Canon G1 X Mark III vs Olympus E-P2
The Canon PowerShot G1 X Mark III and the Olympus PEN E-P2 are two enthusiast cameras that were revealed to the public, respectively, in October 2017 and November 2009. The G1X Mark III is a fixed lens compact, while the E-P2 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (G1X Mark III) and a Four Thirds (E-P2) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark III and the Olympus PEN E-P2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G1 X Mark III and the Olympus E-P2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-P2 can be obtained in three different colors (black, silver, white), while the G1X Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P2 is notably smaller (6 percent) than the Canon G1 X Mark III. It is worth mentioning in this context that the G1X Mark III is splash and dust resistant, while the E-P2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark III has a lens built in, whereas the E-P2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-P2 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G1 X Mark III||115 mm||78 mm||51 mm||399 g||200||Y||Oct 2017||1,299||amazon.com|
|2.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799||ebay.com|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|5.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399||ebay.com|
|6.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||amazon.com|
|7.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|8.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|9.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|10.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||ebay.com|
|11.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599||ebay.com|
|12.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|13.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799||ebay.com|
|14.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||ebay.com|
|15.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|16.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||ebay.com|
|17.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark III features an APS-C sensor and the Olympus E-P2 a Four Thirds sensor. The sensor area in the E-P2 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the G1X Mark III has a native 3:2 aspect ratio, while the one in the E-P2 offers a 4:3 aspect.
With 24MP, the G1X Mark III offers a higher resolution than the E-P2 (12.2MP), but the G1X Mark III has smaller individual pixels (pixel pitch of 3.72μm versus 4.29μm for the E-P2). However, the G1X Mark III is a much more recent model (by 7 years and 11 months) than the E-P2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon G1 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-P2 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The G1X Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G1 X Mark III has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Olympus PEN E-P2 are ISO 100 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon G1 X Mark III||APS-C||24.0||6000||4000||1080/60p||23.8||13.2||1649||81|
|2.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|10.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|11.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|12.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|13.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|14.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|17.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G1X Mark III provides a higher video resolution than the E-P2. It can shoot video footage at 1080/60p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G1X Mark III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P2 relies on live view and the rear LCD for framing. That said, the E-P2 can be equipped with an optional viewfinder – the VF-2. The following table reports on some other key feature differences and similarities of the Canon G1 X Mark III, the Olympus E-P2, and comparable cameras.
|1.||Canon G1 X Mark III||2360||n||3.0 / 1040||swivel||Y||1/2000s||9.0/s||Y||Y|
|2.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9/s||Y||Y|
|6.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|7.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|8.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|9.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|10.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|11.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|12.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|13.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|14.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|15.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|16.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|17.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G1X Mark III has one, while the E-P2 does not. While the built-in flash of the G1X Mark III is not very powerful, it can at times be useful as a fill-in light.The G1X Mark III has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-P2 does not have a selfie-screen.
The Canon G1 X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G1X Mark III writes its imaging data to SDXC cards, while the E-P2 uses SDHC cards. The G1X Mark III supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the E-P2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark III and Olympus PEN E-P2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G1 X Mark III||Y||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|8.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|10.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|15.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the G1X Mark III offers wifi support, while the E-P2 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The G1X Mark III is a recent model that features in the current product line-up of Canon. In contrast, the E-P2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-P2 was succeeded by the Olympus E-P3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon G1 X Mark III better than the Olympus E-P2 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot G1 X Mark III:
- More detail: Offers more megapixels (24 vs 12.2MP) with a 43% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the E-P2 requires a separate lens.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 7 years and 11 months of technical progress since the E-P2 launch.
Arguments in favor of the Olympus PEN E-P2:
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (300 versus 200) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in November 2009).
If the number of relative strengths (bullet points above) is taken as a guide, the G1X Mark III is the clear winner of the match-up (22 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark III and the Olympus E-P2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X Mark III or the E-P2. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X Mark III||5/5||+||4/5||79/100||4.5/5||4.5/5||Oct 2017||1,299||amazon.com|
|2.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799||ebay.com|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|5.||Canon SX540||..||..||..||..||..||..||Jan 2016||399||ebay.com|
|6.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399||amazon.com|
|7.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|8.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|9.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|10.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799||ebay.com|
|11.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599||ebay.com|
|12.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|13.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799||ebay.com|
|14.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899||ebay.com|
|15.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|16.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399||ebay.com|
|17.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 70D vs Olympus E-P2
- Canon G1 X Mark III vs Canon SX730
- Canon G1 X Mark III vs Canon SX740
- Canon G1 X Mark III vs Fujifilm GFX 50R
- Canon G1 X Mark III vs Fujifilm X100
- Canon G1 X Mark III vs Nikon 1 V3
- Canon G1 X Mark III vs Panasonic FZ1000 II
- Canon XT vs Olympus E-P2
- Nikon D3400 vs Olympus E-P2
- Olympus E-P2 vs Sony A6300
- Olympus E-P2 vs Sony A68
- Olympus E-P2 vs Sony A7R
Specifications: Canon G1 X Mark III vs Olympus E-P2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark III||Olympus E-P2|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-72mm f/2.8-5.6||Micro Four Thirds lenses|
|Launch Date||October 2017||November 2009|
|Launch Price||USD 1,299||USD 799|
|Sensor Specs||Canon G1 X Mark III||Olympus E-P2|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||12.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||4032 x 3024 pixels|
|Pixel Pitch||3.72 μm||4.29 μm|
|Pixel Density||7.22 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||720/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 6,400 ISO|
|Image Processor||DIGIC 7||TruePic V|
|DXO Sensor Quality (score)||..||56|
|DXO Color Depth (bits)||..||21.5|
|DXO Dynamic Range (EV)||..||10.4|
|DXO Low Light (ISO)||..||505|
|Screen Specs||Canon G1 X Mark III||Olympus E-P2|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G1 X Mark III||Olympus E-P2|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||9 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G1 X Mark III||Olympus E-P2|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G1 X Mark III||Olympus E-P2|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||200 shots per charge||300 shots per charge|
115 x 78 x 51 mm
(4.5 x 3.1 x 2.0 in)
121 x 70 x 36 mm
(4.8 x 2.8 x 1.4 in)
|Camera Weight||399 g (14.1 oz)||355 g (12.5 oz)|
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