Sony A77 II vs Panasonic GX7

The Sony Alpha SLT-A77 II and the Panasonic Lumix DMC-GX7 are two enthusiast cameras that were announced, respectively, in May 2014 and August 2013. The A77 II is a DSLR, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (A77 II) and a Four Thirds (GX7) sensor. The Sony has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A77 II		Panasonic GX7
Digital single lens reflex		Mirrorless system camera
Sony A mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		15.8 MP – Four Thirds sensor
1080/60p Video		1080/60p Video
ISO 100-25,600 (50 - 51,200)		ISO 125-25,600
Electronic viewfinder (2359k dots)		Electronic viewfinder (2760k dots)
3.0" LCD – 1229k dots		3.0" LCD – 1040k dots
Fully flexible screen (no touchscreen)		Tilting touchscreen
12 shutter flaps per second		5 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		not weather sealed
480 shots per battery charge		350 shots per battery charge
143 x 104 x 81 mm, 647 g		123 x 71 x 55 mm, 402 g

Check A77 II offers at
ebay.com
Check GX7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha SLT-A77 II and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A77 II and the Panasonic GX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The GX7 can be obtained in two different colors (black, silver), while the A77 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is considerably smaller (41 percent) than the Sony A77 II. Moreover, the GX7 is substantially lighter (38 percent) than the A77 II. It is worth mentioning in this context that the A77 II is splash and dust resistant, while the GX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the A77 II gets 480 shots out of its Sony NP-FM500H battery, while the GX7 can take 350 images on a single charge of its Panasonic DMW-BLG10 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
2.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
3.		Nikon D7100	136 mm	107 mm	76 mm	765 g	950	Y	Feb 2013	1,199	ebay.com
4.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
5.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
6.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	599	ebay.com
7.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
8.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
9.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	799	amazon.com
10.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
11.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
12.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
13.		Sony A58	129 mm	95 mm	78 mm	492 g	690	n	Feb 2013	599	ebay.com
14.		Sony A68	143 mm	104 mm	81 mm	610 g	540	n	Nov 2015	699	ebay.com
15.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
16.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	1,399	ebay.com
17.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	1,399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GX7 was launched at a somewhat lower price (by 17 percent) than the A77 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A77 II features an APS-C sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A77 II has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.

With 24MP, the A77 II offers a higher resolution than the GX7 (15.8MP), but the A77 II nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the GX7) due to its larger sensor. Moreover, the A77 II is a somewhat more recent model (by 8 months) than the GX7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A77 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The Sony Alpha SLT-A77 II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A77 II provides substantially higher image quality than the GX7, with an overall score that is 12 points higher. This advantage is based on 1.8 bits higher color depth, 1.2 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
2.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
3.		Nikon D7100	APS-C	24.0	6000	4000	1080/60p	24.2	13.7	1256	83
4.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
5.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
6.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
7.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
8.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
9.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
10.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
11.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
12.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
13.		Sony A58	APS-C	19.8	5456	3632	1080/60i	23.3	12.5	753	74
14.		Sony A68	APS-C	24.0	6000	4000	1080/60i	24.1	13.5	701	79
15.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
16.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
17.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX7 offers a higher resolution than the one in the A77 II (2760k vs 2359k dots). The table below summarizes some of the other core capabilities of the Sony A77 II and Panasonic GX7 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
2.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
3.		Nikon D7100	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
4.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
5.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
6.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
7.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
8.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
9.		Panasonic GX85	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
10.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
11.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
12.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
13.		Sony A58	1440	n	2.7 / 460	tilting	n	1/4000s	5.0/s	Y	Y
14.		Sony A68	1440	Y	2.7 / 460	tilting	n	1/4000s	8.0/s	Y	Y
15.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
16.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
17.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the A77 II, but is missing on the GX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A77 II writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the GX7 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha SLT-A77 II and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
2.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
3.		Nikon D7100	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
4.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
5.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Panasonic GX85	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
11.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
12.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony A58	Y	stereo / mono	Y	-	mini	2.0	-	-	-
14.		Sony A68	Y	stereo / mono	Y	-	micro	2.0	-	-	-
15.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y

It is notable that the A77 II has a microphone port, which is missing on the GX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Sony A77 II (unlike the GX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the A77 II and the GX7 have been discontinued, but can regularly be found used on ebay. The GX7 was replaced by the Panasonic GX85, while the A77 II does not have a direct successor. Further information on the features and operation of the A77 II and GX7 can be found, respectively, in the Sony A77 II Manual (free pdf) or the online Panasonic GX7 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Sony A77 II or the Panasonic GX7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Sony Alpha SLT-A77 II:

• More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
• Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
• Longer lasting: Can take more shots (480 versus 350) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More modern: Is somewhat more recent (announced 8 months after the GX7).

Advantages of the Panasonic Lumix DMC-GX7:

• More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 2359k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (123x71mm vs 143x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 245g or 38 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in August 2013).

If the count of individual advantages (bullet points above) is taken as a guide, the A77 II is the clear winner of the match-up (16 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A77 II and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the A77 II and the GX7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
2.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
3.		Nikon D7100	5/5	+ +	..	85/100	4.5/5	4.5/5	Feb 2013	1,199	ebay.com
4.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
5.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
6.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	599	ebay.com
7.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
8.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
9.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	799	amazon.com
10.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
11.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
12.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
13.		Sony A58	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	599	ebay.com
14.		Sony A68	3/5	..	..	..	4/5	4/5	Nov 2015	699	ebay.com
15.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
16.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	1,399	ebay.com
17.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	1,399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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