Canon 50D vs Olympus PEN-F
The Canon EOS 50D and the Olympus PEN-F are two enthusiast cameras that were revealed to the public, respectively, in August 2008 and January 2016. The 50D is a DSLR, while the PEN-F is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (50D) and a Four Thirds (PEN-F) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 50D and the Olympus PEN-F? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 50D and the Olympus PEN-F is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The PEN-F can be obtained in two different colors (black, silver), while the 50D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is considerably smaller (43 percent) than the Canon 50D. Moreover, the PEN-F is substantially lighter (48 percent) than the 50D. It is worth mentioning in this context that the 50D is splash and dust resistant, while the PEN-F does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (50D) and the Micro Four Thirds Lens Catalog (PEN-F). Mirrorless cameras, such as the PEN-F, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 50D||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299|
|Olympus PEN-F||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Canon 90D||5.6 in||4.1 in||3.0 in||24.7 oz||1300||Y||Aug 2019||1,199|
|Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon 7D II||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799|
|Canon 70D||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199|
|Canon 60D||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399|
|Canon 7D||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699|
|Canon T1i||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799|
|Canon 40D||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299|
|Canon 30D||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399|
|Canon 20D||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499|
|Olympus E-M10 III||4.8 in||3.3 in||2.0 in||14.5 oz||330||n||Aug 2017||649|
|Olympus E-M5 II||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Olympus E-M10 II||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649|
|Olympus E-M1||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399|
|Olympus E-P5||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The PEN-F was somewhat cheaper (by 8 percent) than the 50D at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 50D features an APS-C sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 50D has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the PEN-F offers a higher resolution of 20.2 megapixels, compared with 15.1 MP of the 50D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.69μm for the 50D). However, it should be noted that the PEN-F is much more recent (by 7 years and 5 months) than the 50D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus PEN-F implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the PEN-F for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon 50D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
Unlike the 50D, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 50D has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Olympus PEN-F are ISO 80 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the PEN-F offers substantially better image quality than the 50D (overall score 11 points higher). The advantage is based on 1.3 bits higher color depth, 1 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
Many modern cameras cannot only take still pictures, but also record videos. The PEN-F indeed provides for movie recording, while the 50D does not. The highest resolution format that the PEN-F can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the PEN-F has an electronic viewfinder (2360k dots), while the 50D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the PEN-F offers a wider field of view (100%) than the one in the 50D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the PEN-F has a higher magnification (0.62x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 50D and Olympus PEN-F in connection with corresponding information for a sample of similar cameras.
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n|
|Olympus E-M10 III||2360||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The 50D has one, while the PEN-F does not. While the built-in flash of the 50D is not very powerful, it can at times be useful as a fill-in light.The PEN-F has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 50D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the PEN-F is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus PEN-F has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 50D writes its imaging data to Compact Flash cards, while the PEN-F uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 50D and Olympus PEN-F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-|
|Olympus E-M10 III||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
It is notable that the PEN-F offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 50D does not provide wifi capability.
Studio photographers will appreciate that the Canon 50D (unlike the PEN-F) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 50D and the PEN-F have been discontinued, but can regularly be found used on eBay. The 50D was replaced by the Canon 60D, while the PEN-F does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is there a clear favorite between the Canon 50D and the Olympus PEN-F? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 50D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (800 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2008).
Reasons to prefer the Olympus PEN-F:
- More detail: Has more megapixels (20.2 vs 15.1MP), which boosts linear resolution by 13%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 6.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x72mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 395g or 48 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 7 years and 5 months of technical progress since the 50D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the PEN-F is the clear winner of the contest (24 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 50D and the Olympus PEN-F place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 50D or the PEN-F perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 50D||+ +||+ +||4.5/5||5/5||4.5/5||Aug 2008||1,299|
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Canon 90D||+||85/100||4.5/5||4.5/5||4.5/5||Aug 2019||1,199|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 7D II||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799|
|Canon 70D||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199|
|Canon 60D||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399|
|Canon 7D||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699|
|Canon T1i||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799|
|Canon 40D||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299|
|Canon 30D||+ +||+ +||o||o||..||Feb 2006||1,399|
|Canon 20D||..||+ +||..||o||..||Aug 2004||1,499|
|Olympus E-M10 III||+||80/100||4.5/5||4/5||4.5/5||Aug 2017||649|
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon 50D vs Olympus PEN-F
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 50D||Olympus PEN-F|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2008||January 2016|
|Launch Price||USD 1,299||USD 1,199|
|Sensor Specs||Canon 50D||Olympus PEN-F|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||15.1 Megapixels||20.2 Megapixels|
|Image Resolution||4752 x 3168 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.69 μm||3.34 μm|
|Pixel Density||4.53 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 3,200 ISO||80 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4||TruePic VII|
|DXO Sensor Quality (score)||63||74|
|DXO Color Depth (bits)||21.8||23.1|
|DXO Dynamic Range (EV)||11.4||12.4|
|DXO Low Light (ISO)||696||894|
|Screen Specs||Canon 50D||Olympus PEN-F|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 50D||Olympus PEN-F|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||6.3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 50D||Olympus PEN-F|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 50D||Olympus PEN-F|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||330 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
125 x 72 x 37 mm
(4.9 x 2.8 x 1.5 in)
|Camera Weight||822 g (29.0 oz)||427 g (15.1 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.