Olympus E-1 vs Sony A5000
The Olympus E-1 and the Sony Alpha A5000 are two digital cameras that were officially introduced, respectively, in June 2003 and January 2014. The E-1 is a DSLR, while the A5000 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-1) and an APS-C (A5000) sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-1 and the Sony A5000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The A5000 can be obtained in three different colors (black, silver, white), while the E-1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (53 percent) than the Olympus E-1. Moreover, the A5000 is substantially lighter (64 percent) than the E-1. It is worth mentioning in this context that the E-1 is splash and dust resistant, while the A5000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-1) and the Sony E-Mount Lens Catalog (A5000). Mirrorless cameras, such as the A5000, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-1 gets 750 shots out of its BLM-1 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699||ebay.com|
|2.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||ebay.com|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|4.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||ebay.com|
|5.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||ebay.com|
|6.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499||ebay.com|
|7.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|8.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||amazon.com|
|9.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499||ebay.com|
|10.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699||ebay.com|
|11.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699||ebay.com|
|12.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||ebay.com|
|13.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||ebay.com|
|14.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|15.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||ebay.com|
|16.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||ebay.com|
|17.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A5000 was launched at a markedly lower price (by 74 percent) than the E-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-1 features a Four Thirds sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 59 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-1 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the E-1 (4.9MP), but the A5000 has smaller individual pixels (pixel pitch of 4.25μm versus 6.78μm for the E-1). Yet, the A5000 is a much more recent model (by 10 years and 6 months) than the E-1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
In terms of underlying technology, the E-1 is build around a CCD sensor, while the A5000 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-1||Four Thirds||4.9||2560||1920||none||20.0||9.7||-145||44|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|8.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|10.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|11.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|12.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|13.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|14.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The A5000 indeed provides for movie recording, while the E-1 does not. The highest resolution format that the A5000 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Olympus E-1 and Sony A5000 along with similar information for a selection of comparators.
|1.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0/s||n||n|
|2.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5/s||Y||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|5.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|6.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|8.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|9.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0/s||Y||n|
|10.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0/s||Y||Y|
|11.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|12.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|13.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|14.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|15.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0/s||Y||n|
|16.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|17.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the E-1, but is missing on the A5000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A5000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-1 does not have a selfie-screen.
The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A5000 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|6.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|7.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|8.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the E-1 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Olympus E-1 (unlike the A5000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-1 and the A5000 have been discontinued, but can regularly be found used on ebay. The E-1 was replaced by the Olympus E-3, while the A5000 was followed by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Which of the two cameras – the Olympus E-1 or the Sony A5000 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Olympus E-1:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (750 versus 420) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in June 2003).
Advantages of the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 4.9MP), which boosts linear resolution by 105%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (461k vs 134k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (3.5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (110x63mm vs 141x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 469g or 64 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More modern: Reflects 10 years and 6 months of technical progress since the E-1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A5000 is the clear winner of the contest (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-1 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-1 or the A5000. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699||ebay.com|
|2.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449||ebay.com|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|4.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499||ebay.com|
|5.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699||ebay.com|
|6.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499||ebay.com|
|7.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|8.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999||amazon.com|
|9.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499||ebay.com|
|10.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699||ebay.com|
|11.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699||ebay.com|
|12.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999||ebay.com|
|13.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799||ebay.com|
|14.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|15.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549||ebay.com|
|16.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599||ebay.com|
|17.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon R6 vs Olympus E-1
- Canon SL2 vs Sony A5000
- Canon SX610 vs Sony A5000
- Epson R-D1 vs Sony A5000
- Fujifilm X100V vs Olympus E-1
- Nikon D750 vs Sony A5000
- Olympus E-1 vs Olympus E-PL2
- Olympus E-1 vs Panasonic FZ330
- Olympus E-1 vs Panasonic TZ200
- Olympus E-1 vs Sony RX0 II
- Olympus E-30 vs Sony A5000
- Panasonic GX800 vs Sony A5000
Specifications: Olympus E-1 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-1||Sony A5000|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||June 2003||January 2014|
|Launch Price||USD 1,699||USD 449|
|Sensor Specs||Olympus E-1||Sony A5000|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.2 x 15.4 mm|
|Sensor Area||224.9 mm2||357.28 mm2|
|Sensor Diagonal||21.6 mm||27.8 mm|
|Sensor Resolution||4.9 Megapixels||19.8 Megapixels|
|Image Resolution||2560 x 1920 pixels||5456 x 3632 pixels|
|Pixel Pitch||6.78 μm||4.25 μm|
|Pixel Density||2.19 MP/cm2||5.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 800 ISO||100 - 16,000 ISO|
|ISO Boost||100 - 3,200 ISO||no Enhancement|
|Image Processor||TruePic||BIONZ X|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||1089|
|Screen Specs||Olympus E-1||Sony A5000|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.0inch|
|LCD Resolution||134k dots||461k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Olympus E-1||Sony A5000|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||3.5 shutter flaps/s|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or XD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-1||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-1||Sony A5000|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||750 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
141 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||738 g (26.0 oz)||269 g (9.5 oz)|
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