Sony A6000 vs RX10
The Sony Alpha A6000 and the Sony Cyber-shot DSC-RX10 are two digital cameras that were officially introduced, respectively, in February 2014 and October 2013. The A6000 is a mirrorless interchangeable lens camera, while the RX10 is a fixed lens compact. The cameras are based on an APS-C (A6000) and an one-inch (RX10) sensor. The A6000 has a resolution of 24 megapixels, whereas the RX10 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A6000||Sony RX10|
|Mirrorless system camera||Fixed lens compact camera|
|Sony E mount lenses||24-200mm f/2.8|
|24 MP, APS-C Sensor||20 MP, 1" Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 125-12800 (80-25600)|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1229k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|11 shutter flaps per second||10 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|360 shots per battery charge||420 shots per battery charge|
|120 x 67 x 45 mm, 344 g||129 x 88 x 102 mm, 813 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6000 and the Sony Cyber-shot DSC-RX10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Sony A6000 and the Sony RX10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The A6000 can be obtained in three different colors (black, silver, white), while the RX10 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 is notably larger (41 percent) than the Sony A6000. It is noteworthy in this context that the RX10 is splash and dust-proof, while the A6000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 has a lens built in, whereas the A6000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6000 and their specifications in the Sony E-Mount Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Sony A6000»||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||Sony A6000|
|Sony RX10«||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||Sony RX10|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||Canon 70D|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||Nikon D7100|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||Sony RX10 II|
|Sony A5000« »||4.3 in||2.5 in||1.4 in||9.5 oz||420||n||Jan 2014||449||Sony A5000|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||Sony A3000|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||Sony NEX-3N|
|Sony NEX-6« »||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||Sony NEX-6|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||Sony NEX-F3|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||Sony NEX-7|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||Sony NEX-3|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Sony RX10 an one-inch sensor. The sensor area in the RX10 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6000 offers a higher resolution than the RX10 (20MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the RX10) due to its larger sensor. Moreover, the A6000 is a somewhat more recent model (by 3 months) than the RX10, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony RX10 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6000 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A6000 provides substantially higher image quality than the RX10, with an overall score that is 13 points higher. This advantage is based on 1.2 bits higher color depth, 0.5 EV in additional dynamic range, and 1.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony RX10||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon 70D||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Nikon D7100||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony A5000||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony A5100||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A3000||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-3N||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-6||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-F3||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-7||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
|Sony NEX-3||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. The A6000 and the RX10 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The following table reports on some other key feature differences and similarities of the Sony A6000, the Sony RX10, and comparable cameras.
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony RX10||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon 70D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Nikon D7100||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony A5000||none||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Sony A5100||none||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A3000||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony NEX-3N||optional||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-6||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony NEX-F3||optional||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-7||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
|Sony NEX-3||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Sony NEX-5||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One feature that is present on the RX10, but is missing on the A6000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Concerning the storage of imaging data, both the A6000 and the RX10 write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6000 and Sony Cyber-shot DSC-RX10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony RX10||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon 70D||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Nikon D7100||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony A5000||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony A5100||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A3000||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-3N||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-6||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-F3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-7||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
|Sony NEX-3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
It is notable that the RX10 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The A6000 does not feature such a mic input.
Both the A6000 and the RX10 have been discontinued, but can regularly be found used on eBay. The RX10 was replaced by the Sony RX10 II, while the A6000 was followed by the Sony A6300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what is the bottom line? Is the Sony A6000 better than the Sony RX10 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Alpha A6000:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Scores substantially higher (13 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.2 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.5 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (120x67mm vs 129x88mm) and thus needs less room in the bag.
- More modern: Is somewhat more recent (announced 3 months after the RX10).
Reasons to prefer the Sony Cyber-shot DSC-RX10:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
- Ready to shoot: Has an integrated lens, whereas the A6000 necessitates an extra lens.
- Longer lasting: Gets more shots (420 versus 360) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (9 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6000 and the Sony RX10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the A6000 and the RX10 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Nikon D300S vs Sony A6000
- Nikon D4S vs Sony A6000
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- Nikon D700 vs Sony A6000
- Olympus E-330 vs Sony RX10 III
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Specifications: Sony A6000 vs Sony RX10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6000||Sony RX10|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||24-200mm f/2.8|
|Launch Date||February 2014||October 2013|
|Launch Price||USD 599||USD 1299|
|Sensor Specs||Sony A6000||Sony RX10|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.5 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||366.6 mm2||116.16 mm2|
|Sensor Diagonal||28.2 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.91 μm||2.41 μm|
|Pixel Density||6.55 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||125-12800 ISO|
|ISO Boost||100-51200 ISO||80-25600 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||82||69|
|DXO Color Depth (bits)||24.1||22.9|
|DXO Dynamic Range (EV)||13.1||12.6|
|DXO Low Light (ISO)||1347||474|
|Screen Specs||Sony A6000||Sony RX10|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||1440k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A6000||Sony RX10|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/3200/s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A6000||Sony RX10|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Sony A6000||Sony RX10|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||420 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 45 mm
(4.7 x 2.6 x 1.8 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||344 g (12.1 oz)||813 g (28.7 oz)|
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