Panasonic G7 vs Sony H300
The Panasonic Lumix DMC-G7 and the Sony Cyber-shot DSC-H300 are two digital cameras that were revealed to the public, respectively, in May 2015 and February 2014. The G7 is a mirrorless interchangeable lens camera, while the H300 is a fixed lens compact. The cameras are based on a Four Thirds (G7) and a 1/2.3-inch (H300) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 19.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G7 and the Sony Cyber-shot DSC-H300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G7 and the Sony H300. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G7 can be obtained in two different colors (black, silver), while the H300 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H300 is notably larger (6 percent) than the Panasonic G7. In this context, it is worth noting that neither the G7 nor the H300 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H300 has a lens built in, whereas the G7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G7 and their specifications in the Micro Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|Sony H300||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219|
|Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|Sony H400||130 mm||95 mm||122 mm||628 g||300||n||Feb 2014||319|
|Sony H200||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The H300 was launched at a lower price than the G7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Sony H300 a 1/2.3-inch sensor. The sensor area in the H300 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the H300 offers a higher resolution of 19.9 megapixels, compared with 15.8 MP of the G7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.19μm versus 3.77μm for the G7). Moreover, it should be noted that the G7 is a somewhat more recent model (by 1 year and 3 months) than the H300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the H300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony H300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the H300 for good quality output (200 dots per inch) amounts to 25.8 x 19.3 inches or 65.4 x 49.1 cm, for very good quality (250 dpi) 20.6 x 15.5 inches or 52.3 x 39.3 cm, and for excellent quality (300 dpi) 17.2 x 12.9 inches or 43.6 x 32.7 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600. The corresponding ISO settings for the Sony Cyber-shot DSC-H300 are ISO 80 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7 provides a higher video resolution than the H300. It can shoot video footage at 4K/30p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the H300 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic G7, the Sony H300, and comparable cameras.
|Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the H300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the H300 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G7 writes its imaging data to SDXC cards, while the H300 uses SDXC or Memory Stick PRO Duo cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the H300 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Sony Cyber-shot DSC-H300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the G7 has a hotshoe, while the H300 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The H300 is a recent model that features in the current product line-up of Sony. In contrast, the G7 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7 was succeeded by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic G7 or the Sony H300 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-G7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 0.8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
- More modern: Is somewhat more recent (announced 1 year and 3 months after the H300).
Arguments in favor of the Sony Cyber-shot DSC-H300:
- More detail: Has more megapixels (19.9 vs 15.8MP), which boosts linear resolution by 12%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has an integrated lens, whereas the G7 necessitates an extra lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the G7 is the clear winner of the match-up (20 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G7 and the Sony H300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7 or the H300. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic G7||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649|
|Sony H300||+||..||4.5/5||..||4/5||Feb 2014||219|
|Fujifilm X-E2S||..||77/100||4.5/5||..||4.5/5||Jan 2016||699|
|Leica Q Typ 116||..||80/100||4.5/5||..||4.5/5||Jun 2015||4,249|
|Olympus E-PL8||..||..||4.5/5||..||4/5||Sep 2016||549|
|Olympus E-M10||..||80/100||5/5||4.5/5||5/5||Jan 2014||699|
|Panasonic GX800||+||76/100||4.5/5||4/5||4.5/5||Jan 2017||549|
|Panasonic GX80||+ +||82/100||5/5||4.5/5||5/5||Apr 2016||799|
|Panasonic GM5||+||77/100||5/5||5/5||4.5/5||Sep 2014||749|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic GM1||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749|
|Panasonic G5||+ +||..||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Panasonic G3||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Sony HX400V||+ +||..||4/5||..||4/5||Feb 2014||499|
|Sony H400||o||..||3.5/5||..||3.5/5||Feb 2014||319|
|Sony H200||..||..||3.5/5||..||3.5/5||Jan 2013||249|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Panasonic G7 vs Sony H300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G7||Sony H300|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||25-875mm f/3.4-6.5|
|Launch Date||May 2015||February 2014|
|Launch Price||USD 649||USD 219|
|Sensor Specs||Panasonic G7||Sony H300|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||15.8 Megapixels||19.9 Megapixels|
|Image Resolution||4592 x 3448 pixels||5152 x 3864 pixels|
|Pixel Pitch||3.77 μm||1.19 μm|
|Pixel Density||7.04 MP/cm2||70.91 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||720/30p Video|
|ISO Setting||160 - 25,600 ISO||80 - 3,200 ISO|
|Screen Specs||Panasonic G7||Sony H300|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G7||Sony H300|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||7 shutter flaps/s||0.8 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||no|
|Connectivity Specs||Panasonic G7||Sony H300|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic G7||Sony H300|
|Battery Life (CIPA)||350 shots per charge||350 shots per charge|
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
128 x 89 x 92 mm
(5.0 x 3.5 x 3.6 in)
|Camera Weight||410 g (14.5 oz)||590 g (20.8 oz)|
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