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Olympus E-M5 II versus Canon 5D Mark IV

The Olympus OM-D E-M5 Mark II and the Canon EOS 5D Mark IV are two digital cameras that were revealed to the public, respectively, in February 2015 and August 2016. The E-M5 II is a mirrorless interchangeable lens camera, while the 5D Mark IV is a DSLR. The cameras are based on a Four Thirds (E-M5 II) and a full frame (5D Mark IV) sensor. The Olympus has a resolution of 15.9 megapixel, whereas the Canon provides 30.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Olympus E-M5 II vs Canon 5D Mark IV

The physical size and weight of the Olympus E-M5 II and the Canon 5D Mark IV are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the E-M5 II – represents 100 percent across all the size and weight measures).

Compare Olympus E-M5 II vs Canon 5D Mark IV
Compare E-M5 II versus 5D Mark IV top
Compare E-M5 II and 5D Mark IV rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark IV is considerably larger (66 percent) than the Olympus E-M5 II. Moreover, the 5D Mark IV is substantially heavier (90 percent) than the E-M5 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (E-M5 II) and the Canon EF Lens Catalog (5D Mark IV). Mirrorless cameras, such as the Olympus E-M5 II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the E-M5 II gets 310 shots out of its BLN-1 battery, while the 5D Mark IV can take 900 images on a single charge of its LP-E6N power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Olympus E-M5 II» 4.9 in 3.3 in 1.8 in 16.5 oz 310 Y Feb 2015 1,099 i i Olympus E-M5 II
Canon 5D Mark IV« 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5DS« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Olympus E-M10 II« » 4.7 in 3.3 in 1.9 in 13.8 oz 320 n Aug 2015 799- i Olympus E-M10 II
Olympus E-M10« » 4.7 in 3.2 in 1.8 in 14.0 oz 320 n Jan 2014 699- i Olympus E-M10
Olympus E-PL7« » 4.5 in 2.6 in 1.5 in 12.6 oz 350 n Aug 2014 599- i Olympus E-PL7
Olympus E-M1« » 5.1 in 3.7 in 2.5 in 17.5 oz 350 Y Sep 2013 1,399- i Olympus E-M1
Olympus E-P5« » 4.8 in 2.7 in 1.5 in 14.8 oz 330 n May 2013 999- i Olympus E-P5
Olympus E-M5« » 4.8 in 3.5 in 1.7 in 15.0 oz 360 Y Feb 2012 1,299- i Olympus E-M5
Panasonic G85« » 5.0 in 3.5 in 2.9 in 17.8 oz 330 Y Sep 2016 899 i i Panasonic G85
Panasonic GX85« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX85
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8

Any camera purchase will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M5 II was launched at a markedly lower price (by 69 percent) than the 5D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Olympus E-M5 II vs Canon 5D Mark IV

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M5 II features a Four Thirds sensor and the Canon 5D Mark IV a full frame sensor. The sensor area in the 5D Mark IV is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-M5 II has a native 4:3 aspect ratio, while the one in the 5D Mark IV offers a 3:2 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Olympus E-M5 II and Canon 5D Mark IV sensor measures

With 30.1MP, the 5D Mark IV offers a higher resolution than the E-M5 II (15.9MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 3.76μm for the E-M5 II) due to its larger sensor. Moreover, the 5D Mark IV is a somewhat more recent model (by 1 year and 6 months) than the E-M5 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The 5D Mark IV has on-sensor phase detect pixels, which results in relatively fast and reliable autofocus acquisition during video recording.

Unlike the 5D Mark IV, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

E-M5 II versus 5D Mark IV MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the 5D Mark IV offers substantially better image quality than the E-M5 II (overall score 18 points higher). The advantage is based on 1.8 bits higher color depth, 1.1 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Olympus E-M5 II» Four Thirds 15.9 4608 34561080/60p23.012.584273Olympus E-M5 II
Canon 5D Mark IV« Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
Canon 5DS« » Full Frame 50.3 8688 57921080/60p24.712.4238187Canon 5DS
Canon 5DS R« » Full Frame 50.3 8688 57921080/60p24.612.4230886Canon 5DS R
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Olympus E-M10 II« » Four Thirds 15.9 4608 34561080/60p23.112.584273Olympus E-M10 II
Olympus E-M10« » Four Thirds 15.9 4608 34561080/30p22.812.388472Olympus E-M10
Olympus E-PL7« » Four Thirds 15.9 4608 34561080/30p22.712.487372Olympus E-PL7
Olympus E-M1« » Four Thirds 15.9 4608 34561080/30p23.012.775773Olympus E-M1
Olympus E-P5« » Four Thirds 15.9 4608 34561080/30p22.812.489572Olympus E-P5
Olympus E-M5« » Four Thirds 15.9 4608 34561080/60i22.812.382671Olympus E-M5
Panasonic G85« » Four Thirds 15.8 4592 34484K/30p22.812.565671Panasonic G85
Panasonic GX85« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX85
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 5D Mark IV provides a better video resolution than the E-M5 II. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60p.

 

Feature comparison: Olympus E-M5 II vs Canon 5D Mark IV

Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Olympus E-M5 II and Canon 5D Mark IV in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Olympus E-M5 II»2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus E-M5 II
Canon 5D Mark IV«optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 8000 16.0 n n Canon 1D X Mark II
Canon 5DS« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS
Canon 5DS R« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS R
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 8000 6.0 n n Canon 5D Mark III
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Olympus E-M10 II« »2360 n 3.0 1040 tilting Y 4000 8.0 Y Y Olympus E-M10 II
Olympus E-M10« »1440 n 3.0 1037 tilting Y 4000 8.0 Y Y Olympus E-M10
Olympus E-PL7« »- n 3.0 1037 tilting Y 4000 8.0 n Y Olympus E-PL7
Olympus E-M1« »2360 n 3.0 1037 tilting Y 8000 10.0 n Y Olympus E-M1
Olympus E-P5« »- n 3.0 1037 tilting Y 8000 9.0 Y Y Olympus E-P5
Olympus E-M5« »1440 n 3.0 610 tilting Y 4000 9.0 n Y Olympus E-M5
Panasonic G85« »2360 n 3.0 1040 swivel Y 4000 9.0 Y Y Panasonic G85
Panasonic GX85« »2765 n 3.0 1040 tilting Y 4000 8.0 Y Y Panasonic GX85
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8

One feature that differentiates the E-M5 II and the 5D Mark IV is in-body image stabilization (IBIS). The E-M5 II reduces the risk of handshake-induced blur with all attached lenses, while the 5D Mark IV has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the E-M5 II features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

The E-M5 II writes its imaging data to SDXC cards, while the 5D Mark IV uses Compact Flash or SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 II only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Olympus E-M5 II»YstereomonoY-micro2.0Y--Olympus E-M5 II
Canon 5D Mark IV«YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
Canon 5DS« »YmonomonoY-mini3.0---Canon 5DS
Canon 5DS R« »YmonomonoY-mini3.0---Canon 5DS R
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
Olympus PEN-F« »Ystereomono--micro2.0Y--Olympus PEN-F
Olympus E-M10 II« »Ystereomono--micro2.0Y--Olympus E-M10 II
Olympus E-M10« »Ystereomono--micro2.0Y--Olympus E-M10
Olympus E-PL7« »Ystereomono--micro2.0Y--Olympus E-PL7
Olympus E-M1« »YstereomonoY-micro2.0Y--Olympus E-M1
Olympus E-P5« »Ystereomono--micro2.0Y--Olympus E-P5
Olympus E-M5« »Ystereomono--mini2.0---Olympus E-M5
Panasonic G85« »YstereomonoY-micro2.0Y--Panasonic G85
Panasonic GX85« »Ystereomono--micro2.0YY-Panasonic GX85
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8

Both the E-M5 II and the 5D Mark IV are recent models that feature in their makers' current product line-up. The E-M5 II replaced the earlier Olympus E-M5, while the 5D Mark IV followed on from the Canon 5D Mark III.

Review summary: Olympus E-M5 II vs Canon 5D Mark IV

So what conclusions can be drawn? Which of the two cameras – the Olympus E-M5 II or the Canon 5D Mark IV – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Olympus OM-D E-M5 Mark II:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (124x85mm vs 151x116mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 421g or 47 percent) and hence easier to carry around.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in February 2015).

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Reasons to prefer the Canon EOS 5D Mark IV:

  • More detail: Has more megapixels (30.1 vs 15.9MP), which boosts linear resolution by 40%.
  • Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
  • Longer lasting: Gets more shots (900 versus 310) out of a single battery charge.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Was introduced somewhat (1 year and 6 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark IV is the clear winner of the contest (17 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

E-M5 II 11:17 5D Mark IV

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the E-M5 II and the 5D Mark IV in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Olympus E-M5 II»HiRec81/1005/54.5/55/5 Feb 2015 1,099 i i Olympus E-M5 II
Canon 5D Mark IV«HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 6D Mark II« »Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5DS« »Rec83/1004.5/55/54.5/5 Feb 2015 3,699 i i Canon 5DS
Canon 5DS R« »Rec83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
Canon 5D Mark III« »HiRec82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Olympus E-M10 II« »HiRec80/1005/55/55/5 Aug 2015 799- i Olympus E-M10 II
Olympus E-M10« »-80/1005/54.5/55/5 Jan 2014 699- i Olympus E-M10
Olympus E-PL7« »Rec-5/54.5/54/5 Aug 2014 599- i Olympus E-PL7
Olympus E-M1« »HiRec84/1004.5/54.5/54.5/5 Sep 2013 1,399- i Olympus E-M1
Olympus E-P5« »HiRec78/1004.5/54.5/55/5 May 2013 999- i Olympus E-P5
Olympus E-M5« »HiRec80/1004.5/55/55/5 Feb 2012 1,299- i Olympus E-M5
Panasonic G85« »HiRec84/1005/54.5/54.5/5 Sep 2016 899 i i Panasonic G85
Panasonic GX85« »HiRec82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX85
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to locate and add the respective data to the application.

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