Canon G1 X Mark III versus Fujifilm X-T20
The Canon PowerShot G1 X Mark III and the Fujifilm X-T20 are two digital cameras that were officially introduced, respectively, in October 2017 and January 2017. The G1X Mark III is a fixed lens compact, while the X-T20 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.
The physical size and weight of the Canon G1 X Mark III and the Fujifilm X-T20 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G1X Mark III – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T20 is considerably larger (109 percent) than the Canon G1 X Mark III. It is worth mentioning in this context that the G1X Mark III is splash and dust resistant, while the X-T20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark III has a lens build in, whereas the X-T20 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the X-T20 and their specifications in the Fujinon X Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon G1 X Mark III (⇒ rgt)||115 mm||78 mm||51 mm||399 g||200||YES||2017||1,299||latest||check|
|Fujifilm X-T20 (⇒ lft)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Fujifilm X-A5 (⇒ lft | rgt)||117 mm||68 mm||40 mm||361 g||450||no||2018||399||latest||check|
|Fujifilm X100F (⇒ lft | rgt)||127 mm||75 mm||52 mm||469 g||390||no||2017||1,299||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Sony RX10 IV (⇒ lft | rgt)||133 mm||94 mm||145 mm||1095 g||400||YES||2017||1,699||latest||check|
|Sony RX10 III (⇒ lft | rgt)||133 mm||94 mm||127 mm||1051 g||420||YES||2016||1,499||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-T20 is 11 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-T20 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-T20 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.72μm for the G1X Mark III), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the G1X Mark III is a somewhat more recent model (by 8 months) than the X-T20, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-T20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G1 X Mark III (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Fujifilm X-T20 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Fujifilm X-A5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/15p||..||..||..||..|
|Fujifilm X100F (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86|
|Sony RX10 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX10 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-T20 provides a better video resolution than the G1X Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The G1X Mark III and the X-T20 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The adjacent table lists some of the other core features of the Canon G1 X Mark III and Fujifilm X-T20 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon G1 X Mark III (⇒ rgt)||2360||no||3.0||1040||swivel||YES||2000||9.0||9||YES|
|Fujifilm X-T20 (⇒ lft)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Fujifilm X-A5 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||5.7||no|
|Fujifilm X100F (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||8.0||4.6||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Sony RX10 IV (⇒ lft | rgt)||2359||YES||3.0||1440||tilting||YES||2000||24.0||10.8||YES|
|Sony RX10 III (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||2000||14.0||10.8||YES|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
Both the G1X Mark III and the X-T20 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-T20 replaced the earlier Fujifilm X-T10, while the G1X Mark III followed on from the Canon G1 X Mark II.
So how do things add up? Which of the two cameras – the Canon G1 X Mark III or the Fujifilm X-T20 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G1 X Mark III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens build-in, whereas the X-T20 requires a separate lens.
- More compact: Is smaller (115x78mm vs 118x83mm) and thus needs less room in the bag.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More modern: Is somewhat more recent (announced 8 months after the X-T20).
Arguments in favor of the Fujifilm X-T20:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 200) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in January 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the G1X Mark III comes out slightly ahead of the X-T20 (7 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G1X Mark III or the X-T20 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G1 X Mark III (⇒ rgt)||Rec||79/100||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Fujifilm X-T20 (⇒ lft)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Fujifilm X-A5 (⇒ lft | rgt)||..||..||..||..||..||2018||399||latest||check|
|Fujifilm X100F (⇒ lft | rgt)||Rec||83/100 Gold||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Sony RX10 IV (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||5/5||2017||1,699||latest||check|
|Sony RX10 III (⇒ lft | rgt)||Rec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,499||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please send me an email, and I will try to add information on that model to the database.