Pentax MX-1 vs Sony A6600
The Pentax MX-1 and the Sony Alpha A6600 are two digital cameras that were announced, respectively, in January 2013 and August 2019. The MX-1 is a fixed lens compact, while the A6600 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (MX-1) and an APS-C (A6600) sensor. The Pentax has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax MX-1 and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Pentax MX-1 and the Sony A6600. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is notably larger (8 percent) than the Pentax MX-1. It is noteworthy in this context that the A6600 is splash and dust-proof, while the MX-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the MX-1 has a lens built in, whereas the A6600 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6600 and their specifications in the Sony E-Mount Lens Catalog.
The power pack in the A6600 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax MX-1 | 122 mm | 61 mm | 51 mm | 391 g | 290 | n | Jan 2013 | 499 | ebay.com | |
2. | Sony A6600 | 120 mm | 67 mm | 69 mm | 503 g | 810 | Y | Aug 2019 | 1,399 | amazon.com | |
3. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
4. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | 449 | ebay.com | |
5. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
6. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | 1,699 | ebay.com | |
7. | Fujifilm X30 | 119 mm | 72 mm | 60 mm | 423 g | 470 | n | Aug 2014 | 599 | ebay.com | |
8. | Fujifilm X20 | 117 mm | 70 mm | 57 mm | 353 g | 270 | n | Jan 2013 | 599 | ebay.com | |
9. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
10. | Nikon P7800 | 119 mm | 78 mm | 50 mm | 399 g | 350 | n | Sep 2013 | 549 | ebay.com | |
11. | Olympus Stylus 1 | 116 mm | 87 mm | 57 mm | 402 g | 410 | n | Oct 2013 | 699 | ebay.com | |
12. | Olympus XZ-2 | 113 mm | 65 mm | 48 mm | 346 g | 340 | n | Sep 2012 | 599 | ebay.com | |
13. | Panasonic LF1 | 103 mm | 62 mm | 28 mm | 192 g | 250 | n | Apr 2013 | 499 | ebay.com | |
14. | Sony A6700 | 122 mm | 69 mm | 64 mm | 493 g | 570 | Y | Jul 2023 | 1,399 | amazon.com | |
15. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | 1,799 | amazon.com | |
16. | Sony A6500 | 120 mm | 67 mm | 53 mm | 453 g | 350 | Y | Oct 2016 | 1,399 | ebay.com | |
17. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The MX-1 was launched at a lower price than the A6600, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Pentax MX-1 features a 1/1.7-inch sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 753 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 1.5. The sensor in the MX-1 has a native 4:3 aspect ratio, while the one in the A6600 offers a 3:2 aspect.
With 24MP, the A6600 offers a higher resolution than the MX-1 (12MP), but the A6600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.89μm for the MX-1) due to its larger sensor. Moreover, the A6600 is a much more recent model (by 6 years and 7 months) than the MX-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Pentax MX-1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Pentax MX-1 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A6600 offers substantially better image quality than the MX-1 (overall score 33 points higher). The advantage is based on 3.4 bits higher color depth, 2.1 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax MX-1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 20.4 | 11.3 | 208 | 49 | |
2. | Sony A6600 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.4 | 1497 | 82 | |
3. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
4. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
5. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
6. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
7. | Fujifilm X30 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.4 | 11.2 | -312 | 49 | |
8. | Fujifilm X20 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.1 | 10.9 | -462 | 46 | |
9. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
10. | Nikon P7800 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 21.2 | 11.7 | 200 | 54 | |
11. | Olympus Stylus 1 | 1/1.7 | 11.8 | 3968 | 2976 | 1080/30p | 20.7 | 11.6 | 179 | 51 | |
12. | Olympus XZ-2 | 1/1.7 | 11.8 | 3968 | 2976 | 1080/30p | 20.4 | 11.3 | 216 | 49 | |
13. | Panasonic LF1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60i | 20.8 | 11.6 | 211 | 52 | |
14. | Sony A6700 | APS-C | 25.6 | 6192 | 4128 | 4K/120p | 24.3 | 14.0 | 2329 | 86 | |
15. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
16. | Sony A6500 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.5 | 13.7 | 1405 | 85 | |
17. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6600 provides a better video resolution than the MX-1. It can shoot movie footage at 4K/30p, while the Pentax is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6600 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the MX-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Pentax MX-1, the Sony A6600, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax MX-1 | none | n | 3.0 / 920 | tilting | n | 1/8000s | 1.0/s | Y | Y | |
2. | Sony A6600 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
3. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
4. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
5. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
6. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
7. | Fujifilm X30 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 12.0/s | Y | Y | |
8. | Fujifilm X20 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
9. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
10. | Nikon P7800 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 8.0/s | Y | Y | |
11. | Olympus Stylus 1 | 1440 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 7.0/s | Y | Y | |
12. | Olympus XZ-2 | optional | n | 3.0 / 920 | tilting | Y | 1/2000s | 5.0/s | Y | Y | |
13. | Panasonic LF1 | 200 | n | 3.0 / 920 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
14. | Sony A6700 | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 11.0/s | n | Y | |
15. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
16. | Sony A6500 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | Y | |
17. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The MX-1 has one, while the A6600 does not. While the built-in flash of the MX-1 is not very powerful, it can at times be useful as a fill-in light.
The A6600 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the MX-1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6600 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A6600 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The MX-1 writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. The A6600 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the MX-1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax MX-1 and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax MX-1 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Sony A6600 | Y | stereo / mono | Y | Y | YES | 2.0 | Y | Y | Y | |
3. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
7. | Fujifilm X30 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Fujifilm X20 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
9. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Nikon P7800 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Olympus Stylus 1 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
12. | Olympus XZ-2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic LF1 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
14. | Sony A6700 | Y | stereo / mono | Y | Y | YES | 3.2 | Y | Y | Y | |
15. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
16. | Sony A6500 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
17. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the A6600 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the MX-1 does not provide wifi capability.
The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the MX-1 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the MX-1 from Pentax. Further information on the features and operation of the MX-1 and A6600 can be found, respectively, in the Pentax MX-1 Manual (free pdf) or the online Sony A6600 Manual.
Review summary
So how do things add up? Is the Pentax MX-1 better than the Sony A6600 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Pentax MX-1:
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Ready to shoot: Has a lens built-in, whereas the A6600 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6600).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2013).
Reasons to prefer the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better image quality: Scores substantially higher (33 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (810 versus 290) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 7 months of technical progress since the MX-1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (25 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax MX-1 and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the MX-1 and the A6600 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax MX-1 | 3/5 | .. | .. | 74/100 | 4/5 | 4/5 | Jan 2013 | 499 | ebay.com | |
2. | Sony A6600 | 4/5 | + | 4/5 | 83/100 | 4.5/5 | 4/5 | Aug 2019 | 1,399 | amazon.com | |
3. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
4. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 449 | ebay.com | |
5. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
6. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | 1,699 | ebay.com | |
7. | Fujifilm X30 | 4/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Aug 2014 | 599 | ebay.com | |
8. | Fujifilm X20 | 4/5 | + + | .. | 77/100 | 4.5/5 | 5/5 | Jan 2013 | 599 | ebay.com | |
9. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
10. | Nikon P7800 | 3/5 | .. | .. | .. | 4/5 | 4.5/5 | Sep 2013 | 549 | ebay.com | |
11. | Olympus Stylus 1 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2013 | 699 | ebay.com | |
12. | Olympus XZ-2 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | 599 | ebay.com | |
13. | Panasonic LF1 | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
14. | Sony A6700 | 4.5/5 | + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Jul 2023 | 1,399 | amazon.com | |
15. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | 1,799 | amazon.com | |
16. | Sony A6500 | 5/5 | + + | 3.5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2016 | 1,399 | ebay.com | |
17. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Sony A6600
- Canon 7D II vs Sony A6600
- Canon D30 vs Sony A6600
- Canon M5 vs Pentax MX-1
- Fujifilm GFX 50S vs Sony A6600
- Fujifilm X-H2 vs Sony A6600
- Leica S2 vs Sony A6600
- Nikon D40X vs Pentax MX-1
- Nikon D60 vs Pentax MX-1
- Olympus E-M1 II vs Pentax MX-1
- Panasonic GM5 vs Pentax MX-1
- Pentax MX-1 vs Sony A7R III
Specifications: Pentax MX-1 vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Pentax MX-1 | Sony A6600 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-112mm f/1.8-2.5 | Sony E mount lenses |
Launch Date | January 2013 | August 2019 |
Launch Price | USD 499 | USD 1,399 |
Sensor Specs | Pentax MX-1 | Sony A6600 |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1/1.7" Sensor | APS-C Sensor |
Sensor Size | 7.6 x 5.7 mm | 23.5 x 15.6 mm |
Sensor Area | 43.32 mm2 | 366.6 mm2 |
Sensor Diagonal | 9.5 mm | 28.2 mm |
Crop Factor | 4.5x | 1.5x |
Sensor Resolution | 12 Megapixels | 24 Megapixels |
Image Resolution | 4000 x 3000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 1.89 μm | 3.91 μm |
Pixel Density | 27.70 MP/cm2 | 6.55 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 4K/30p Video |
ISO Setting | 100 - 12,800 ISO | 100 - 32,000 ISO |
ISO Boost | no Enhancement | 100 - 102,400 ISO |
DXO Sensor Quality (score) | 49 | 82 |
DXO Color Depth (bits) | 20.4 | 23.8 |
DXO Dynamic Range (EV) | 11.3 | 13.4 |
DXO Low Light (ISO) | 208 | 1497 |
Screen Specs | Pentax MX-1 | Sony A6600 |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 2359k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 920k dots | 922k dots |
LCD Attachment | Tilting screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Pentax MX-1 | Sony A6600 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 1 shutter flaps/s | 11 shutter flaps/s |
Electronic Shutter | no E-Shutter | YES |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Pentax MX-1 | Sony A6600 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | YES HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Pentax MX-1 | Sony A6600 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Pentax D-LI106 | Sony NP-FZ100 |
Battery Life (CIPA) | 290 shots per charge | 810 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
122 x 61 x 51 mm (4.8 x 2.4 x 2.0 in) |
120 x 67 x 69 mm (4.7 x 2.6 x 2.7 in) |
Camera Weight | 391 g (13.8 oz) | 503 g (17.7 oz) |
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