Olympus E-M5 III vs Panasonic FZ82
The Olympus OM-D E-M5 Mark III and the Panasonic Lumix DC-FZ82 (labelled Panasonic FZ80 in some countries) are two digital cameras that were announced, respectively, in October 2019 and January 2017. The E-M5 III is a mirrorless interchangeable lens camera, while the FZ82 is a fixed lens compact. The cameras are based on a Four Thirds (E-M5 III) and a 1/2.3-inch (FZ82) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-M5 III||Panasonic FZ82|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||20-1200mm f/2.8-5.9|
|20.2 MP, Four Thirds Sensor||18 MP, 1/2.3" Sensor|
|4k/24p Video||4K/30p Video|
|ISO 200-25600||ISO 80-3200 (80-6400)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (1166k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Swivel touchscreen||Fixed touchscreen|
|10 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Weathersealed body||Not weather sealed|
|310 shots per battery charge||330 shots per battery charge|
|125 x 85 x 50 mm, 414 g||130 x 94 x 119 mm, 616 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark III and the Panasonic Lumix DC-FZ82? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-M5 III and the Panasonic FZ82 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 III can be obtained in two different colors (black, silver), while the FZ82 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ82 is notably larger (15 percent) than the Olympus E-M5 III. It is worth mentioning in this context that the E-M5 III is splash and dust resistant, while the FZ82 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the E-M5 III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 III and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the E-M5 III gets 310 shots out of its BLS-50 battery, while the FZ82 can take 330 images on a single charge of its DMW-BMB9 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-M5 III»||4.9 in||3.3 in||2.0 in||14.6 oz||310||Y||Oct 2019||1,199||Olympus E-M5 III|
|Panasonic FZ82«||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ82|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Olympus E-M1 III« »||5.3 in||3.6 in||2.7 in||20.5 oz||420||Y||Feb 2020||1,799||Olympus E-M1 III|
|Olympus E-M1X« »||5.7 in||5.8 in||3.0 in||35.2 oz||870||Y||Jan 2019||2,999||Olympus E-M1X|
|Olympus E-PL9« »||4.6 in||2.7 in||1.5 in||13.4 oz||350||n||Feb 2018||599||Olympus E-PL9|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||Olympus E-M1|
|Olympus E-M5« »||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||Olympus E-M5|
|Panasonic G95« »||5.1 in||3.7 in||3.0 in||18.9 oz||290||Y||Apr 2019||999||Panasonic G95|
|Panasonic FT7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||Panasonic GX8|
|Sony HX350« »||5.1 in||3.7 in||4.1 in||23.0 oz||300||n||Dec 2016||449||Sony HX350|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ82 was launched at a lower price than the E-M5 III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-M5 III features a Four Thirds sensor and the Panasonic FZ82 a 1/2.3-inch sensor. The sensor area in the FZ82 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 20.2MP, the E-M5 III offers a higher resolution than the FZ82 (18MP), but the E-M5 III nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 1.25μm for the FZ82) due to its larger sensor. Moreover, the E-M5 III is a much more recent model (by 2 years and 9 months) than the FZ82, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Olympus E-M5 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 III for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Panasonic FZ82 are 24.5 x 18.4 inch or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inch or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inch or 41.5 x 31.1 cm for excellent quality prints.
The E-M5 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the FZ82, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M5 Mark III has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Panasonic Lumix DC-FZ82 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..||Olympus E-M5 III|
|Panasonic FZ82||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Panasonic FZ82|
|Canon SX740||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX740|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Olympus E-M1 III|
|Olympus E-M1X||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Olympus E-M1X|
|Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..||Olympus E-PL9|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic G95|
|Panasonic FT7||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic FT7|
|Panasonic TZ90||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony HX350||1/2.3||19.9||5152||3864||1080/60p||..||..||..||..||Sony HX350|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ82 provides a faster frame rate than the E-M5 III. It can shoot movie footage at 4K/30p, while the Olympus is limited to 4k/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 III offers a substantially higher resolution than the one in the FZ82 (2360k vs 1166k dots). The table below summarizes some of the other core capabilities of the Olympus E-M5 III and Panasonic FZ82 in connection with corresponding information for a sample of similar cameras.
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 III|
|Panasonic FZ82||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic FZ82|
|Canon SX740||none||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 III|
|Olympus E-M1X||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1X|
|Olympus E-PL9||none||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Olympus PEN-F||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-M5||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Panasonic G95||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G95|
|Panasonic FT7||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic TZ90||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony HX350||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
One difference between the cameras concerns the presence of an on-board flash. The FZ82 has one, while the E-M5 III does not. While the built-in flash of the FZ82 is not very powerful, it can at times be useful as a fill-in light.The E-M5 III has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the FZ82 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M5 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-M5 III and the FZ82 write their files to SDXC cards. The E-M5 III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ82 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark III and Panasonic Lumix DC-FZ82 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Olympus E-M5 III|
|Panasonic FZ82||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ82|
|Canon SX740||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Olympus E-M1 III|
|Olympus E-M1X||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Olympus E-M1X|
|Olympus E-PL9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus PEN-F||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-M5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Panasonic G95||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G95|
|Panasonic FT7||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic TZ90||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony HX350||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
It is notable that the E-M5 III has a microphone port, which is missing on the FZ82. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Olympus E-M5 III (unlike the FZ82) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-M5 III and the FZ82 are recent models that are part of the current product line-up. The FZ82 replaced the earlier Panasonic FZ72, while the E-M5 III followed on from the Olympus E-M5 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Olympus E-M5 III or the Panasonic FZ82 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus OM-D E-M5 Mark III:
- More detail: Offers more megapixels (20.2 vs 18MP) with a 6% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.68x vs 0.46x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (125x85mm vs 130x94mm) and thus needs less room in the bag.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 9 months of technical progress since the FZ82 launch.
Advantages of the Panasonic Lumix DC-FZ82:
- Better video: Provides higher movie framerates (4K/30p versus 4k/24p).
- Ready to shoot: Has an integrated lens, whereas the E-M5 III necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2017).
If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 III is the clear winner of the match-up (21 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M5 III and the Panasonic FZ82 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-M5 III or the FZ82 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 350D vs Panasonic FZ82
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- Fujifilm X-T200 vs Panasonic FZ82
- Leica M10-P vs Panasonic FZ82
- Leica TL vs Olympus E-M5 III
- Nikon B700 vs Olympus E-M5 III
- Olympus E-M5 III vs Pentax K-70
- Olympus E-M5 III vs Sony RX100 VI
- Panasonic FZ300 vs Panasonic FZ82
- Panasonic FZ82 vs Panasonic TZ95
- Panasonic FZ82 vs Sony A77
- Panasonic FZ82 vs Sony A7R II
Specifications: Olympus E-M5 III vs Panasonic FZ82
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M5 III||Panasonic FZ82|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||20-1200mm f/2.8-5.9|
|Launch Date||October 2019||January 2017|
|Launch Price||USD 1199||USD 399|
|Sensor Specs||Olympus E-M5 III||Panasonic FZ82|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||20.2 Megapixels||18 Megapixels|
|Image Resolution||5184 x 3888 pixels||4896 x 3672 pixels|
|Pixel Pitch||3.34 μm||1.25 μm|
|Pixel Density||8.96 MP/cm2||64.04 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4k/24p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||80-3200 ISO|
|ISO Boost||64-25600 ISO||80-6400 ISO|
|Image Processor||TruePic VIII||Venus|
|Screen Specs||Olympus E-M5 III||Panasonic FZ82|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Olympus E-M5 III||Panasonic FZ82|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/2000/s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Olympus E-M5 III||Panasonic FZ82|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Olympus E-M5 III||Panasonic FZ82|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||310 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||USB charging|
125 x 85 x 50 mm
(4.9 x 3.3 x 2.0 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||414 g (14.6 oz)||616 g (21.7 oz)|
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