Canon R3 vs Fujifilm X-Pro3

The Canon EOS R3 and the Fujifilm X-Pro3 are two digital cameras that were officially introduced, respectively, in September 2021 and October 2019. Both the R3 and the X-Pro3 are mirrorless interchangeable lens cameras that are based on a full frame (R3) and an APS-C (X-Pro3) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 26 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R3		Fujifilm X-Pro3
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Fujifilm X mount lenses
24 MP – Full Frame sensor		26 MP – APS-C sensor
6K/60p Video		4K/30p Video
ISO 100-51,200 (50 - 204,800)		ISO 160-12,800 (80 - 51,200)
Electronic viewfinder (5760k dots)		Electronic viewfinder (3690k dots)
3.2" LCD – 4150k dots		3.0" LCD – 1620k dots
Swivel touchscreen		Tilting touchscreen
12 shutter flaps per second		8 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
760 shots per battery charge		440 shots per battery charge
150 x 143 x 87 mm, 1015 g		141 x 83 x 46 mm, 497 g

Check R3 price at
amazon.com
Check X-Pro3 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R3 and the Fujifilm X-Pro3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon R3 and the Fujifilm X-Pro3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The X-Pro3 can be obtained in two different colors (black, silver), while the R3 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro3 is considerably smaller (45 percent) than the Canon R3. Moreover, the X-Pro3 is substantially lighter (51 percent) than the R3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R3 gets 760 shots out of its Canon LP-E19 battery, while the X-Pro3 can take 440 images on a single charge of its Fujifilm NP-W126S power pack. As can be seen in the images above, the R3 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	5,999	amazon.com
2.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	1,799	amazon.com
3.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	2,499	amazon.com
4.		Canon 1D X Mark III	158 mm	168 mm	83 mm	1440 g	2850	Y	Jan 2020	6,499	amazon.com
5.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	3,899	amazon.com
6.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
7.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
8.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	3,499	ebay.com
9.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499	ebay.com
10.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	1,699	ebay.com
11.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	1,499	ebay.com
12.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	1,899	ebay.com
13.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
14.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	1,599	ebay.com
15.		Leica SL2-S	146 mm	107 mm	83 mm	931 g	510	Y	Dec 2020	4,895	amazon.com
16.		Sony A850	156 mm	117 mm	82 mm	895 g	880	Y	Aug 2009	1,999	ebay.com
17.		Sony A900	156 mm	117 mm	82 mm	895 g	880	Y	Sep 2008	2,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro3 was launched at a markedly lower price (by 70 percent) than the R3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon R3 features a full frame sensor and the Fujifilm X-Pro3 an APS-C sensor. The sensor area in the X-Pro3 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the X-Pro3 offers a slightly higher resolution of 26 megapixels, compared with 24 MP of the R3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 6.00μm for the R3). Moreover, it should be noted that the R3 is a somewhat more recent model (by 1 year and 10 months) than the X-Pro3, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Canon EOS R3 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Fujifilm X-Pro3 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 80-51200.

In terms of underlying technology, the R3 is build around a Stacked BSI-CMOS sensor, while the X-Pro3 uses a BSI-CMOS imager. Like most digital cameras, the R3 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro3 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
2.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
3.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
4.		Canon 1D X Mark III	Full Frame	20.0	5472	3648	4K/60p	24.2	14.5	3248	91
5.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
6.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
7.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
8.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
9.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
10.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
11.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
12.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
13.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
14.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
15.		Leica SL2-S	Full Frame	24.0	6000	4000	4K/60p	25.2	14.1	3504	95
16.		Sony A850	Full Frame	24.4	6048	4032	none	23.8	12.2	1415	79
17.		Sony A900	Full Frame	24.4	6048	4032	none	23.7	12.3	1431	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R3 provides a higher video resolution than the X-Pro3. It can shoot video footage at 6K/60p, while the Fujifilm is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R3 offers a substantially higher resolution than the one in the X-Pro3 (5760k vs 3690k dots). The following table reports on some other key feature differences and similarities of the Canon R3, the Fujifilm X-Pro3, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
2.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
3.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon 1D X Mark III	optical	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	n
5.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
8.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
9.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
10.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
11.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
12.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
13.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
14.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
15.		Leica SL2-S	5760	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	Y
16.		Sony A850	optical	Y	3.0 / 922	fixed	n	1/8000s	3.0/s	n	Y
17.		Sony A900	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the R3, but is missing on the X-Pro3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R3 and the Fujifilm X-Pro3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The R3 writes its imaging data to CFexpress (type B) or SDXC cards, while the X-Pro3 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R3 and Fujifilm X-Pro3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
3.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon 1D X Mark III	Y	mono / mono	Y	Y	mini	3.1	Y	-	Y
5.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
8.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
9.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
10.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
11.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
12.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
13.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
14.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
15.		Leica SL2-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Sony A850	Y	- / -	-	-	mini	2.0	-	-	-
17.		Sony A900	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the R3 has a headphone jack, which is not present on the X-Pro3 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the R3 and the X-Pro3 are recent models that are part of the current product line-up. The X-Pro3 replaced the earlier Fujifilm X-Pro2, while the R3 does not have a direct predecessor. Further information on the features and operation of the R3 and X-Pro3 can be found, respectively, in the Canon R3 Manual (free pdf) or the online Fujifilm X-Pro3 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon R3 and the Fujifilm X-Pro3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS R3:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6K/60p vs 4K/30p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 3690k dots).
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.52x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (4150k vs 1620k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (760 versus 440) on a single battery charge.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
• More modern: Is somewhat more recent (announced 1 year and 10 months after the X-Pro3).

Arguments in favor of the Fujifilm X-Pro3:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More compact: Is smaller (141x83mm vs 150x143mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 518g or 51 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in October 2019).

If the count of individual advantages (bullet points above) is taken as a guide, the R3 is the clear winner of the match-up (21 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R3 and the Fujifilm X-Pro3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the R3 or the X-Pro3 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	5,999	amazon.com
2.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	1,799	amazon.com
3.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	2,499	amazon.com
4.		Canon 1D X Mark III	..	+ +	5/5	..	4.5/5	4/5	Jan 2020	6,499	amazon.com
5.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	3,899	amazon.com
6.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
7.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
8.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	3,499	ebay.com
9.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	3,499	ebay.com
10.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	1,699	ebay.com
11.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	1,499	ebay.com
12.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	1,899	ebay.com
13.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
14.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	1,599	ebay.com
15.		Leica SL2-S	4/5	..	4/5	..	4.5/5	4.5/5	Dec 2020	4,895	amazon.com
16.		Sony A850	3/5	..	..	75/100	..	4.5/5	Aug 2009	1,999	ebay.com
17.		Sony A900	..	+ +	..	+ +	4.5/5	5/5	Sep 2008	2,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check R3 price at
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Other camera comparisons

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