Olympus E-PM2 vs Sony A6600
The Olympus PEN E-PM2 and the Sony Alpha A6600 are two digital cameras that were revealed to the public, respectively, in September 2012 and August 2019. Both the E-PM2 and the A6600 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-PM2) and an APS-C (A6600) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PM2||Sony A6600|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|15.9 MP, Four Thirds Sensor||24 MP, APS-C Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-25,600||ISO 100-32,000 (100 - 102,400)|
|Viewfinder optional||Electronic viewfinder (2359k dots)|
|3.0 LCD, 460k dots||3.0 LCD, 922k dots|
|Fixed touchscreen||Tilting touchscreen|
|8 shutter flaps per second||11 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|360 shots per battery charge||810 shots per battery charge|
|110 x 64 x 34 mm, 269 g||120 x 67 x 69 mm, 503 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PM2 and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-PM2 and the Sony A6600 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PM2 can be obtained in four different colors (black, silver, red, white), while the A6600 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is notably larger (14 percent) than the Olympus E-PM2. Moreover, the A6600 is substantially heavier (87 percent) than the E-PM2. It is noteworthy in this context that the A6600 is splash and dust-proof, while the E-PM2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-PM2) and the Sony E-Mount Lens Catalog (A6600). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-PM2 gets 360 shots out of its BLS-5 battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The power pack in the A6600 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PM2 was launched at a markedly lower price (by 64 percent) than the A6600, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-PM2 features a Four Thirds sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-PM2 has a native 4:3 aspect ratio, while the one in the A6600 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the A6600 offers a higher resolution than the E-PM2 (15.9MP), but the A6600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the E-PM2) due to its larger sensor. Moreover, the A6600 is a much more recent model (by 6 years and 11 months) than the E-PM2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-PM2 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus PEN E-PM2 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6600 has a markedly higher DXO score than the E-PM2 (overall score 10 points higher), which will translate into better image quality. The advantage is based on 1.1 bits higher color depth, 1.2 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6600 provides a better video resolution than the E-PM2. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6600 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PM2 relies on live view and the rear LCD for framing. That said, the E-PM2 can be equipped with an optional viewfinder – the VF-4. The adjacent table lists some of the other core features of the Olympus E-PM2 and Sony A6600 along with similar information for a selection of comparators.
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6600 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A6600 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-PM2 writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PM2 and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the A6600 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-PM2 does not provide wifi capability.
The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the E-PM2 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the E-PM2 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what conclusions can be drawn? Is the Olympus E-PM2 better than the Sony A6600 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus PEN E-PM2:
- More compact: Is smaller (110x64mm vs 120x67mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 234g or 47 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (810 versus 360) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 6 years and 11 months of technical progress since the E-PM2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (22 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PM2 and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-PM2 or the A6600 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-PM2||..||77/100||5/5||4.5/5||4.5/5||Sep 2012||499|
|Sony A6600||+||83/100||4.5/5||..||4/5||Aug 2019||1,399|
|Fujifilm X-T4||+ +||..||5/5||..||5/5||Feb 2020||1,699|
|Olympus E-M5 III||+||82/100||4.5/5||5/5||4.5/5||Oct 2019||1,199|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-M10||..||80/100||5/5||4.5/5||5/5||Jan 2014||699|
|Olympus E-PL7||+||..||5/5||4.5/5||4/5||Aug 2014||599|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Olympus E-PL6||..||..||..||..||..||May 2013||599|
|Olympus E-PL5||+ +||..||4.5/5||4.5/5||4.5/5||Sep 2012||599|
|Olympus E-PL3||+ +||72/100||4.5/5||..||4/5||Jun 2011||599|
|Olympus E-PM1||86/100||71/100||4.5/5||..||4.5/5||Jun 2011||499|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Sony A9 II||..||..||5/5||..||5/5||Oct 2019||4,499|
|Sony A6500||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Olympus E-PM2 vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PM2||Sony A6600|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2012||August 2019|
|Launch Price||USD 499||USD 1,399|
|Sensor Specs||Olympus E-PM2||Sony A6600|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.76 μm||3.91 μm|
|Pixel Density||7.08 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||100 - 102,400 ISO|
|Image Processor||TruePic VI||BIONZ X|
|DXO Sensor Quality (score)||72||82|
|DXO Color Depth (bits)||22.7||23.8|
|DXO Dynamic Range (EV)||12.2||13.4|
|DXO Low Light (ISO)||932||1497|
|Screen Specs||Olympus E-PM2||Sony A6600|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Olympus E-PM2||Sony A6600|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-PM2||Sony A6600|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||YES HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-PM2||Sony A6600|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||810 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
110 x 64 x 34 mm
(4.3 x 2.5 x 1.3 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||269 g (9.5 oz)||503 g (17.7 oz)|
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