Leica V-LUX Typ 114 vs Sony A6500
The Leica V-LUX (Typ 114) and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in September 2014 and October 2016. The V-LUX Typ 114 is a fixed lens compact, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (V-LUX Typ 114) and an APS-C (A6500) sensor. The Leica has a resolution of 20 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica V-LUX Typ 114||Sony A6500|
|Fixed lens compact camera||Mirrorless system camera|
|25-400mm f/2.8-4.0||Sony E mount lenses|
|20 MP, 1" Sensor||24 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12800 (80-25600)||ISO 100-25600 (100-51200)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2359k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 922k dots|
|Swivel screen (not touch-sensitive)||Tilting touchscreen|
|12 shutter flaps per second||11 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|360 shots per battery charge||350 shots per battery charge|
|137 x 99 x 131 mm, 830 g||120 x 67 x 53 mm, 453 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX (Typ 114) and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica V-LUX Typ 114 and the Sony A6500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (41 percent) than the Leica V-LUX Typ 114. It is noteworthy in this context that the A6500 is splash and dust-proof, while the V-LUX Typ 114 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX Typ 114 has a lens built in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6500 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the V-LUX Typ 114 gets 360 shots out of its BP-DC12 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica V-LUX Typ 114»||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349||-||Leica V-LUX Typ 114|
|Sony A6500«||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Leica Q Typ 116« »||5.1 in||3.1 in||3.7 in||22.6 oz||300||n||Jun 2015||4,249||-||Leica Q Typ 116|
|Leica D-LUX Typ 109« »||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Leica X Vario« »||5.2 in||2.9 in||3.7 in||24.0 oz||450||n||Jun 2013||2,850||Leica X Vario|
|Leica V-LUX 4« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949||-||Leica V-LUX 4|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Sony A6600« »||4.7 in||2.6 in||2.7 in||17.7 oz||810||Y||Aug 2019||1,399||Sony A6600|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||-||Sony RX100 VI|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V-LUX Typ 114 was launched at a lower price than the A6500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica V-LUX Typ 114 features an one-inch sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6500 offers a higher resolution than the V-LUX Typ 114 (20MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the V-LUX Typ 114) due to its larger sensor. Moreover, the A6500 is a much more recent model (by 2 years) than the V-LUX Typ 114, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Leica V-LUX Typ 114 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica V-LUX (Typ 114) has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica V-LUX Typ 114»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX Typ 114|
|Sony A6500«||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Leica V-LUX 5« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX 5|
|Leica Q Typ 116« »||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85||Leica Q Typ 116|
|Leica D-LUX Typ 109« »||Four Thirds||12.7||4112||3088||4K/30p||-||-||-||-||Leica D-LUX Typ 109|
|Leica X Vario« »||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78||Leica X Vario|
|Leica V-LUX 4« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 4|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony A6600« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Sony A6600|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The V-LUX Typ 114 and the A6500 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2359k dots. The table below summarizes some of the other core capabilities of the Leica V-LUX Typ 114 and Sony A6500 in connection with corresponding information for a sample of similar cameras.
|Leica V-LUX Typ 114»||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX Typ 114|
|Sony A6500«||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Leica V-LUX 5« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Leica Q Typ 116« »||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y||Leica Q Typ 116|
|Leica D-LUX Typ 109« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Leica D-LUX Typ 109|
|Leica X Vario« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Vario|
|Leica V-LUX 4« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony A6600« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||n||Y||Sony A6600|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the V-LUX Typ 114 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The V-LUX Typ 114 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX Typ 114 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V-LUX Typ 114 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX (Typ 114) and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica V-LUX Typ 114»||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Leica V-LUX Typ 114|
|Sony A6500«||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Leica V-LUX 5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Leica Q Typ 116« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica Q Typ 116|
|Leica D-LUX Typ 109« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica D-LUX Typ 109|
|Leica X Vario« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Vario|
|Leica V-LUX 4« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Panasonic FZ2500« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony A6600« »||Y||stereo||mono||Y||Y||YES||2.0||Y||Y||Y||Sony A6600|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX10« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
Both the V-LUX Typ 114 and the A6500 have been discontinued, but can regularly be found used on eBay. The V-LUX Typ 114 was replaced by the Leica V-LUX 5, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Which of the two cameras – the Leica V-LUX Typ 114 or the Sony A6500 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica V-LUX (Typ 114):
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A6500 requires a separate lens.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Advantages of the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (120x67mm vs 137x99mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Reflects 2 years of technical progress since the V-LUX Typ 114 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (11 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX Typ 114 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the V-LUX Typ 114 and the A6500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica V-LUX Typ 114»||-||-||-||-||5/5||Sep 2014||1,349||-||Leica V-LUX Typ 114|
|Sony A6500«||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Leica V-LUX 5« »||-||-||4/5||-||4/5||Jul 2019||1,249||Leica V-LUX 5|
|Leica Q Typ 116« »||-||80/100||4.5/5||-||4.5/5||Jun 2015||4,249||-||Leica Q Typ 116|
|Leica D-LUX Typ 109« »||-||-||4.5/5||-||4.5/5||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Leica X Vario« »||-||-||4/5||4/5||4/5||Jun 2013||2,850||Leica X Vario|
|Leica V-LUX 4« »||-||-||-||-||-||Sep 2012||949||-||Leica V-LUX 4|
|Panasonic FZ2500« »||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Sony A6600« »||+||83/100||4.5/5||-||4/5||Aug 2019||1,399||Sony A6600|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||-||Sony RX100 VI|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX10« »||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 77D vs Leica V-LUX Typ 114
- Canon M6 vs Sony A6500
- Canon T3 vs Sony A6500
- Canon T7i vs Leica V-LUX Typ 114
- Leica V-LUX 4 vs Sony A6500
- Leica V-LUX Typ 114 vs Nikon D7000
- Leica V-LUX Typ 114 vs Pentax K-1 II
- Leica V-LUX Typ 114 vs Ricoh GR
- Leica V-LUX Typ 114 vs Sigma fp
- Leica V-LUX Typ 114 vs Sony RX100 VI
- Panasonic GX800 vs Sony A6500
- Panasonic LX100 vs Sony A6500
Specifications: Leica V-LUX Typ 114 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX Typ 114||Sony A6500|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-400mm f/2.8-4.0||Sony E mount lenses|
|Launch Date||September 2014||October 2016|
|Launch Price||USD 1349||USD 1399|
|Sensor Specs||Leica V-LUX Typ 114||Sony A6500|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.91 μm|
|Pixel Density||17.18 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125-12800 ISO||100-25600 ISO|
|ISO Boost||80-25600 ISO||100-51200 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.5|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1405|
|Screen Specs||Leica V-LUX Typ 114||Sony A6500|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica V-LUX Typ 114||Sony A6500|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||12 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica V-LUX Typ 114||Sony A6500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Leica V-LUX Typ 114||Sony A6500|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||830 g (29.3 oz)||453 g (16.0 oz)|
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