Panasonic G7 vs Sony A5000
The Panasonic Lumix DMC-G7 and the Sony Alpha A5000 are two digital cameras that were announced, respectively, in May 2015 and January 2014. Both the G7 and the A5000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G7) and an APS-C (A5000) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G7 and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic G7 and the Sony A5000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The G7 can be obtained in two different colors (black, silver), while the A5000 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (36 percent) than the Panasonic G7. Moreover, the A5000 is markedly lighter (34 percent) than the G7. In this context, it is worth noting that neither the G7 nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G7) and the Sony E-Mount Lens Catalog (A5000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G7 gets 350 shots out of its DMW-BLC12 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|2.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|3.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|4.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|5.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|6.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|7.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|8.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|9.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|10.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|11.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|12.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|13.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|14.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|17.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A5000 was launched at a markedly lower price (by 31 percent) than the G7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 59 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the G7 (15.8MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a somewhat more recent model (by 1 year and 4 months) than the A5000, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|5.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|6.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|7.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|8.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|9.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|10.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|11.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|12.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|13.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|14.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7 provides a higher video resolution than the A5000. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic G7 and Sony A5000 along with similar information for a selection of comparators.
|1.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|2.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5||Y||n|
|3.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|4.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|5.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|6.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8||Y||n|
|7.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|8.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|9.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|10.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|11.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|12.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|13.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|14.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0||Y||n|
|17.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the A5000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G7 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A5000 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the G7 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the G7 and the A5000 have been discontinued, but can regularly be found used on eBay. The A5000 was replaced by the Sony A5100, while the G7 was followed by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G7 and the Sony A5000? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-G7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 461k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (7 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 4 months after the A5000).
Advantages of the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 15.8MP), which boosts linear resolution by 14%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More compact: Is smaller (110x63mm vs 125x86mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 141g or 34 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (420 versus 350) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (12 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G7 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G7 and the A5000 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|2.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|3.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|4.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|5.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|6.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|7.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|8.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|9.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|10.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|11.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|12.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|13.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|14.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|17.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1000D vs Panasonic G7
- Canon 650D vs Panasonic G7
- Canon D60 vs Sony A5000
- Canon S120 vs Panasonic G7
- Leica T vs Panasonic G7
- Nikon D40X vs Panasonic G7
- Olympus E-P1 vs Sony A5000
- Panasonic G1 vs Sony A5000
- Panasonic G7 vs Sony A7S III
- Sony A5000 vs Sony A6500
- Sony A5000 vs Sony H300
- Sony A5000 vs Sony H400
Specifications: Panasonic G7 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G7||Sony A5000|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||May 2015||January 2014|
|Launch Price||USD 649||USD 449|
|Sensor Specs||Panasonic G7||Sony A5000|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.2 x 15.4 mm|
|Sensor Area||224.9 mm2||357.28 mm2|
|Sensor Diagonal||21.6 mm||27.8 mm|
|Sensor Resolution||15.8 Megapixels||19.8 Megapixels|
|Image Resolution||4592 x 3448 pixels||5456 x 3632 pixels|
|Pixel Pitch||3.77 μm||4.25 μm|
|Pixel Density||7.04 MP/cm2||5.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||160 - 25,600 ISO||100 - 16,000 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||1089|
|Screen Specs||Panasonic G7||Sony A5000|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||461k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G7||Sony A5000|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||3.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Panasonic G7||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic G7||Sony A5000|
|Battery Life (CIPA)||350 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||410 g (14.5 oz)||269 g (9.5 oz)|
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