Sony A6000 vs YI M1
The Sony Alpha A6000 and the YI M1 are two digital cameras that were announced, respectively, in February 2014 and September 2016. Both the A6000 and the M1 are mirrorless interchangeable lens cameras that are based on an APS-C (A6000) and a Four Thirds (M1) sensor. The Sony has a resolution of 24 megapixels, whereas the YI provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A6000||YI M1|
|Mirrorless system camera||Mirrorless system camera|
|Sony E mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-25600|
|Electronic viewfinder (1440k dots)||No viewfinder, LCD framing|
|3.0" LCD, 922k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Fixed touchscreen|
|11 shutter flaps per second||5 shutter flaps per second|
|360 shots per battery charge||450 shots per battery charge|
|120 x 67 x 45 mm, 344 g||114 x 64 x 34 mm, 281 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6000 and the YI M1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Sony A6000 vs YI M1
An illustration of the physical size and weight of the Sony A6000 and the YI M1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The A6000 can be obtained in three different colors (black, silver, white), while the M1 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the YI M1 is notably smaller (9 percent) than the Sony A6000. Moreover, the M1 is markedly lighter (18 percent) than the A6000. In this context, it is worth noting that neither the A6000 nor the M1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6000) and the Micro Four Thirds Lens Catalog (M1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony A6000»||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|YI M1«||114 mm||64 mm||34 mm||281 g||450||n||Sep 2016||349||YI M1|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon SX730« »||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||-||Canon SX730|
|Canon G7 X Mark II« »||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon M3« »||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||-||Canon M3|
|Canon G7 X« »||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||-||Canon G7 X|
|Fujifilm X-A3« »||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Nikon 1 J5« »||98 mm||60 mm||32 mm||231 g||250||n||Apr 2015||399||-||Nikon 1 J5|
|Sony A6300« »||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||-||Sony A6300|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A5000« »||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||-||Sony A5000|
|Sony A5100« »||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||Sony A5100|
|Sony A3000« »||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||-||Sony A3000|
|Sony NEX-3N« »||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||111 mm||59 mm||39 mm||2776 g||330||n||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-6« »||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999||-||Sony NEX-6|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M1 was launched at a markedly lower price (by 42 percent) than the A6000, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Sony A6000 vs YI M1
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the YI M1 a Four Thirds sensor. The sensor area in the M1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6000 has a native 3:2 aspect ratio, while the one in the M1 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the A6000 offers a higher resolution than the M1 (20.2MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the M1) due to its larger sensor. However, the M1 is a much more recent model (by 2 years and 7 months) than the A6000, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the YI M1 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6000 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the YI M1 are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A6000»||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|YI M1«||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||YI M1|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Nikon 1 J5« »||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65||Nikon 1 J5|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5000« »||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T« »||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony NEX-6« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the M1 provides a better video resolution than the A6000. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60p.
Feature comparison: Sony A6000 vs YI M1
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Sony A6000, the YI M1, and comparable cameras.
|Sony A6000»||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|YI M1«||-||n||3.0||1040||fixed||Y||1/4000s||5.0||n||n||YI M1|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Nikon 1 J5« »||-||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 J5|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A5000« »||-||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T« »||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony NEX-6« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
One difference between the cameras concerns the presence of an on-board flash. The A6000 has one, while the M1 does not. While the built-in flash of the A6000 is not very powerful, it can at times be useful as a fill-in light.
The YI M1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A6000 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the M1 uses SDXC cards. The A6000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the M1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Sony A6000 vs YI M1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6000 and YI M1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6000»||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|YI M1«||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||YI M1|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Nikon 1 J5« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon 1 J5|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5000« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony NEX-6« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
The M1 is a recent model that features in the current product line-up of YI. In contrast, the A6000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony and YI websites.
Review summary: Sony A6000 vs YI M1
So how do things add up? Which of the two cameras – the Sony A6000 or the YI M1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Alpha A6000:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been available for much longer (launched in February 2014).
Reasons to prefer the YI M1:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Has a lower weight (by 63g or 18 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (450 versus 360) out of a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the A6000 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6000 is the clear winner of the match-up (13 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6000 and the YI M1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A6000 or the M1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony A6000 vs YI M1
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A6000»||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|YI M1«||-||69/100||-||2.5/5||-||Sep 2016||349||YI M1|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||Canon G7 X Mark II|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Nikon 1 J5« »||-||-||4.5/5||4/5||4.5/5||Apr 2015||399||-||Nikon 1 J5|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A5000« »||+||-||4.5/5||o||4.5/5||Jan 2014||449||-||Sony A5000|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-6« »||+ +||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Sony A6000 vs YI M1
|Camera Model||Sony A6000||YI M1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2014||September 2016|
|Launch Price||USD 599||USD 349|
|Sensor Specs||Sony A6000||YI M1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.91 μm||3.34 μm|
|Pixel Density||6.55 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|DXO Sensor Quality (score)||82||..|
|DXO Color Depth (bits)||24.1||..|
|DXO Dynamic Range (EV)||13.1||..|
|DXO Low Light (ISO)||1347||..|
|Screen Specs||Sony A6000||YI M1|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Sony A6000||YI M1|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Sony A6000||YI M1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Sony A6000||YI M1|
|Battery Type||NP-FW50 power pack||BXM-10 power pack|
|Battery Life (CIPA)||360 shots per charge||450 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 45 mm
(4.7 x 2.6 x 1.8 in)
114 x 64 x 34 mm
(4.5 x 2.5 x 1.3 in)
|Camera Weight||344 g (12.1 oz)||281 g (9.9 oz)|