Olympus E-1 vs Panasonic L1

The Olympus E-1 and the Panasonic Lumix DMC-L1 are two digital cameras that were announced, respectively, in June 2003 and February 2006. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Panasonic provides 7.4 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-1		Panasonic L1
Digital single lens reflex		Digital single lens reflex
Four Thirds lenses		Four Thirds lenses
4.9 MP – Four Thirds sensor		7.4 MP – Four Thirds sensor
no Video		no Video
ISO 100-800 (100 - 3,200)		ISO 100-1,600
Optical viewfinder		Optical viewfinder
1.8" LCD – 134k dots		2.5" LCD – 207k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
3 shutter flaps per second		3 shutter flaps per second
Weathersealed body		not weather sealed
750 shots per battery charge		750 shots per battery charge
141 x 104 x 81 mm, 738 g		146 x 87 x 64 mm, 606 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-1 and the Panasonic L1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is notably smaller (13 percent) than the Olympus E-1. Moreover, the L1 is markedly lighter (18 percent) than the E-1. It is worth mentioning in this context that the E-1 is splash and dust resistant, while the L1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Four Thirds Lens Catalog.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	1,699	ebay.com
2.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	999	ebay.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	1,999	amazon.com
4.		Canon 7D	148 mm	111 mm	74 mm	860 g	800	Y	Sep 2009	1,699	ebay.com
5.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
6.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	1,499	ebay.com
7.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	amazon.com
8.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
9.		Nikon D7000	132 mm	105 mm	77 mm	780 g	1050	Y	Sep 2010	1,499	ebay.com
10.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	1,699	ebay.com
11.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	1,699	ebay.com
12.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	999	ebay.com
13.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	799	ebay.com
14.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The L1 was launched at a markedly lower price (by 41 percent) than the E-1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the L1 offers a higher resolution of 7.4 megapixels, compared with 4.9 MP of the E-1. This megapixels advantage translates into a 23 percent gain in linear resolution. On the other hand, these sensor specs imply that the L1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.51μm versus 6.78μm for the E-1). However, it should be noted that the L1 is much more recent (by 2 years and 8 months) than the E-1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.

The resolution advantage of the Panasonic L1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the L1 for good quality output (200 dots per inch) amounts to 15.7 x 11.8 inches or 39.8 x 29.9 cm, for very good quality (250 dpi) 12.5 x 9.4 inches or 31.9 x 23.9 cm, and for excellent quality (300 dpi) 10.5 x 7.8 inches or 26.6 x 19.9 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.

The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).

In terms of underlying technology, the E-1 is build around a CCD sensor, while the L1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
2.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Canon 7D	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	854	66
5.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
6.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
7.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
8.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
9.		Nikon D7000	APS-C	16.1	4928	3264	1080/24p	23.5	13.9	1167	80
10.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
11.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
12.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
13.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
14.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
Note: DXO values in italics represent estimates based on sensor size and age.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The E-1 and the L1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-1 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-1 has a higher magnification (0.48x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-1, the Panasonic L1, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
2.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Canon 7D	optical	Y	3.0 / 920	fixed	n	1/8000s	8.0/s	Y	n
5.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
6.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
7.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
8.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
9.		Nikon D7000	optical	Y	3.0 / 921	fixed	n	1/8000s	6.0/s	Y	n
10.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
11.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
12.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
13.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
14.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the E-1, but is missing on the L1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the L1 uses SDHC cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
2.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 7D	Y	mono / -	Y	-	mini	2.0	-	-	-
5.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
6.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
7.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
8.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
9.		Nikon D7000	Y	mono / mono	Y	-	mini	2.0	-	-	-
10.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
14.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-

Studio photographers will appreciate that the Olympus E-1 (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-1 and the L1 have been discontinued, but can regularly be found used on ebay. The E-1 was replaced by the Olympus E-3, while the L1 was followed by the Panasonic L10. Further information on the features and operation of the E-1 and L1 can be found, respectively, in the Olympus E-1 Manual (free pdf) or the online Panasonic L1 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Olympus E-1 and the Panasonic L1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Olympus E-1:

• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.48x vs 0.47x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in June 2003).

Arguments in favor of the Panasonic Lumix DMC-L1:

• More detail: Has more megapixels (7.4 vs 4.9MP), which boosts linear resolution by 23%.
• Larger screen: Has a bigger rear LCD (2.5" vs 1.8") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (207k vs 134k dots).
• More compact: Is smaller (146x87mm vs 141x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 132g or 18 percent) and is thus easier to take along.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (41 percent cheaper at launch).
• More modern: Reflects 2 years and 8 months of technical progress since the E-1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the L1 comes out slightly ahead of the E-1 (8 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-1 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-1 or the L1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-1	..	..	..	+	o	..	Jun 2003	1,699	ebay.com
2.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	999	ebay.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	1,999	amazon.com
4.		Canon 7D	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2009	1,699	ebay.com
5.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
6.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	1,499	ebay.com
7.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	amazon.com
8.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
9.		Nikon D7000	4/5	..	..	80/100	4.5/5	4.5/5	Sep 2010	1,499	ebay.com
10.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	1,699	ebay.com
11.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	1,699	ebay.com
12.		Olympus E-330	..	..	..	+	o	..	Jan 2006	999	ebay.com
13.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	799	ebay.com
14.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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