Canon SX520 vs Sony A77 II
The Canon PowerShot SX520 HS and the Sony Alpha SLT-A77 II are two digital cameras that were officially introduced, respectively, in July 2014 and May 2014. The SX520 is a fixed lens compact, while the A77 II is a DSLR. The cameras are based on a 1/2.3-inch (SX520) and an APS-C (A77 II) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX520||Sony A77 II|
|Fixed lens compact camera||Digital single lens reflex|
|24-1008mm f/3.4-6||Sony A mount lenses|
|15.9 MP, 1/2.3" Sensor||24 MP, APS-C Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-3200||ISO 100-25600 (50-51200)|
|No viewfinder, LCD framing||Electronic viewfinder (2359k dots)|
|3.0" LCD, 461k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Fully flexible screen (no touchscreen)|
|1.6 shutter flaps per second||12 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|210 shots per battery charge||480 shots per battery charge|
|120 x 82 x 92 mm, 441 g||143 x 104 x 81 mm, 647 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX520 HS and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX520 and the Sony A77 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is considerably larger (51 percent) than the Canon SX520. It is noteworthy in this context that the A77 II is splash and dust-proof, while the SX520 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX520 has a lens built in, whereas the A77 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon SX520»||120 mm||82 mm||92 mm||441 g||210||n||Jul 2014||399||-||Canon SX520|
|Sony A77 II«||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199||Sony A77 II|
|Canon 4000D« »||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||Canon 4000D|
|Canon 1300D« »||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449||-||Canon 1300D|
|Canon SX540« »||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399||Canon SX540|
|Canon G3 X« »||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||Canon G3 X|
|Canon SX530« »||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429||-||Canon SX530|
|Canon SX710« »||113 mm||66 mm||35 mm||269 g||230||n||Jan 2015||349||-||Canon SX710|
|Canon 1200D« »||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||-||Canon 1200D|
|Canon SX60« »||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||-||Canon SX60|
|Canon SX510« »||104 mm||70 mm||80 mm||349 g||250||n||Aug 2013||249||-||Canon SX510|
|Nikon B600« »||122 mm||82 mm||99 mm||500 g||280||n||Jan 2019||349||Nikon B600|
|Nikon D7200« »||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Sony HX90V« »||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429||Sony HX90V|
|Sony A68« »||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699||-||Sony A68|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A77« »||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX520 was launched at a lower price than the A77 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX520 features a 1/2.3-inch sensor and the Sony A77 II an APS-C sensor. The sensor area in the A77 II is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX520 has a native 4:3 aspect ratio, while the one in the A77 II offers a 3:2 aspect.
With 24MP, the A77 II offers a higher resolution than the SX520 (15.9MP), but the A77 II nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.33μm for the SX520) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the SX520 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A77 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon SX520 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Canon PowerShot SX520 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon SX520»||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX520|
|Sony A77 II«||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Sony A77 II|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 1300D« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon 1300D|
|Canon SX540« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX540|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon SX530« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX530|
|Canon SX710« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX710|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon SX510« »||1/2.3||15.9||4608||3456||1080/24p||-||-||-||-||Canon SX510|
|Nikon B600« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Nikon B600|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Sony HX90V« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX90V|
|Sony A68« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A77 II provides a faster frame rate than the SX520. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A77 II has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX520 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon SX520 and Sony A77 II along with similar information for a selection of comparators.
|Canon SX520»||-||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX520|
|Sony A77 II«||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon 1300D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 1300D|
|Canon SX540« »||-||n||3.0||461||fixed||n||1/2000s||5.9||Y||Y||Canon SX540|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon SX530« »||-||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX530|
|Canon SX710« »||-||n||3.0||922||fixed||n||1/3200s||6.0||Y||Y||Canon SX710|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon SX510« »||-||n||3.0||461||fixed||n||1/1600s||3.8||Y||Y||Canon SX510|
|Nikon B600« »||-||n||3.0||921||fixed||n||1/4000s||7.4||Y||Y||Nikon B600|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Sony HX90V« »||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
|Sony A68« »||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that is present on the A77 II, but is missing on the SX520 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A77 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SX520 does not have a selfie-screen.
The SX520 writes its imaging data to SDXC cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. The A77 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX520 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX520 HS and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX520»||-||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX520|
|Sony A77 II«||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 1300D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 1300D|
|Canon SX540« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX540|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon SX530« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX530|
|Canon SX710« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX710|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon SX510« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon SX510|
|Nikon B600« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon B600|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Sony HX90V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
|Sony A68« »||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the A77 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the SX520 does not offer wifi capability.
Studio photographers will appreciate that the Sony A77 II (unlike the SX520) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A77 II is a recent model that features in the current product line-up of Sony. In contrast, the SX520 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX520 was succeeded by the Canon SX530. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is the Canon SX520 better than the Sony A77 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot SX520 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Comes with a built-in lens, while the A77 II requires a separate lens.
- More compact: Is smaller (120x82mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A77 II).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
Advantages of the Sony Alpha SLT-A77 II:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 461k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 1.6 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (480 versus 210) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
If the count of individual advantages (bullet points above) is taken as a guide, the A77 II is the clear winner of the contest (23 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX520 and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SX520 and the A77 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX520»||+||-||3.5/5||-||3.5/5||Jul 2014||399||-||Canon SX520|
|Sony A77 II«||-||80/100||4.5/5||4/5||5/5||May 2014||1,199||Sony A77 II|
|Canon 4000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon 1300D« »||o||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon 1300D|
|Canon SX540« »||-||-||-||-||-||Jan 2016||399||Canon SX540|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon SX530« »||+ +||-||4/5||-||4/5||Jan 2015||429||-||Canon SX530|
|Canon SX710« »||+||-||4/5||-||3.5/5||Jan 2015||349||-||Canon SX710|
|Canon 1200D« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon SX510« »||+ +||-||4.5/5||-||4/5||Aug 2013||249||-||Canon SX510|
|Nikon B600« »||+||-||3.5/5||-||3/5||Jan 2019||349||Nikon B600|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Sony HX90V« »||+ +||-||4/5||-||4.5/5||Apr 2015||429||Sony HX90V|
|Sony A68« »||-||-||4/5||-||4/5||Nov 2015||699||-||Sony A68|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G9 X Mark II vs Sony A77 II
- Canon Rebel vs Sony A77 II
- Canon SL2 vs Sony A77 II
- Canon SX520 vs Canon T2i
- Canon SX520 vs Fujifilm X10
- Canon SX520 vs Fujifilm XQ1
- Canon SX520 vs Leica D-LUX 7
- Canon SX520 vs Olympus E-520
- Canon SX520 vs Olympus E-M10 III
- Nikon D100 vs Sony A77 II
- Panasonic LF1 vs Sony A77 II
- Sony A77 II vs Sony RX10 II
Specifications: Canon SX520 vs Sony A77 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX520||Sony A77 II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-1008mm f/3.4-6||Sony A mount lenses|
|Launch Date||July 2014||May 2014|
|Launch Price||USD 399||USD 1199|
|Sensor Specs||Canon SX520||Sony A77 II|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.5 x 15.6 mm|
|Sensor Area||28.0735 mm2||366.6 mm2|
|Sensor Diagonal||7.7 mm||28.2 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.33 μm||3.91 μm|
|Pixel Density||56.73 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-3200 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-51200 ISO|
|Image Processor||DIGIC 4+||BIONZ X|
|Screen Specs||Canon SX520||Sony A77 II|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||461k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon SX520||Sony A77 II|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||1.6 shutter flaps/s||12 shutter flaps/s|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX520||Sony A77 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon SX520||Sony A77 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||210 shots per charge||480 shots per charge|
120 x 82 x 92 mm
(4.7 x 3.2 x 3.6 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||441 g (15.6 oz)||647 g (22.8 oz)|
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