Panasonic G95 vs Sony A6000
The Panasonic Lumix DC-G95 (called Panasonic G90 in some regions) and the Sony Alpha A6000 are two digital cameras that were revealed to the public, respectively, in April 2019 and February 2014. Both the G95 and the A6000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G95) and an APS-C (A6000) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G95 and the Sony Alpha A6000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic G95 and the Sony A6000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The A6000 can be obtained in three different colors (black, silver, white), while the G95 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6000 is considerably smaller (34 percent) than the Panasonic G95. Moreover, the A6000 is substantially lighter (36 percent) than the G95. It is worth mentioning in this context that the G95 is splash and dust resistant, while the A6000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G95) and the Sony E-Mount Lens Catalog (A6000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G95 gets 290 shots out of its Panasonic DMW-BLC12 battery, while the A6000 can take 360 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | 130 mm | 94 mm | 77 mm | 536 g | 290 | Y | Apr 2019 | 999 | ebay.com | |
2. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
3. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | 1,799 | ebay.com | |
4. | Olympus E-M5 III | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2019 | 1,199 | ebay.com | |
5. | Olympus E-M1X | 144 mm | 147 mm | 75 mm | 997 g | 870 | Y | Jan 2019 | 2,999 | ebay.com | |
6. | Olympus E-M1 II | 134 mm | 91 mm | 67 mm | 574 g | 440 | Y | Sep 2016 | 1,999 | ebay.com | |
7. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
8. | Panasonic GX9 | 124 mm | 72 mm | 47 mm | 407 g | 260 | n | Feb 2018 | 849 | ebay.com | |
9. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | 1,699 | ebay.com | |
10. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | 1,999 | ebay.com | |
11. | Panasonic G85 | 128 mm | 89 mm | 74 mm | 505 g | 330 | Y | Sep 2016 | 899 | ebay.com | |
12. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
13. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | 999 | ebay.com | |
14. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
15. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
16. | Sony A3000 | 128 mm | 91 mm | 85 mm | 411 g | 470 | n | Aug 2013 | 329 | ebay.com | |
17. | Sony NEX-6 | 120 mm | 67 mm | 43 mm | 345 g | 360 | n | Sep 2012 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6000 was launched at a markedly lower price (by 40 percent) than the G95, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G95 features a Four Thirds sensor and the Sony A6000 an APS-C sensor. The sensor area in the A6000 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G95 has a native 4:3 aspect ratio, while the one in the A6000 offers a 3:2 aspect.
With 24MP, the A6000 offers a higher resolution than the G95 (20.2MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the G95) due to its larger sensor. However, the G95 is a much more recent model (by 5 years and 1 month) than the A6000, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the G95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G95 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-G95 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A6000 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1273 | 75 | |
2. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
3. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
4. | Olympus E-M5 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1324 | 76 | |
5. | Olympus E-M1X | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1254 | 75 | |
6. | Olympus E-M1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.7 | 12.8 | 1312 | 80 | |
7. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
8. | Panasonic GX9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.1 | 12.8 | 1163 | 74 | |
9. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
10. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
11. | Panasonic G85 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.5 | 656 | 71 | |
12. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
13. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
14. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
15. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
16. | Sony A3000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.7 | 12.8 | 1068 | 78 | |
17. | Sony NEX-6 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 1018 | 78 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G95 provides a higher video resolution than the A6000. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G95 offers a substantially higher resolution than the one in the A6000 (2360k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G95 and Sony A6000 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
2. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
3. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
4. | Olympus E-M5 III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
5. | Olympus E-M1X | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
6. | Olympus E-M1 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
7. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
8. | Panasonic GX9 | 2760 | n | 3.0 / 1240 | tilting | Y | 1/4000s | 9.0/s | Y | Y | |
9. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
10. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
11. | Panasonic G85 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
12. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
13. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
14. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
15. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
16. | Sony A3000 | 202 | n | 3.0 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
17. | Sony NEX-6 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the G95 and the A6000 is in-body image stabilization (IBIS). The G95 reduces the risk of handshake-induced blur with all attached lenses, while the A6000 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The G95 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6000 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G95 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G95 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G95 writes its imaging data to SDXC cards, while the A6000 uses SDXC or Memory Stick PRO Duo cards. The G95 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A6000 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G95 and Sony Alpha A6000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | Y | |
2. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
3. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
4. | Olympus E-M5 III | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
5. | Olympus E-M1X | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
6. | Olympus E-M1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
7. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Panasonic GX9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
9. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
10. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
11. | Panasonic G85 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
12. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
13. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
14. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony A3000 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-6 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - |
It is notable that the G95 has a microphone port, which is missing on the A6000. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the G95 and the A6000 have been discontinued, but can regularly be found used on ebay. The A6000 was replaced by the Sony A6300, while the G95 does not have a direct successor. Further information on the features and operation of the G95 and A6000 can be found, respectively, in the Panasonic G95 Manual (free pdf) or the online Sony A6000 Manual.
Review summary
So what conclusions can be drawn? Is the Panasonic G95 better than the Sony A6000 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DC-G95:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 1 month of technical progress since the A6000 launch.
Advantages of the Sony Alpha A6000:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 130x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 192g or 36 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (360 versus 290) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the G95 is the clear winner of the match-up (17 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G95 and the Sony A6000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G95 and the A6000 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | 4.5/5 | + | 4.5/5 | 83/100 | 4.5/5 | 4.5/5 | Apr 2019 | 999 | ebay.com | |
2. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
3. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | 1,799 | ebay.com | |
4. | Olympus E-M5 III | 5/5 | + | 5/5 | 82/100 | 4.5/5 | 4.5/5 | Oct 2019 | 1,199 | ebay.com | |
5. | Olympus E-M1X | 4.5/5 | o | 5/5 | 85/100 | 4.5/5 | .. | Jan 2019 | 2,999 | ebay.com | |
6. | Olympus E-M1 II | 5/5 | + + | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 1,999 | ebay.com | |
7. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
8. | Panasonic GX9 | 4/5 | + | 4/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2018 | 849 | ebay.com | |
9. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | 1,699 | ebay.com | |
10. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | 1,999 | ebay.com | |
11. | Panasonic G85 | .. | + + | .. | 84/100 | 5/5 | 4.5/5 | Sep 2016 | 899 | ebay.com | |
12. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
13. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | 999 | ebay.com | |
14. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
15. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
16. | Sony A3000 | 3/5 | + | .. | .. | 4/5 | 4/5 | Aug 2013 | 329 | ebay.com | |
17. | Sony NEX-6 | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Sep 2012 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark IV vs Panasonic G95
- Leica M9 vs Sony A6000
- Nikon D3X vs Panasonic G95
- Nikon D800 vs Panasonic G95
- Nikon P1000 vs Sony A6000
- Nikon Z7 vs Panasonic G95
- OM System TG-7 vs Panasonic G95
- Panasonic FT7 vs Sony A6000
- Panasonic FZ82 vs Sony A6000
- Panasonic G95 vs Ricoh GR IIIx
- Panasonic GH5s vs Sony A6000
- Panasonic LX100 vs Sony A6000
Specifications: Panasonic G95 vs Sony A6000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G95 | Sony A6000 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Sony E mount lenses |
Launch Date | April 2019 | February 2014 |
Launch Price | USD 999 | USD 599 |
Sensor Specs | Panasonic G95 | Sony A6000 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.5 x 15.6 mm |
Sensor Area | 224.9 mm2 | 366.6 mm2 |
Sensor Diagonal | 21.6 mm | 28.2 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 20.2 Megapixels | 24 Megapixels |
Image Resolution | 5184 x 3888 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.34 μm | 3.91 μm |
Pixel Density | 8.96 MP/cm2 | 6.55 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/60p Video |
ISO Setting | 200 - 25,600 ISO | 100 - 25,600 ISO |
ISO Boost | 100 - 25,600 ISO | 100 - 51,200 ISO |
Image Processor | Venus | BIONZ X |
DXO Sensor Quality (score) | .. | 82 |
DXO Color Depth (bits) | .. | 24.1 |
DXO Dynamic Range (EV) | .. | 13.1 |
DXO Low Light (ISO) | .. | 1347 |
Screen Specs | Panasonic G95 | Sony A6000 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.74x | 0.70x |
Viewfinder Resolution | 2360k dots | 1440k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1240k dots | 922k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic G95 | Sony A6000 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 9 shutter flaps/s | 11 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-II | UHS-I |
Connectivity Specs | Panasonic G95 | Sony A6000 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Panasonic G95 | Sony A6000 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Panasonic DMW-BLC12 | Sony NP-FW50 |
Battery Life (CIPA) | 290 shots per charge | 360 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
130 x 94 x 77 mm (5.1 x 3.7 x 3.0 in) |
120 x 67 x 45 mm (4.7 x 2.6 x 1.8 in) |
Camera Weight | 536 g (18.9 oz) | 344 g (12.1 oz) |
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