Olympus E-PL5 vs Panasonic FT7
The Olympus PEN E-PL5 and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were announced, respectively, in September 2012 and May 2018. The E-PL5 is a mirrorless interchangeable lens camera, while the FT7 is a fixed lens compact. The cameras are based on a Four Thirds (E-PL5) and a 1/2.3-inch (FT7) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PL5||Panasonic FT7|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||28-128mm f/3.3-5.9|
|15.9 MP, Four Thirds Sensor||20.2 MP, 1/2.3" Sensor|
|1080/30p Video||4K/30p Video|
|ISO 200-25600||ISO 80-3200 (80-6400)|
|Viewfinder optional||Electronic viewfinder (1170k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Not weather sealed||Waterproof body (31m)|
|360 shots per battery charge||300 shots per battery charge|
|111 x 64 x 38 mm, 325 g||117 x 76 x 37 mm, 319 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL5 and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-PL5 and the Panasonic FT7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PL5 can be obtained in three different colors (black, silver, white), while the FT7 is also available in three color-versions, but different ones (black, blue, orange).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is notably larger (25 percent) than the Olympus E-PL5. It is noteworthy in this context that the FT7 is splash and dust-proof, while the E-PL5 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the E-PL5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-PL5 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the E-PL5 gets 360 shots out of its BLS-5 battery, while the FT7 can take 300 images on a single charge of its DMW-BCM13 power pack. The power pack in the FT7 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-PL5»||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||Olympus E-PL5|
|Panasonic FT7«||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Olympus E-PL9« »||4.6 in||2.7 in||1.5 in||13.4 oz||350||n||Feb 2018||599||Olympus E-PL9|
|Olympus E-PL8« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Sep 2016||549||Olympus E-PL8|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||Olympus E-PL7|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||Olympus E-P5|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||Olympus E-PL6|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||Olympus E-PM2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||Olympus E-PL3|
|Panasonic TZ95« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FT7 was launched at a lower price than the E-PL5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-PL5 features a Four Thirds sensor and the Panasonic FT7 a 1/2.3-inch sensor. The sensor area in the FT7 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the FT7 offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the E-PL5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.76μm for the E-PL5). However, it should be noted that the FT7 is much more recent (by 5 years and 7 months) than the E-PL5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Olympus E-PL5 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Olympus PEN E-PL5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Panasonic FT7||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic FT7|
|Canon SX740||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX740|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Fujifilm XF10||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm XF10|
|Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..||Olympus E-PL9|
|Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL8|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL6|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Panasonic TZ95||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic TZ95|
|Panasonic TZ90||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FT7 provides a better video resolution than the E-PL5. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PL5 relies on live view and the rear LCD for framing. That said, the E-PL5 can be equipped with an optional viewfinder – the VF-3. The following table reports on some other key feature differences and similarities of the Olympus E-PL5, the Panasonic FT7, and comparable cameras.
|Olympus E-PL5||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Panasonic FT7||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Canon SX740||none||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Fujifilm XF10||none||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Olympus E-PL9||none||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-PL8||none||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL8|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7||optional||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL6||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL6|
|Olympus E-PM2||optional||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Panasonic TZ95||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Panasonic TZ90||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-PL5 has a touchscreen, while the FT7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The E-PL5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the FT7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the E-PL5 and the FT7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL5 and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-PL5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Panasonic FT7||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Canon SX740||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Fujifilm XF10||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Olympus E-PL9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-PL8||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL8|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Olympus E-PM2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Panasonic TZ95||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic TZ90||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
It is notable that the E-PL5 has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The FT7 is a recent model that features in the current product line-up of Panasonic. In contrast, the E-PL5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-PL5 was succeeded by the Olympus E-PL6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Olympus E-PL5 or the Panasonic FT7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus PEN E-PL5:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (111x64mm vs 117x76mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (360 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Reasons to prefer the Panasonic Lumix DC-FT7:
- More detail: Has more megapixels (20.2 vs 15.9MP), which boosts linear resolution by 13%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the E-PL5 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-PL5).
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 7 months of technical progress since the E-PL5 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FT7 comes out slightly ahead of the E-PL5 (14 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL5 and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-PL5 and the FT7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 77D vs Olympus E-PL5
- Canon M10 vs Olympus E-PL5
- Canon SX740 vs Olympus E-PL5
- Fujifilm XF10 vs Olympus E-PL5
- Fujifilm XP130 vs Panasonic FT7
- Nikon D600 vs Olympus E-PL5
- Nikon D90 vs Panasonic FT7
- Olympus E-PL5 vs Panasonic GF1
- Olympus E-PL5 vs Sony A7R
- Panasonic FT7 vs Pentax 645D
- Panasonic FT7 vs Pentax K-3 II
- Panasonic FT7 vs Sony RX100 VII
Specifications: Olympus E-PL5 vs Panasonic FT7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL5||Panasonic FT7|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||28-128mm f/3.3-5.9|
|Launch Date||September 2012||May 2018|
|Launch Price||USD 599||USD 449|
|Sensor Specs||Olympus E-PL5||Panasonic FT7|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||15.9 Megapixels||20.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.76 μm||1.18 μm|
|Pixel Density||7.08 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||80-3200 ISO|
|ISO Boost||no Enhancement||80-6400 ISO|
|Image Processor||TruePic VI||Venus|
|DXO Sensor Quality (score)||72||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.3||..|
|DXO Low Light (ISO)||889||..|
|Screen Specs||Olympus E-PL5||Panasonic FT7|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1170k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-PL5||Panasonic FT7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-PL5||Panasonic FT7|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-PL5||Panasonic FT7|
|Environmental Sealing||Not weather sealed||Waterproof body (31m)|
|Battery Life (CIPA)||360 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
111 x 64 x 38 mm
(4.4 x 2.5 x 1.5 in)
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
|Camera Weight||325 g (11.5 oz)||319 g (11.3 oz)|
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