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Fujifilm X-Pro2 versus Olympus PEN-F

The Fujifilm X-Pro2 and the Olympus PEN-F are two enthusiast cameras that were revealed to the public in January 2016. Both the X-Pro2 and the PEN-F are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro2) and a Four Thirds sensor. The Fujifilm has a resolution of 24 megapixel, whereas the Olympus provides 20.2 MP.

Body comparison

An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Olympus PEN-F is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the X-Pro2 – represents the basis for the calculations across all the size and weight measures).

Fujifilm X-Pro2 vs Olympus PEN-F front
X-Pro2 versus PEN-F top view
X-Pro2 and PEN-F rear side
Body view (X-Pro2 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is notably smaller (23 percent) than the Fujifilm X-Pro2. Moreover, the PEN-F is markedly lighter (14 percent) than the X-Pro2. It is worth mentioning in this context that the X-Pro2 is splash and dust resistant, while the PEN-F does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Micro Four Thirds Lens Catalog (PEN-F). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Fujifilm X-Pro2 (⇒ rgt) 141 mm 83 mm 46 mm 495 g 350 YES 2016 1,699 latest check
Olympus PEN-F (⇒ lft) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Canon 6D Mark II (⇒ lft | rgt) 144 mm 111 mm 75 mm 765 g 1200 YES 2017 1,999 latest check
Fujifilm X-E3 (⇒ lft | rgt) 121 mm 74 mm 43 mm 337 g 350 no 2017 899 latest check
Fujifilm X-T20 (⇒ lft | rgt) 118 mm 83 mm 41 mm 383 g 350 no 2017 899 latest check
Fujifilm X-A3 (⇒ lft | rgt) 117 mm 67 mm 40 mm 339 g 410 no 2016 399 latest check
Fujifilm X-T2 (⇒ lft | rgt) 133 mm 92 mm 49 mm 507 g 340 YES 2016 1,599 latest check
Fujifilm X-T1 (⇒ lft | rgt) 129 mm 90 mm 47 mm 440 g 350 YES 2014 1,699discont. check
Fujifilm X-Pro1 (⇒ lft | rgt) 140 mm 82 mm 43 mm 450 g 300 no 2012 1,699discont. check
Nikon D500 (⇒ lft | rgt) 147 mm 115 mm 81 mm 860 g 1240 YES 2016 1,999 latest check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Olympus E-M10 II (⇒ lft | rgt) 120 mm 83 mm 47 mm 390 g 320 no 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) 124 mm 85 mm 45 mm 469 g 310 YES 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) 119 mm 82 mm 46 mm 396 g 320 no 2014 699discont. check
Sony RX10 IV (⇒ lft | rgt) 133 mm 94 mm 145 mm 1095 g 400 YES 2017 1,699 latest check
Sony RX10 III (⇒ lft | rgt) 133 mm 94 mm 127 mm 1051 g 420 YES 2016 1,499discont. check
Sony RX100 IV (⇒ lft | rgt) 102 mm 58 mm 41 mm 298 g 280 no 2015 999discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The PEN-F was launched at a markedly lower price (by 29 percent) than the X-Pro2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.

Fujifilm X-Pro2 and Olympus PEN-F sensor measures
Sensor size

With 24MP, the X-Pro2 offers a higher resolution than the PEN-F (20.2MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the PEN-F) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

Unlike the X-Pro2, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

X-Pro2 versus PEN-F MP
Sensor resolution

Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Fujifilm X-Pro2 (⇒ rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Olympus PEN-F (⇒ lft) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Canon 6D Mark II (⇒ lft | rgt) Full Frame 26.0 6240 4160 1080/60p 24.4 11.9 2862 85
Fujifilm X-E3 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Fujifilm X-T20 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Fujifilm X-A3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-T2 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Fujifilm X-T1 (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Fujifilm X-Pro1 (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/24p - - - -
Nikon D500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.0 14.0 1324 83
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Olympus E-M10 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.1 12.5 842 73
Olympus E-M5 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.0 12.5 842 73
Olympus E-M10 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.3 884 72
Sony RX10 IV (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p .. .. .. ..
Sony RX10 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.1 12.6 472 70
Sony RX100 IV (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.6 591 70

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The X-Pro2 and the PEN-F are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Fujifilm X-Pro2 and Olympus PEN-F in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Fujifilm X-Pro2 (⇒ rgt) 2360 no 3.0 1620 fixed no 8000 8.0 no no
Olympus PEN-F (⇒ lft) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Canon 6D Mark II (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 4000 6.5 no no
Fujifilm X-E3 (⇒ lft | rgt) 2360 no 3.0 1040 fixed YES 4000 8.0 no no
Fujifilm X-T20 (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5 no
Fujifilm X-A3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 6.0 7 no
Fujifilm X-T2 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 8000 14.0 no no
Fujifilm X-T1 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 4000 8.0 no no
Fujifilm X-Pro1 (⇒ lft | rgt) 1440 no 3.0 1230 fixed no 4000 6.0 no no
Nikon D500 (⇒ lft | rgt) optical YES 3.2 2359 tilting YES 8000 10.0 no no
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Olympus E-M10 II (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5.8 YES
Olympus E-M5 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-M10 (⇒ lft | rgt) 1440 no 3.0 1037 tilting YES 4000 8.0 5.8 YES
Sony RX10 IV (⇒ lft | rgt) 2359 YES 3.0 1440 tilting YES 2000 24.0 10.8 YES
Sony RX10 III (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 2000 14.0 10.8 YES
Sony RX100 IV (⇒ lft | rgt) 2359 no 3.0 1228 tilting no 2000 16.0 10.2 YES

Both the X-Pro2 and the PEN-F are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the PEN-F does not have a direct predecessor.

Summary

So what is the bottom line? Which of the two cameras – the Fujifilm X-Pro2 or the Olympus PEN-F – has the upper hand? The listing below highlights the relative strengths of the two models.


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Advantages of the Fujifilm X-Pro2:

  • More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
  • Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.

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Reasons to prefer the Olympus PEN-F:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (125x72mm vs 141x83mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 68g or 14 percent) and is thus easier to take along.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).

If the number of relative strengths (bullet points above) is taken as a guide, the PEN-F is the clear winner of the contest (8 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.

X-Pro2 04:08 PEN-F

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-Pro2 and the PEN-F in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Fujifilm X-Pro2 (⇒ rgt) Rec 83/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,699 latest check
Olympus PEN-F (⇒ lft) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Canon 6D Mark II (⇒ lft | rgt) Rec 80/100 4.5/5 4/5 4/5 2017 1,999 latest check
Fujifilm X-E3 (⇒ lft | rgt) Rec 84/100 Gold 4.5/5 .. 4.5/5 2017 899 latest check
Fujifilm X-T20 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 .. 4.5/5 2017 899 latest check
Fujifilm X-A3 (⇒ lft | rgt) - 74/100 4.5/5 - 4/5 2016 399 latest check
Fujifilm X-T2 (⇒ lft | rgt) HiRec 86/100 Gold 4.5/5 5/5 5/5 2016 1,599 latest check
Fujifilm X-T1 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4/5 5/5 2014 1,699discont. check
Fujifilm X-Pro1 (⇒ lft | rgt) HiRec 79/100 Silver 4.5/5 4/5 4.5/5 2012 1,699discont. check
Nikon D500 (⇒ lft | rgt) HiRec 91/100 Gold 4.5/5 5/5 5/5 2016 1,999 latest check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Olympus E-M10 II (⇒ lft | rgt) HiRec 80/100 Silver 5/5 5/5 5/5 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) HiRec 81/100 Silver 5/5 4.5/5 5/5 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) - 80/100 Gold 5/5 4.5/5 5/5 2014 699discont. check
Sony RX10 IV (⇒ lft | rgt) Rec 84/100 Gold 4.5/5 .. 5/5 2017 1,699 latest check
Sony RX10 III (⇒ lft | rgt) Rec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,499discont. check
Sony RX100 IV (⇒ lft | rgt) HiRec 85/100 Gold 4/5 4.5/5 4.5/5 2015 999discont. check

The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Other comparisons

If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to locate and add the respective data to the application.

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