Olympus E-520 vs Sony A6600
The Olympus E-520 and the Sony Alpha A6600 are two digital cameras that were revealed to the public, respectively, in May 2008 and August 2019. The E-520 is a DSLR, while the A6600 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-520) and an APS-C (A6600) sensor. The Olympus has a resolution of 10 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-520 and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-520 and the Sony A6600 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is considerably smaller (36 percent) than the Olympus E-520. Moreover, the A6600 is markedly lighter (6 percent) than the E-520. It is noteworthy in this context that the A6600 is splash and dust-proof, while the E-520 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-520) and the Sony E-Mount Lens Catalog (A6600). Mirrorless cameras, such as the A6600, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-520 gets 750 shots out of its BLM-1 battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The power pack in the A6600 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|2.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|3.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|4.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|5.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|6.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799|
|7.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799|
|8.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299|
|9.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|10.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|11.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|12.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|13.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|14.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-520 was launched at a markedly lower price (by 50 percent) than the A6600, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-520 features a Four Thirds sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-520 has a native 4:3 aspect ratio, while the one in the A6600 offers a 3:2 aspect.
With 24MP, the A6600 offers a higher resolution than the E-520 (10MP), but the A6600 has smaller individual pixels (pixel pitch of 3.91μm versus 4.74μm for the E-520). Yet, the A6600 is a much more recent model (by 11 years and 3 months) than the E-520, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-520 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus E-520 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6600 offers substantially better image quality than the E-520 (overall score 27 points higher). The advantage is based on 2.4 bits higher color depth, 3 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|3.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|4.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|5.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|6.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|7.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|8.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|9.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|10.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|11.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|12.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|13.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A6600 indeed provides for movie recording, while the E-520 does not. The highest resolution format that the A6600 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6600 has an electronic viewfinder (2359k dots), while the E-520 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6600 offers a wider field of view (100%) than the one in the E-520 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6600 has a higher magnification (0.70x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-520, the Sony A6600, and comparable cameras.
|1.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|2.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||n||Y|
|3.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|4.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|5.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|6.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|7.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|8.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0||Y||Y|
|9.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|10.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|11.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|12.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
|13.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The E-520 has one, while the A6600 does not. While the built-in flash of the E-520 is not very powerful, it can at times be useful as a fill-in light.The A6600 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-520 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6600 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A6600 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-520 writes its imaging data to Compact Flash or xD Picture cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. The E-520 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6600 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-520 and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|3.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6600 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-520 does not provide wifi capability.
The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the E-520 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the E-520 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Which of the two cameras – the Olympus E-520 or the Sony A6600 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus E-520:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in May 2008).
Reasons to prefer the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
- Better image quality: Scores substantially higher (27 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (120x67mm vs 136x92mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 11 years and 3 months of technical progress since the E-520 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (26 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-520 and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-520 or the A6600. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|2.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|3.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|4.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449|
|5.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|6.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799|
|7.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799|
|8.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299|
|9.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|10.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|11.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|12.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|13.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|14.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D C vs Sony A6600
- Canon 40D vs Sony A6600
- Canon T5 vs Olympus E-520
- Leica M10 vs Olympus E-520
- Nikon D50 vs Olympus E-520
- Olympus E-520 vs Pentax K-70
- Olympus E-520 vs Sony A5100
- Olympus E-520 vs Sony A900
- Olympus E-PL1 vs Sony A6600
- Panasonic LX5 vs Sony A6600
- Sony A5000 vs Sony A6600
- Sony A6600 vs Zeiss ZX1
Specifications: Olympus E-520 vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-520||Sony A6600|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||May 2008||August 2019|
|Launch Price||USD 699||USD 1,399|
|Sensor Specs||Olympus E-520||Sony A6600|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||10 Megapixels||24 Megapixels|
|Image Resolution||3648 x 2736 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.74 μm||3.91 μm|
|Pixel Density||4.44 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||100 - 102,400 ISO|
|Image Processor||TruePic III||BIONZ X|
|DXO Sensor Quality (score)||55||82|
|DXO Color Depth (bits)||21.4||23.8|
|DXO Dynamic Range (EV)||10.4||13.4|
|DXO Low Light (ISO)||548||1497|
|Screen Specs||Olympus E-520||Sony A6600|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||215k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-520||Sony A6600|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3.5 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-520||Sony A6600|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||YES HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-520||Sony A6600|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||810 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||535 g (18.9 oz)||503 g (17.7 oz)|
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