Fujifilm X-Pro3 vs Olympus E-M5 II
The Fujifilm X-Pro3 and the Olympus OM-D E-M5 Mark II are two enthusiast cameras that were officially introduced, respectively, in October 2019 and February 2015. Both the X-Pro3 and the E-M5 II are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro3) and a Four Thirds (E-M5 II) sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro3 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro3 and the Olympus E-M5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably smaller (10 percent) than the Fujifilm X-Pro3. Moreover, the E-M5 II is markedly lighter (6 percent) than the X-Pro3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro3) and the Micro Four Thirds Lens Catalog (E-M5 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-Pro3 gets 440 shots out of its NP-W126S battery, while the E-M5 II can take 310 images on a single charge of its BLN-1 power pack. The power pack in the X-Pro3 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|2.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|3.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||amazon.com|
|4.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699||amazon.com|
|5.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399||ebay.com|
|6.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|7.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||ebay.com|
|8.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599||ebay.com|
|9.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|10.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|11.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299||ebay.com|
|12.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199||amazon.com|
|13.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||ebay.com|
|14.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|15.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|16.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||ebay.com|
|17.||Sigma fp||113 mm||70 mm||45 mm||422 g||280||Y||Jul 2019||1,899||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 II was launched at a markedly lower price (by 39 percent) than the X-Pro3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro3 features an APS-C sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro3 has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.
With 26MP, the X-Pro3 offers a higher resolution than the E-M5 II (15.9MP), but the X-Pro3 nevertheless has the same individual pixel size (pixel pitch of 3.76μm) as the E-M5 II due to its larger sensor. It is noteworthy in this context that the X-Pro3 is a mch more recent model (by 4 years and 8 months) than the E-M5 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro3 for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The X-Pro3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the X-Pro3, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-Pro3 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the X-Pro3 is build around a BSI-CMOS sensor, while the E-M5 II uses a CMOS imager. The X-Pro3 uses Fujifilm's X-Trans layout of photosites, while the E-M5 II employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|12.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1324||76|
|13.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|14.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|15.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|16.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|17.||Sigma fp||Full Frame||24.0||6000||4000||4K/30p||25.2||14.2||2829||94|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-Pro3 provides a higher video resolution than the E-M5 II. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro3 offers a substantially higher resolution than the one in the E-M5 II (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro3, the Olympus E-M5 II, and comparable cameras.
|1.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|2.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|3.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|4.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|5.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|6.||Fujifilm X-T3||3690||n||3.0 / 1040||full-flex||Y||1/8000s||11.0/s||n||n|
|7.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|8.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|9.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|10.||Fujifilm X-T2||2360||n||3.0 / 1040||full-flex||n||1/8000s||8.0/s||n||n|
|11.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0/s||n||n|
|12.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|13.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|14.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|15.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0/s||n||Y|
|17.||Sigma fp||optional||n||3.2 / 2100||fixed||Y||1/8000s||12.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the E-M5 II and the X-Pro3 is in-body image stabilization (IBIS). The E-M5 II reduces the risk of handshake-induced blur with all attached lenses, while the X-Pro3 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The E-M5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-Pro3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro3 and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro3 and the E-M5 II write their files to SDXC cards. The X-Pro3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 II only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro3 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|2.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|7.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|8.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|11.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|12.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|13.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|16.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sigma fp||Y||stereo / mono||Y||-||micro||3.1||-||-||-|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The X-Pro3 is a recent model that features in the current product line-up of Fujifilm. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the features and operation of the X-Pro3 and E-M5 II can be found, respectively, in the Fujifilm X-Pro3 Manual (free pdf) or the online Olympus E-M5 II Manual.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-Pro3 and the Olympus E-M5 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-Pro3:
- More detail: Offers more megapixels (26 vs 15.9MP) with a 30% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
- Longer lasting: Can take more shots (440 versus 310) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 4 years and 8 months of technical progress since the E-M5 II launch.
Reasons to prefer the Olympus OM-D E-M5 Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.52x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (39 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro3 is the clear winner of the match-up (16 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro3 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro3 or the E-M5 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|2.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|3.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399||amazon.com|
|4.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699||amazon.com|
|5.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399||ebay.com|
|6.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|7.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899||ebay.com|
|8.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599||ebay.com|
|9.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|10.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|11.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299||ebay.com|
|12.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199||amazon.com|
|13.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649||ebay.com|
|14.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|15.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|16.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299||ebay.com|
|17.||Sigma fp||4/5||..||4/5||..||4/5||4.5/5||Jul 2019||1,899||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Fujifilm X-Pro3
- Canon R vs Fujifilm X-Pro3
- Fujifilm X-Pro1 vs Olympus E-M5 II
- Fujifilm X-Pro3 vs Nikon D6
- Fujifilm X-Pro3 vs Nikon D700
- Fujifilm X-Pro3 vs Panasonic ZS200
- Fujifilm X-Pro3 vs Sony RX0 II
- Leica M-E Typ 240 vs Olympus E-M5 II
- Nikon D3000 vs Olympus E-M5 II
- Olympus E-600 vs Olympus E-M5 II
- Olympus E-M5 II vs Panasonic G5
- Olympus E-M5 II vs Sony A7C
Specifications: Fujifilm X-Pro3 vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro3||Olympus E-M5 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||October 2019||February 2015|
|Launch Price||USD 1,799||USD 1,099|
|Sensor Specs||Fujifilm X-Pro3||Olympus E-M5 II|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||26 Megapixels||15.9 Megapixels|
|Image Resolution||6240 x 4160 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.76 μm||3.76 μm|
|Pixel Density||7.05 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||160 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||80 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||X-Processor 4||TruePic VII|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||23.0|
|DXO Dynamic Range (EV)||..||12.5|
|DXO Low Light (ISO)||..||842|
|Screen Specs||Fujifilm X-Pro3||Olympus E-M5 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3690k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1037k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Fujifilm X-Pro3||Olympus E-M5 II|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-II|
|Connectivity Specs||Fujifilm X-Pro3||Olympus E-M5 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-Pro3||Olympus E-M5 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||310 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||497 g (17.5 oz)||469 g (16.5 oz)|
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