 launch.

Reasons to prefer the Panasonic Lumix DMC-GH2:

• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (1534k vs 1170k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.45x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been around for much longer (launched in September 2010).

If the number of relative strengths (bullet points above) is taken as a guide, the FT7 emerges as the winner of the contest (16 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FT7 and the Panasonic GH2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FT7 or the GH2 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic FT7	..	+	..	..	3.5/5	3.5/5	May 2018	US$ 449	ebay.com
2.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	US$ 899	ebay.com
3.		Canon G1 X Mark III	5/5	+	4/5	79/100	4.5/5	4.5/5	Oct 2017	US$ 1 299	ebay.com
4.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	US$ 399	ebay.com
5.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	US$ 399	amazon.com
6.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	US$ 399	ebay.com
7.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	US$ 499	ebay.com
8.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	US$ 389	ebay.com
9.		Panasonic FZ82	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	US$ 399	amazon.com
10.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	US$ 749	ebay.com
11.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	US$ 899	ebay.com
12.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	US$ 749	ebay.com
13.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	US$ 749	ebay.com
14.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	US$ 999	ebay.com
15.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
16.		Panasonic TZ95	..	+ +	..	..	4.5/5	..	Feb 2019	US$ 449	ebay.com
17.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	US$ 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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