Fujifilm XP140 vs Panasonic GX7
The Fujifilm FinePix XP140 and the Panasonic Lumix DMC-GX7 are two digital cameras that were revealed to the public, respectively, in February 2019 and August 2013. The XP140 is a fixed lens compact, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP140) and a Four Thirds (GX7) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm XP140||Panasonic GX7|
|Fixed lens compact camera||Mirrorless system camera|
|28-140mm f/3.9-4.9||Micro Four Thirds lenses|
|15.9 MP, 1/2.3" Sensor||15.8 MP, Four Thirds Sensor|
|4K/15p Video||1080/60p Video|
|ISO 100-12800||ISO 125-25600|
|No viewfinder, LCD framing||Electronic viewfinder (2760k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|10 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Waterproof body (nom)||Not weather sealed|
|240 shots per battery charge||350 shots per battery charge|
|110 x 71 x 28 mm, 207 g||123 x 71 x 55 mm, 402 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP140 and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm XP140 and the Panasonic GX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The XP140 can be obtained in five different colors (black, blue, yellow, green, white), while the GX7 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is notably larger (12 percent) than the Fujifilm XP140. It is worth mentioning in this context that the XP140 is splash and dust resistant, while the GX7 does not feature any corresponding weather-sealing. More than that, the XP140 is water-proof up to 25m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP140 has a lens built in, whereas the GX7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the XP140 gets 240 shots out of its NP-45S battery, while the GX7 can take 350 images on a single charge of its DMW-BLG10 power pack. The power pack in the XP140 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm XP140»||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Panasonic GX7«||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||Panasonic GX7|
|Fujifilm XP130« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||n||Jan 2018||229||Fujifilm XP130|
|Fujifilm XP120« »||4.3 in||2.8 in||1.1 in||7.2 oz||210||Y||Jan 2017||229||Fujifilm XP120|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Olympus TG-6« »||4.4 in||2.6 in||1.3 in||8.9 oz||340||Y||May 2019||449||Olympus TG-6|
|Olympus TG-4« »||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||Olympus TG-4|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||Olympus E-PL7|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||Olympus E-P5|
|Panasonic GX85« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX85|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||Panasonic GH2|
|Ricoh WG-6« »||4.6 in||2.6 in||1.3 in||8.7 oz||340||Y||Feb 2019||399||Ricoh WG-6|
|Ricoh WG-60« »||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XP140 was launched at a lower price than the GX7, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm XP140 features a 1/2.3-inch sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Fujifilm XP140 offers a higher resolution of 15.9 megapixels, compared with 15.8 MP of the Panasonic GX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 3.77μm for the GX7). However, it should be noted that the XP140 is much more recent (by 5 years and 6 months) than the GX7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the XP140 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Fujifilm FinePix XP140 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm XP140||1/2.3||15.9||4608||3456||4K/15p||..||..||..||..||Fujifilm XP140|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Fujifilm XP130||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Fujifilm XP130|
|Fujifilm XP120||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Fujifilm XP120|
|Nikon W300||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon W300|
|Olympus TG-6||1/2.3||12.0||4000||3000||4K/30p||..||..||..||..||Olympus TG-6|
|Olympus TG-4||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Olympus TG-4|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX85|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Ricoh WG-6||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Ricoh WG-6|
|Ricoh WG-60||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Ricoh WG-60|
|Sony HX99||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX99|
|Sony HX95||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX95|
|Sony WX800||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony WX800|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the XP140 provides a higher video resolution than the GX7. It can shoot video footage at 4K/15p, while the Panasonic is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GX7 has an electronic viewfinder (2760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP140 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm XP140 and Panasonic GX7 in connection with corresponding information for a sample of similar cameras.
|Fujifilm XP140||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Fujifilm XP130||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Fujifilm XP120||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Nikon W300||none||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Olympus TG-6||none||n||3.0||1040||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-6|
|Olympus TG-4||none||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7||optional||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Panasonic GX85||2765||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Panasonic GX85|
|Panasonic GH2||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Ricoh WG-6||none||n||3.0||1040||fixed||n||1/4000s||1.0||Y||n||Ricoh WG-6|
|Ricoh WG-60||none||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony HX99||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800||none||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX7 has a touchscreen, while the XP140 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP140 and the Panasonic GX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the XP140 and the GX7 write their files to SDXC cards. The GX7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XP140 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP140 and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XP140||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Fujifilm XP130||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Fujifilm XP120||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Nikon W300||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Olympus TG-6||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-6|
|Olympus TG-4||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic GX85||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX85|
|Panasonic GH2||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Ricoh WG-6||-||mono||mono||-||-||micro||3.0||-||-||-||Ricoh WG-6|
|Ricoh WG-60||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony HX99||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
It is notable that the GX7 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The XP140 does not feature such an accessory-socket.
The XP140 is a recent model that features in the current product line-up of Fujifilm. In contrast, the GX7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX7 was succeeded by the Panasonic GX85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Fujifilm XP140 or the Panasonic GX7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm FinePix XP140:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/15p vs 1080/60p).
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GX7 requires a separate lens.
- More compact: Is smaller (110x71mm vs 123x71mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GX7).
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 25m).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 6 months of technical progress since the GX7 launch.
Arguments in favor of the Panasonic Lumix DMC-GX7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 240) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the GX7 is the clear winner of the contest (17 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP140 and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the XP140 or the GX7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon Rebel vs Panasonic GX7
- Canon SX620 vs Panasonic GX7
- Canon SX730 vs Panasonic GX7
- Fujifilm XP140 vs Fujifilm XQ2
- Fujifilm XP140 vs Nikon B700
- Fujifilm XP140 vs Olympus E-5
- Fujifilm XP140 vs Panasonic FZ82
- Fujifilm XP140 vs Panasonic LX15
- Fujifilm XP140 vs Sony A6500
- Fujifilm XP140 vs Sony A99 II
- Panasonic GX7 vs Panasonic LX10
- Panasonic GX7 vs Ricoh WG-6
Specifications: Fujifilm XP140 vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP140||Panasonic GX7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-140mm f/3.9-4.9||Micro Four Thirds lenses|
|Launch Date||February 2019||August 2013|
|Launch Price||USD 229||USD 999|
|Sensor Specs||Fujifilm XP140||Panasonic GX7|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||15.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||1.33 μm||3.77 μm|
|Pixel Density||56.73 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/15p Video||1080/60p Video|
|ISO Setting||100-12800 ISO||125-25600 ISO|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||22.6|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||718|
|Screen Specs||Fujifilm XP140||Panasonic GX7|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm XP140||Panasonic GX7|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm XP140||Panasonic GX7|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm XP140||Panasonic GX7|
|Environmental Sealing||Waterproof body (25m)||Not weather sealed|
|Battery Life (CIPA)||240 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||207 g (7.3 oz)||402 g (14.2 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.