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Panasonic G7 versus Sony A6300

The Panasonic Lumix DMC-G7 and the Sony Alpha A6300 are two digital cameras that were announced, respectively, in May 2015 and February 2016. Both the G7 and the A6300 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G7) and an APS-C (A6300) sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Panasonic G7 vs Sony A6300

The side-by-side display below illustrates the physical size and weight of the Panasonic G7 and the Sony A6300. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the G7 – represents 100 percent across all the size and weight measures).

Compare Panasonic G7 vs Sony A6300
Compare G7 versus A6300 top
Compare G7 and A6300 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is notably smaller (25 percent) than the Panasonic G7. Moreover, the A6300 is slightly lighter (1 percent) than the G7. It is noteworthy in this context that the A6300 is splash and dust-proof, while the G7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G7) and the Sony E-Mount Lens Catalog (A6300). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G7 gets 350 shots out of its DMW-BLC12 battery, while the A6300 can take 400 images on a single charge of its NP-FW50 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic G7» 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
Sony A6300« 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Olympus E-PL7« » 4.5 in 2.6 in 1.5 in 12.6 oz 350 n Aug 2014 599- i Olympus E-PL7
Panasonic GF7« » 4.2 in 2.6 in 1.3 in 9.4 oz 230 n Jan 2015 499- i Panasonic GF7
Panasonic GM5« » 3.9 in 2.4 in 1.4 in 7.4 oz 220 n Sep 2014 749- i Panasonic GM5
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
Panasonic GM1« » 3.9 in 2.2 in 1.2 in 7.2 oz 230 n Oct 2013 749- i Panasonic GM1
Panasonic G5« » 4.7 in 3.3 in 2.8 in 14.0 oz 320 n Jul 2012 599- i Panasonic G5
Panasonic G3« » 4.5 in 3.3 in 1.9 in 11.9 oz 270 n May 2011 599- i Panasonic G3
Panasonic G2« » 4.9 in 3.3 in 2.9 in 15.1 oz 360 n Mar 2010 599- i Panasonic G2
Panasonic GH2« » 4.9 in 3.5 in 3.0 in 15.6 oz 330 n Sep 2010 1,499- i Panasonic GH2
Panasonic GF1« » 4.7 in 2.8 in 1.4 in 13.6 oz 380 n Sep 2009 749- i Panasonic GF1
Sony A6500« » 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Sony A6000« » 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599- i Sony A6000
Sony A3000« » 5.0 in 3.6 in 3.3 in 14.5 oz 470 n Aug 2013 329- i Sony A3000
Sony NEX-6« » 4.7 in 2.6 in 1.7 in 12.2 oz 360 n Sep 2012 999- i Sony NEX-6
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G7 was launched at a markedly lower price (by 35 percent) than the A6300, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Panasonic G7 vs Sony A6300

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the A6300 offers a 3:2 aspect.

Panasonic G7 and Sony A6300 sensor measures

With 24MP, the A6300 offers a higher resolution than the G7 (15.8MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the A6300 is a somewhat more recent model (by 8 months) than the G7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

G7 versus A6300 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Panasonic G7» Four Thirds 15.8 4592 34484K/30p----Panasonic G7
Sony A6300« APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Olympus E-PL7« » Four Thirds 15.9 4608 34561080/30p22.712.487372Olympus E-PL7
Panasonic GF7« » Four Thirds 15.8 4592 34481080/60p----Panasonic GF7
Panasonic GM5« » Four Thirds 15.8 4592 34481080/60p22.111.772166Panasonic GM5
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
Panasonic GM1« » Four Thirds 15.8 4592 34481080/60i22.311.766066Panasonic GM1
Panasonic G5« » Four Thirds 15.9 4608 34561080/60p----Panasonic G5
Panasonic G3« » Four Thirds 15.8 4592 34481080/60i21.010.666756Panasonic G3
Panasonic G2« » Four Thirds 12.0 4000 3000720/30p21.210.349353Panasonic G2
Panasonic GH2« » Four Thirds 15.9 4608 34561080/60i21.211.365560Panasonic GH2
Panasonic GF1« » Four Thirds 12.0 4000 3000720/30p21.210.351354Panasonic GF1
Sony A6500« » APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Sony A6000« » APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000
Sony A3000« » APS-C 19.8 5456 36321080/60i23.712.8106878Sony A3000
Sony NEX-6« » APS-C 16.0 4912 32641080/60i23.713.1101878Sony NEX-6
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Panasonic G7 vs Sony A6300

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G7 offers a slightly higher resolution than the one in the A6300 (2360k vs 2300k dots). The table below summarizes some of the other core capabilities of the Panasonic G7 and Sony A6300 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Panasonic G7»2360 n 3.0 1040 swivel Y 4000 7.0 Y n Panasonic G7
Sony A6300«2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Olympus E-PL7« »- n 3.0 1037 tilting Y 4000 8.0 n Y Olympus E-PL7
Panasonic GF7« »- n 3.0 1040 tilting Y 500 5.8 Y n Panasonic GF7
Panasonic GM5« »1166 n 3.0 921 fixed Y 500 5.8 n n Panasonic GM5
Panasonic G6« »1440 n 3.0 1036 swivel Y 4000 7.0 Y n Panasonic G6
Panasonic GM1« »- n 3.0 1036 fixed Y 500 5.0 Y n Panasonic GM1
Panasonic G5« »1440 n 3.0 920 swivel Y 4000 6.0 Y n Panasonic G5
Panasonic G3« »1440 n 3.0 460 swivel Y 4000 4.0 Y n Panasonic G3
Panasonic G2« »1440 n 3.0 460 swivel Y 4000 2.6 Y n Panasonic G2
Panasonic GH2« »1534 n 3.0 460 swivel n 4000 3.0 Y n Panasonic GH2
Panasonic GF1« »- n 3.0 460 fixed n 4000 3.0 Y n Panasonic GF1
Sony A6500« »2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Sony A6000« »1440 n 3.0 922 tilting n 4000 11.0 Y n Sony A6000
Sony A3000« »202 n 3.0 230 fixed n 4000 2.5 Y n Sony A3000
Sony NEX-6« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-6
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the A6300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the G7 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

The G7 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Panasonic G7»YstereomonoY-micro2.0Y--Panasonic G7
Sony A6300«YstereomonoY-micro2.0YY-Sony A6300
Olympus E-PL7« »Ystereomono--micro2.0Y--Olympus E-PL7
Panasonic GF7« »-stereomono--micro2.0YY-Panasonic GF7
Panasonic GM5« »Ystereomono--micro2.0Y--Panasonic GM5
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
Panasonic GM1« »-stereomono--micro2.0Y--Panasonic GM1
Panasonic G5« »Ystereomono--mini2.0---Panasonic G5
Panasonic G3« »Ystereomono--mini2.0---Panasonic G3
Panasonic G2« »Ystereomono--mini2.0---Panasonic G2
Panasonic GH2« »Ystereomono--mini2.0---Panasonic GH2
Panasonic GF1« »Ymonomono--mini2.0---Panasonic GF1
Sony A6500« »YstereomonoY-micro2.0YY-Sony A6500
Sony A6000« »Ystereomono--micro2.0YY-Sony A6000
Sony A3000« »Ystereomono--mini2.0---Sony A3000
Sony NEX-6« »Ystereomono--mini2.0Y--Sony NEX-6
Sony NEX-7« »Ystereomono--mini2.0---Sony NEX-7

Both the G7 and the A6300 have been discontinued, but can regularly be found used on eBay. The G7 was replaced by the Panasonic G85, while the A6300 was followed by the Sony A6500.

Review summary: Panasonic G7 vs Sony A6300

So how do things add up? Is there a clear favorite between the Panasonic G7 and the Sony A6300? Below is a summary of the relative strengths of each of the two contestants.

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Reasons to prefer the Panasonic Lumix DMC-G7:

  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in May 2015).

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Advantages of the Sony Alpha A6300:

  • More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 125x86mm) and will fit more readily into a bag.
  • Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More modern: Was introduced somewhat (8 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the A6300 emerges as the winner of the match-up (8 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

G7 06:08 A6300

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G7 or the A6300. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic G7»HiRec80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
Sony A6300«Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Olympus E-PL7« »Rec-5/54.5/54/5 Aug 2014 599- i Olympus E-PL7
Panasonic GF7« »Rec-4.5/54.5/54.5/5 Jan 2015 499- i Panasonic GF7
Panasonic GM5« »Rec77/1005/55/54.5/5 Sep 2014 749- i Panasonic GM5
Panasonic G6« »HiRec-5/5-4.5/5 Apr 2013 599- i Panasonic G6
Panasonic GM1« »Rec78/1005/54.5/54.5/5 Oct 2013 749- i Panasonic GM1
Panasonic G5« »HiRec-4.5/54.5/54.5/5 Jul 2012 599- i Panasonic G5
Panasonic G3« »HiRec75/1004.5/54.5/55/5 May 2011 599- i Panasonic G3
Panasonic G2« »-72/1004/54/54.5/5 Mar 2010 599- i Panasonic G2
Panasonic GH2« »HiRec79/1004.5/54.5/55/5 Sep 2010 1,499- i Panasonic GH2
Panasonic GF1« »85/10069/1004.5/54.5/54.5/5 Sep 2009 749- i Panasonic GF1
Sony A6500« »HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Sony A6000« »Rec80/1004.5/55/55/5 Feb 2014 599- i Sony A6000
Sony A3000« »Rec-4/54.5/54/5 Aug 2013 329- i Sony A3000
Sony NEX-6« »HiRec78/1004.5/55/54.5/5 Sep 2012 999- i Sony NEX-6
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to update the database with the necessary infos.

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