Panasonic G95 vs Sony A6700

The Panasonic Lumix DC-G95 (called Panasonic G90 in some regions) and the Sony Alpha A6700 are two digital cameras that were officially introduced, respectively, in April 2019 and July 2023. Both the G95 and the A6700 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G95) and an APS-C (A6700) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 25.6 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G95		Sony A6700
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
20.2 MP – Four Thirds sensor		25.6 MP – APS-C sensor
4K/30p Video		4K/120p Video
ISO 200-25,600		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1240k dots		3.0" LCD – 1037k dots
Swivel touchscreen		Swivel touchscreen
9 shutter flaps per second		11 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
290 shots per battery charge		570 shots per battery charge
130 x 94 x 77 mm, 536 g		122 x 69 x 64 mm, 493 g

Check G95 offers at
ebay.com
Check A6700 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G95 and the Sony Alpha A6700? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic G95 and the Sony A6700. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6700 is considerably smaller (31 percent) than the Panasonic G95. Moreover, the A6700 is markedly lighter (8 percent) than the G95. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G95) and the Sony E-Mount Lens Catalog (A6700). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G95 gets 290 shots out of its Panasonic DMW-BLC12 battery, while the A6700 can take 570 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic G95	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	US$ 999	ebay.com
2.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
3.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	US$ 1 999	ebay.com
4.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	US$ 1 799	ebay.com
5.		Olympus E-M1X	144 mm	147 mm	75 mm	997 g	870	Y	Jan 2019	US$ 2 999	ebay.com
6.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
7.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	US$ 1 199	ebay.com
8.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	US$ 1 699	ebay.com
9.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	US$ 899	ebay.com
10.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	US$ 1 999	ebay.com
11.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
12.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	US$ 849	ebay.com
13.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	US$ 1 399	ebay.com
14.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	US$ 1 199	ebay.com
15.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
16.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	US$ 1 399	ebay.com
17.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G95 was launched at a markedly lower price (by 29 percent) than the A6700, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G95 features a Four Thirds sensor and the Sony A6700 an APS-C sensor. The sensor area in the A6700 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G95 has a native 4:3 aspect ratio, while the one in the A6700 offers a 3:2 aspect.

With 25.6MP, the A6700 offers a higher resolution than the G95 (20.2MP), but the A6700 nevertheless has larger individual pixels (pixel pitch of 3.79μm versus 3.34μm for the G95) due to its larger sensor. Moreover, the A6700 is a much more recent model (by 4 years and 3 months) than the G95, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the G95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A6700 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6700 for good quality output (200 dots per inch) amounts to 31 x 20.6 inches or 78.6 x 52.4 cm, for very good quality (250 dpi) 24.8 x 16.5 inches or 62.9 x 41.9 cm, and for excellent quality (300 dpi) 20.6 x 13.8 inches or 52.4 x 35 cm. The corresponding values for the Panasonic G95 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The A6700 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DC-G95 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A6700 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the G95 is build around a CMOS sensor, while the A6700 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G95	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
2.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
3.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
4.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
5.		Olympus E-M1X	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1254	75
6.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
7.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
8.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
9.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
10.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
11.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
12.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
13.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
14.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
15.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
16.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
17.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6700 provides a faster frame rate than the G95. It can shoot movie footage at 4K/120p, while the Panasonic is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The G95 and the A6700 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Panasonic G95 and Sony A6700 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G95	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
2.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
3.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
4.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
5.		Olympus E-M1X	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
6.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
7.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
8.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
9.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
10.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
11.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
12.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
13.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
14.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
15.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
17.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G95 has one, while the A6700 does not. While the built-in flash of the G95 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G95 and the Sony A6700 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G95 writes its imaging data to SDXC cards, while the A6700 uses SDXC or Memory Stick PRO Duo cards. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G95 and Sony Alpha A6700 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G95	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
2.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y
3.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
4.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
5.		Olympus E-M1X	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
6.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
9.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
11.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
12.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
13.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
14.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
16.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y

The A6700 is a recent model that features in the current product line-up of Sony. In contrast, the G95 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the G95 from Panasonic. Further information on the features and operation of the G95 and A6700 can be found, respectively, in the Panasonic G95 Manual (free pdf) or the online Sony A6700 Manual.

Review summary

So how do things add up? Is the Panasonic G95 better than the Sony A6700 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Panasonic Lumix DC-G95:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.71x).
• More detailed LCD: Has a higher resolution rear screen (1240k vs 1037k dots).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in April 2019).

Reasons to prefer the Sony Alpha A6700:

• More detail: Has more megapixels (25.6 vs 20.2MP), which boosts linear resolution by 15%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (4K/120p versus 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (122x69mm vs 130x94mm) and will fit more readily into a bag.
• Longer lasting: Gets more shots (570 versus 290) out of a single battery charge.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 4 years and 3 months of technical progress since the G95 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A6700 is the clear winner of the contest (14 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G95 and the Sony A6700 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G95 or the A6700. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic G95	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	US$ 999	ebay.com
2.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
3.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 1 999	ebay.com
4.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	US$ 1 799	ebay.com
5.		Olympus E-M1X	4.5/5	o	5/5	85/100	4.5/5	..	Jan 2019	US$ 2 999	ebay.com
6.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
7.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
8.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	US$ 1 699	ebay.com
9.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	US$ 899	ebay.com
10.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	US$ 1 999	ebay.com
11.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
12.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	US$ 849	ebay.com
13.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	US$ 1 399	ebay.com
14.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	US$ 1 199	ebay.com
15.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
16.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
17.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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