Panasonic GH5s vs L1
The Panasonic Lumix DC-GH5s and the Panasonic Lumix DMC-L1 are two digital cameras that were officially introduced, respectively, in January 2018 and February 2006. The GH5s is a mirrorless interchangeable lens camera, while the L1 is a DSLR. Both cameras are equipped with a Four Thirds sensor. The GH5s has a resolution of 9.9 megapixels, whereas the L1 provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GH5s||Panasonic L1|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Four Thirds lenses|
|9.9 MP, Four Thirds Sensor||7.4 MP, Four Thirds Sensor|
|4K/60p Video||no Video|
|ISO 160-51,200 (80 - 204,800)||ISO 100-1,600|
|Electronic viewfinder (3680k dots)||Optical viewfinder|
|3.2 LCD, 1620k dots||2.5 LCD, 207k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|12 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||not weather sealed|
|440 shots per battery charge||750 shots per battery charge|
|139 x 98 x 87 mm, 660 g||146 x 87 x 64 mm, 606 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5s and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GH5s and the Panasonic L1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is notably smaller (7 percent) than the Panasonic GH5s. Moreover, the L1 is markedly lighter (8 percent) than the GH5s. It is worth mentioning in this context that the GH5s is splash and dust resistant, while the L1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GH5s) and the Four Thirds Lens Catalog (L1). Mirrorless cameras, such as the Panasonic GH5s, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic GH5s||5.5 in||3.9 in||3.4 in||23.3 oz||440||Y||Jan 2018||2,499|
|Panasonic L1||5.7 in||3.4 in||2.5 in||21.4 oz||750||n||Feb 2006||999|
|Canon R||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299|
|Canon XT||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899|
|Leica Digilux 3||5.7 in||3.4 in||3.0 in||21.4 oz||750||n||Sep 2006||1,499|
|Olympus E-330||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999|
|Olympus E-300||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799|
|Panasonic G9||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699|
|Panasonic GH5||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic FZ300||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599|
|Panasonic GH4||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499|
|Panasonic GF5||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499|
|Panasonic GH3||5.2 in||3.7 in||3.2 in||19.4 oz||540||Y||Sep 2012||1,299|
|Panasonic GF3||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549|
|Panasonic G10||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499|
|Panasonic G2||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599|
|Panasonic L10||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The L1 was launched at a markedly lower price (by 60 percent) than the GH5s, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GH5s offers a higher resolution of 9.9 megapixels, compared with 7.4 MP of the L1. This megapixels advantage translates into a 17 percent gain in linear resolution. On the other hand, these sensor specs imply that the GH5s has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.77μm versus 5.51μm for the L1). In this context, it should be noted, however, that the GH5s is much more recent (by 11 years and 10 months) than the L1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the GH5s has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GH5s implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH5s for good quality output (200 dots per inch) amounts to 18.4 x 13.5 inches or 46.7 x 34.3 cm, for very good quality (250 dpi) 14.7 x 10.8 inches or 37.4 x 27.4 cm, and for excellent quality (300 dpi) 12.3 x 9 inches or 31.2 x 22.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Panasonic Lumix DC-GH5s has a native sensitivity range from ISO 160 to ISO 51200, which can be extended to ISO 80-204800. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||..||..||..||..|
|Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
Many modern cameras cannot only take still pictures, but also record videos. The GH5s indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the GH5s can use is 4K/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH5s has an electronic viewfinder (3680k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GH5s offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GH5s has a higher magnification (0.76x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Panasonic GH5s and Panasonic L1 in connection with corresponding information for a sample of similar cameras.
|Leica Digilux 3||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH5s has a touchscreen, while the L1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GH5s has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the L1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5s is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5s has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GH5s writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The GH5s features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot. The GH5s supports UHS-II cards (on both slots), while the L1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5s and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica Digilux 3||Y||stereo||mono||-||-||-||2.0||-||-||-|
It is notable that the GH5s offers wifi support, while the L1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Panasonic GH5s (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GH5s is a recent model that features in the current product line-up of Panasonic. In contrast, the L1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the L1 was succeeded by the Panasonic L10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what is the bottom line? Which of the two cameras – the Panasonic GH5s or the Panasonic L1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-GH5s:
- More detail: Offers more megapixels (9.9 vs 7.4MP) with a 16% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can record not only still images but also 4K/60p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.47x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 207k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 11 years and 10 months of technical progress since the L1 launch.
Advantages of the Panasonic Lumix DMC-L1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (750 versus 440) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2006).
If the count of individual advantages (bullet points above) is taken as a guide, the GH5s is the clear winner of the match-up (24 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5s and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GH5s or the L1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GH5s||..||84/100||4.5/5||5/5||4.5/5||Jan 2018||2,499|
|Panasonic L1||85/100||+||..||o||3.5/5||Feb 2006||999|
|Canon R||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299|
|Canon XT||80/100||+ +||o||o||..||Feb 2005||899|
|Leica Digilux 3||..||..||..||..||..||Sep 2006||1,499|
|Olympus E-330||..||+||o||3.5/5||..||Jan 2006||999|
|Olympus E-300||..||+||o||o||4.5/5||Sep 2004||799|
|Panasonic G9||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic FZ300||+ +||..||4.5/5||4.5/5||4.5/5||Jul 2015||599|
|Panasonic GH4||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499|
|Panasonic GF5||..||..||4.5/5||4/5||4.5/5||Apr 2012||499|
|Panasonic GH3||+ +||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299|
|Panasonic GF3||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Panasonic G2||..||72/100||4/5||4/5||4.5/5||Mar 2010||599|
|Panasonic L10||85/100||+||3.5/5||o||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon SX620 vs Panasonic GH5s
- Canon T2i vs Panasonic L1
- Canon T7 vs Panasonic GH5s
- Canon T7 vs Panasonic L1
- Fujifilm X-E2S vs Panasonic GH5s
- Nikon D610 vs Panasonic L1
- Olympus E-P5 vs Panasonic L1
- Panasonic FZ1000 II vs Panasonic L1
- Panasonic GH5s vs Panasonic GX8
- Panasonic GH5s vs Sony NEX-5R
- Panasonic GH5s vs Sony RX1R
- Panasonic L1 vs Ricoh GR
Specifications: Panasonic GH5s vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5s||Panasonic L1|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Four Thirds lenses|
|Launch Date||January 2018||February 2006|
|Launch Price||USD 2,499||USD 999|
|Sensor Specs||Panasonic GH5s||Panasonic L1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||9.9 Megapixels||7.4 Megapixels|
|Image Resolution||3680 x 2700 pixels||3136 x 2352 pixels|
|Pixel Pitch||4.77 μm||5.51 μm|
|Pixel Density||4.42 MP/cm2||3.28 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||no Video|
|ISO Setting||160 - 51,200 ISO||100 - 1,600 ISO|
|ISO Boost||80 - 204,800 ISO||no Enhancement|
|Image Processor||Venus 10||Venus|
|Screen Specs||Panasonic GH5s||Panasonic L1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||2.5inch|
|LCD Resolution||1620k dots||207k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GH5s||Panasonic L1|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Panasonic GH5s||Panasonic L1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic GH5s||Panasonic L1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||440 shots per charge||750 shots per charge|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
|Camera Weight||660 g (23.3 oz)||606 g (21.4 oz)|
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