Panasonic G7 vs Sony A7
The Panasonic Lumix DMC-G7 and the Sony Alpha A7 are two digital cameras that were officially introduced, respectively, in May 2015 and October 2013. Both the G7 and the A7 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G7) and a full frame (A7) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G7 and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic G7 and the Sony A7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The G7 can be obtained in two different colors (black, silver), while the A7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is notably larger (11 percent) than the Panasonic G7. Moreover, the A7 is markedly heavier (16 percent) than the G7. It is noteworthy in this context that the A7 is splash and dust-proof, while the G7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G7) and the Sony FE Lens Catalog (A7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G7 gets 350 shots out of its DMW-BLC12 battery, while the A7 can take 340 images on a single charge of its NP-FW50 power pack. The power pack in the A7 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|2.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|3.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|4.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|5.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|6.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|7.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|8.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|9.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|10.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|11.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|12.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|13.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|14.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|15.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|16.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|17.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7 was launched at a markedly lower price (by 62 percent) than the A7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Sony A7 a full frame sensor. The sensor area in the A7 is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the A7 offers a 3:2 aspect.
With 24MP, the A7 offers a higher resolution than the G7 (15.8MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a somewhat more recent model (by 1 year and 7 months) than the A7, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|2.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|3.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|4.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||22.7||12.3||874||70|
|5.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|6.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|7.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|8.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|9.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|10.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|11.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|12.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|13.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|14.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|15.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|16.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|17.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7 provides a higher video resolution than the A7. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 offers a slightly higher resolution than the one in the G7 (2400k vs 2360k dots). The table below summarizes some of the other core capabilities of the Panasonic G7 and Sony A7 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|2.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
|3.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|4.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8||Y||n|
|5.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|6.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|7.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|8.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|9.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|10.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|11.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|12.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|13.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|14.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
|15.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
|16.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
|17.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The G7 has one, while the A7 does not. While the built-in flash of the G7 is not very powerful, it can at times be useful as a fill-in light.The G7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G7 writes its imaging data to SDXC cards, while the A7 uses SDXC or Memory Stick PRO Duo cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A7 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A7 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G7 lacks such a headphone port.
Both the G7 and the A7 have been discontinued, but can regularly be found used on eBay. The A7 was replaced by the Sony A7 II, while the G7 was followed by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is the Panasonic G7 better than the Sony A7 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-G7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 64g or 14 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 7 months after the A7).
Reasons to prefer the Sony Alpha A7:
- More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the A7 emerges as the winner of the match-up (14 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G7 and the Sony A7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G7 or the A7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|2.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|3.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|4.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|5.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|6.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|7.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|8.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|9.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|10.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|11.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|12.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|13.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|14.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|15.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|16.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|17.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Sony A7
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- Fujifilm X-S10 vs Panasonic G7
- Fujifilm X-T4 vs Panasonic G7
- Nikon D3400 vs Panasonic G7
- Nikon P7800 vs Panasonic G7
- Olympus E-PL6 vs Sony A7
- Panasonic FZ300 vs Sony A7
- Panasonic G7 vs Panasonic G80
- Pentax 645Z vs Sony A7
- Sony A7 vs Sony NEX-5
- Sony A7 vs Sony RX100 V
Specifications: Panasonic G7 vs Sony A7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G7||Sony A7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||May 2015||October 2013|
|Launch Price||USD 649||USD 1,699|
|Sensor Specs||Panasonic G7||Sony A7|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.8 x 23.9 mm|
|Sensor Area||224.9 mm2||855.62 mm2|
|Sensor Diagonal||21.6 mm||43 mm|
|Sensor Resolution||15.8 Megapixels||24 Megapixels|
|Image Resolution||4592 x 3448 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.77 μm||5.97 μm|
|Pixel Density||7.04 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||160 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||50 - 51,200 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||90|
|DXO Color Depth (bits)||..||24.8|
|DXO Dynamic Range (EV)||..||14.2|
|DXO Low Light (ISO)||..||2248|
|Screen Specs||Panasonic G7||Sony A7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1230k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G7||Sony A7|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||7 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Panasonic G7||Sony A7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic G7||Sony A7|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||410 g (14.5 oz)||474 g (16.7 oz)|
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