Olympus E-1 vs Panasonic L1
The Olympus E-1 and the Panasonic Lumix DMC-L1 are two digital cameras that were announced, respectively, in June 2003 and February 2006. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Panasonic provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-1||Panasonic L1|
|Digital single lens reflex||Digital single lens reflex|
|Four Thirds lenses||Four Thirds lenses|
|4.9 MP, Four Thirds Sensor||7.4 MP, Four Thirds Sensor|
|no Video||no Video|
|ISO 100-800 (100-3200)||ISO 100-1600|
|Optical viewfinder||Optical viewfinder|
|1.8" LCD, 134k dots||2.5" LCD, 207k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|750 shots per battery charge||750 shots per battery charge|
|141 x 104 x 81 mm, 738 g||146 x 87 x 64 mm, 606 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-1 and the Panasonic L1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is notably smaller (13 percent) than the Olympus E-1. Moreover, the L1 is markedly lighter (18 percent) than the E-1. It is worth mentioning in this context that the E-1 is splash and dust resistant, while the L1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-1»||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699||Olympus E-1|
|Panasonic L1«||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999||Panasonic L1|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 7D« »||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||Canon 7D|
|Canon 350D« »||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899||Canon 350D|
|Leica Digilux 3« »||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499||Leica Digilux 3|
|Nikon D500« »||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D610« »||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D7000« »||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499||Nikon D7000|
|Olympus E-5« »||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699||Olympus E-5|
|Olympus E-3« »||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699||Olympus E-3|
|Olympus E-330« »||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||Olympus E-330|
|Olympus E-300« »||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||Olympus E-300|
|Panasonic L10« »||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||Panasonic L10|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The L1 was launched at a markedly lower price (by 41 percent) than the E-1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the L1 offers a higher resolution of 7.4 megapixels, compared with 4.9 MP of the E-1. This megapixels advantage translates into a 23 percent gain in linear resolution. On the other hand, these sensor specs imply that the L1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.51μm versus 6.78μm for the E-1). However, it should be noted that the L1 is much more recent (by 2 years and 8 months) than the E-1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic L1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the L1 for good quality output (200 dots per inch) amounts to 15.7 x 11.8 inch or 39.8 x 29.9 cm, for very good quality (250 dpi) 12.5 x 9.4 inch or 31.9 x 23.9 cm, and for excellent quality (300 dpi) 10.5 x 7.8 inch or 26.6 x 19.9 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inch or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inch or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inch or 21.7 x 16.3 cm for excellent quality prints.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..||Olympus E-1|
|Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..||Panasonic L1|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 7D||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 350D||APS-C||8.0||3456||2304||none||21.8||10.8||637||60||Canon 350D|
|Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..||Leica Digilux 3|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D7000||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56||Olympus E-3|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..||Olympus E-330|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-300|
|Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55||Panasonic L10|
Beyond body and sensor, cameras can and do differ across a range of features. The E-1 and the L1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-1 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-1 has a higher magnification (0.48x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-1, the Panasonic L1, and comparable cameras.
|Olympus E-1||optical||Y||1.8||134||fixed||n||1/4000s||3.0||n||n||Olympus E-1|
|Panasonic L1||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Panasonic L1|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 7D||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 350D||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon 350D|
|Leica Digilux 3||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Leica Digilux 3|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D610||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D7000||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Olympus E-5||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Olympus E-3||optical||Y||2.5||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-3|
|Olympus E-330||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Olympus E-300||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
|Panasonic L10||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
One feature that is present on the E-1, but is missing on the L1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the L1 uses SDHC cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-1||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-1|
|Panasonic L1||Y||none||none||-||-||none||2.0||-||-||-||Panasonic L1|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 7D||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 350D||Y||none||none||-||-||none||2.0||-||-||-||Canon 350D|
|Leica Digilux 3||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica Digilux 3|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D610||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D7000||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Olympus E-5||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-5|
|Olympus E-3||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-3|
|Olympus E-330||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-330|
|Olympus E-300||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-300|
|Panasonic L10||Y||none||none||-||-||none||2.0||-||-||-||Panasonic L10|
Studio photographers will appreciate that the Olympus E-1 (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-1 and the L1 have been discontinued, but can regularly be found used on eBay. The E-1 was replaced by the Olympus E-3, while the L1 was followed by the Panasonic L10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Olympus E-1 and the Panasonic L1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus E-1:
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.48x vs 0.47x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in June 2003).
Arguments in favor of the Panasonic Lumix DMC-L1:
- More detail: Has more megapixels (7.4 vs 4.9MP), which boosts linear resolution by 23%.
- Larger screen: Has a bigger rear LCD (2.5" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (207k vs 134k dots).
- More compact: Is smaller (146x87mm vs 141x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 132g or 18 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (41 percent cheaper at launch).
- More modern: Reflects 2 years and 8 months of technical progress since the E-1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the L1 comes out slightly ahead of the E-1 (8 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-1 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-1 or the L1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Panasonic L1
- Canon T2i vs Panasonic L1
- Canon T6i vs Olympus E-1
- Epson R-D1 vs Olympus E-1
- Leica S-E Typ 006 vs Panasonic L1
- Nikon 1 V2 vs Panasonic L1
- Nikon D3500 vs Panasonic L1
- Nikon D7200 vs Olympus E-1
- Olympus E-1 vs Panasonic GX80
- Olympus E-1 vs Sony A3000
- Olympus E-1 vs Sony A5000
- Panasonic L1 vs Panasonic S1R
Specifications: Olympus E-1 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-1||Panasonic L1|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Four Thirds lenses|
|Launch Date||June 2003||February 2006|
|Launch Price||USD 1699||USD 999|
|Sensor Specs||Olympus E-1||Panasonic L1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||4.9 Megapixels||7.4 Megapixels|
|Image Resolution||2560 x 1920 pixels||3136 x 2352 pixels|
|Pixel Pitch||6.78 μm||5.51 μm|
|Pixel Density||2.19 MP/cm2||3.28 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100-800 ISO||100-1600 ISO|
|ISO Boost||100-3200 ISO||no Enhancement|
|Screen Specs||Olympus E-1||Panasonic L1|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8 inch||2.5 inch|
|LCD Resolution||134k dots||207k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Olympus E-1||Panasonic L1|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or XD cards||SDHC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-1||Panasonic L1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-1||Panasonic L1|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||750 shots per charge||750 shots per charge|
141 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
|Camera Weight||738 g (26.0 oz)||606 g (21.4 oz)|
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