OM System OM-5 vs Sony A6500

The OM System OM-5 and the Sony Alpha A6500 are two enthusiast cameras that were announced, respectively, in October 2022 and October 2016. Both the OM-5 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (OM-5) and an APS-C (A6500) sensor. The OM System has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

OM System OM-5		Sony A6500
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
20.2 MP – Four Thirds sensor		24 MP – APS-C sensor
4K/30p Video		4K/30p Video
ISO 200-25,600		ISO 100-25,600 (100 - 51,200)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2359k dots)
3.0" LCD – 1040k dots		3.0" LCD – 922k dots
Swivel touchscreen		Tilting touchscreen
10 shutter flaps per second		11 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
310 shots per battery charge		350 shots per battery charge
125 x 85 x 50 mm, 414 g		120 x 67 x 53 mm, 453 g

Check OM-5 price at
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Going beyond this snapshot of core features and characteristics, what are the differences between the OM System OM-5 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the OM System OM-5 and the Sony A6500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The OM-5 can be obtained in two different colors (black, silver), while the A6500 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (24 percent) than the OM System OM-5. However, the A6500 is markedly heavier (9 percent) than the OM-5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (OM-5) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the OM-5 gets 310 shots out of its OM System BLS-50 battery, while the A6500 can take 350 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		OM System OM-5	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2022	US$ 1 199	amazon.com
2.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	US$ 1 399	ebay.com
3.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	US$ 1 399	ebay.com
4.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	US$ 1 299	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
6.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	US$ 1 199	ebay.com
7.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	US$ 1 199	ebay.com
8.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	US$ 2 199	ebay.com
9.		OM System OM-1 II	135 mm	92 mm	73 mm	599 g	500	Y	Jan 2024	US$ 2 399	amazon.com
10.		Panasonic G95	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	US$ 999	ebay.com
11.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	US$ 1 699	amazon.com
12.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
13.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	US$ 1 399	ebay.com
14.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
15.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	US$ 1 399	amazon.com
16.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The OM-5 was launched at a somewhat lower price (by 14 percent) than the A6500, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the OM System OM-5 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the OM-5 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

With 24MP, the A6500 offers a higher resolution than the OM-5 (20.2MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the OM-5) due to its larger sensor. However, the OM-5 is a much more recent model (by 6 years) than the A6500, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the OM-5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the OM System OM-5 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

Unlike the A6500, the OM-5 has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The OM System OM-5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		OM System OM-5	Four Thirds	20.2	5184	3888	4K/30p	23.4	13.4	1622	78
2.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
3.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
4.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
7.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
8.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
9.		OM System OM-1 II	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.6	1749	78
10.		Panasonic G95	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
11.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
12.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
13.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
14.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
15.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
16.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the OM-5 offers a slightly higher resolution than the one in the A6500 (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the OM System OM-5, the Sony A6500, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		OM System OM-5	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
2.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
3.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
4.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
7.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
8.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
9.		OM System OM-1 II	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
10.		Panasonic G95	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
11.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
12.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
13.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
14.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
15.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
16.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the OM-5 does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The OM System OM-5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The OM-5 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The OM-5 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A6500 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the OM System OM-5 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		OM System OM-5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
3.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
4.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
9.		OM System OM-1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
10.		Panasonic G95	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
11.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
12.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
13.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
14.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
15.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
16.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y

The OM-5 is a recent model that features in the current product line-up of OM System. In contrast, the A6500 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A6500 was succeeded by the Sony A6600. Further information on the features and operation of the OM-5 and A6500 can be found, respectively, in the OM System OM-5 Manual (free pdf) or the online Sony A6500 Manual.

Review summary

So what is the bottom line? Is the OM System OM-5 better than the Sony A6500 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the OM System OM-5:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
• More modern: Reflects 6 years of technical progress since the A6500 launch.

Arguments in favor of the Sony Alpha A6500:

• More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.68x).
• More compact: Is smaller (120x67mm vs 125x85mm) and will fit more readily into a bag.
• Longer lasting: Gets more shots (350 versus 310) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been around for much longer (launched in October 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the OM-5 emerges as the winner of the contest (11 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the OM System OM-5 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the OM-5 or the A6500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		OM System OM-5	5/5	..	4.5/5	83/100	5/5	4.5/5	Oct 2022	US$ 1 199	amazon.com
2.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
3.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
4.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	US$ 1 299	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
6.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
7.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	US$ 1 199	ebay.com
8.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	US$ 2 199	ebay.com
9.		OM System OM-1 II	..	..	..	..	..	..	Jan 2024	US$ 2 399	amazon.com
10.		Panasonic G95	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	US$ 999	ebay.com
11.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	US$ 1 699	amazon.com
12.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
13.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	US$ 1 399	ebay.com
14.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
15.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	US$ 1 399	amazon.com
16.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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