Fujifilm XP120 vs Leica D-LUX 6
The Fujifilm FinePix XP120 and the Leica D-LUX 6 are two digital cameras that were announced, respectively, in January 2017 and September 2012. Both the XP120 and the D-LUX 6 are fixed lens compact cameras that are based on a 1/2.3-inch (XP120) and a 1/1.7-inch (D-LUX 6) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Leica provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm XP120||Leica D-LUX 6|
|Fixed lens compact camera||Fixed lens compact camera|
|28-140mm f/3.9-4.9||24-90mm f/1.4-2.3|
|15.9 MP, 1/2.3" Sensor||10 MP, 1/1.7" Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-3200||ISO 80-6400 (80-12800)|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 920k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||11 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Waterproof body (nom)||Not weather sealed|
|210 shots per battery charge||330 shots per battery charge|
|110 x 71 x 28 mm, 203 g||111 x 68 x 46 mm, 298 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP120 and the Leica D-LUX 6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm XP120 and the Leica D-LUX 6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The XP120 can be obtained in three different colors (blue, yellow, green), while the D-LUX 6 is also available in three color-versions, but different ones (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 6 is somewhat smaller (3 percent) than the Fujifilm XP120. However, the D-LUX 6 is substantially heavier (47 percent) than the XP120. It is worth mentioning in this context that the XP120 is splash and dust resistant, while the D-LUX 6 does not feature any corresponding weather-sealing. More than that, the XP120 is water-proof up to 20m and can, thus, be used for underwater photography.
Concerning battery life, the XP120 gets 210 shots out of its NP-45S battery, while the D-LUX 6 can take 330 images on a single charge of its BP-DC10 power pack. The power pack in the XP120 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm XP120»||4.3 in||2.8 in||1.1 in||7.2 oz||210||Y||Jan 2017||229||Fujifilm XP120|
|Leica D-LUX 6«||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||Leica D-LUX 6|
|Canon SX620« »||3.8 in||2.2 in||1.1 in||6.4 oz||295||n||May 2016||279||Canon SX620|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP130« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||n||Jan 2018||229||Fujifilm XP130|
|Fujifilm X20« »||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||Fujifilm X20|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Leica D-LUX 5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||Leica D-LUX 5|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Olympus TG-5« »||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449||Olympus TG-5|
|Olympus TG-4« »||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||Olympus TG-4|
|Ricoh WG-60« »||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP120 was launched at a markedly lower price (by 67 percent) than the D-LUX 6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm XP120 features a 1/2.3-inch sensor and the Leica D-LUX 6 a 1/1.7-inch sensor. The sensor area in the D-LUX 6 is 50 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Fujifilm XP120 offers a higher resolution of 15.9 megapixels, compared with 10 MP of the Leica D-LUX 6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 2.05μm for the D-LUX 6). However, it should be noted that the XP120 is much more recent (by 4 years and 3 months) than the D-LUX 6, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the XP120 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm XP120 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the XP120 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Fujifilm FinePix XP120 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Leica D-LUX 6 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm XP120||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Fujifilm XP120|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..||Leica D-LUX 6|
|Canon SX620||1/2.3||20.2||5184||3888||1080/30p||..||..||..||..||Canon SX620|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Fujifilm XP140||1/2.3||15.9||4608||3456||4K/15p||..||..||..||..||Fujifilm XP140|
|Fujifilm XP130||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Fujifilm XP130|
|Fujifilm X20||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X20|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..||Leica D-LUX 5|
|Nikon W300||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon W300|
|Olympus TG-5||1/2.3||12.0||4000||3000||4K/30p||..||..||..||..||Olympus TG-5|
|Olympus TG-4||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Olympus TG-4|
|Ricoh WG-60||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Ricoh WG-60|
|Sony HX99||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX99|
|Sony HX95||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX95|
|Sony WX800||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony WX800|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The XP120 and the D-LUX 6 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The adjacent table lists some of the other core features of the Fujifilm XP120 and Leica D-LUX 6 along with similar information for a selection of comparators.
|Fujifilm XP120||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Canon SX620||none||n||3.0||922||fixed||n||1/2000s||2.5||Y||Y||Canon SX620|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Fujifilm XP140||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm XP130||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Fujifilm X20||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Nikon W300||none||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Olympus TG-5||none||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Olympus TG-4||none||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Ricoh WG-60||none||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony HX99||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800||none||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
The Fujifilm XP120 and the Leica D-LUX 6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the XP120 and the D-LUX 6 have zoom lenses built in. The XP120 has a 28-140mm f/3.9-4.9 optic and the D-LUX 6 offers a 24-90mm f/1.4-2.3 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end than the Fujifilm, but less tele-photo reach at the long end. The D-LUX 6 offers the faster maximum aperture.
Concerning the storage of imaging data, both the XP120 and the D-LUX 6 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP120 and Leica D-LUX 6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XP120||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Canon SX620||-||mono||mono||-||-||micro||2.0||Y||Y||-||Canon SX620|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Fujifilm XP140||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm XP130||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Fujifilm X20||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Nikon W300||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Olympus TG-5||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Olympus TG-4||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Ricoh WG-60||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony HX99||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the XP120 offers wifi support, while the D-LUX 6 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the XP120 and the D-LUX 6 have been discontinued, but can regularly be found used on eBay. The D-LUX 6 was replaced by the Leica D-LUX Typ 109, while the XP120 was followed by the Fujifilm XP130. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm XP120 and the Leica D-LUX 6? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm FinePix XP120:
- More detail: Offers more megapixels (15.9 vs 10MP) with a 26% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Is lighter (by 95g or 32 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More modern: Reflects 4 years and 3 months of technical progress since the D-LUX 6 launch.
Advantages of the Leica D-LUX 6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/3.9).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Longer lasting: Gets more shots (330 versus 210) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the D-LUX 6 comes out slightly ahead of the XP120 (10 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP120 and the Leica D-LUX 6 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the XP120 and the D-LUX 6 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 60D vs Leica D-LUX 6
- Canon G16 vs Fujifilm XP120
- Fujifilm X-T100 vs Leica D-LUX 6
- Fujifilm XP120 vs Leica Q Typ 116
- Fujifilm XP120 vs Leica SL2
- Fujifilm XP120 vs Nikon D1
- Fujifilm XP120 vs Ricoh GR II
- Fujifilm XP120 vs Sony NEX-5
- Leica D-LUX 6 vs Leica TL
- Leica D-LUX 6 vs Olympus E-300
- Leica D-LUX 6 vs Sony A5100
- Leica D-LUX 6 vs Sony RX1R
Specifications: Fujifilm XP120 vs Leica D-LUX 6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP120||Leica D-LUX 6|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-140mm f/3.9-4.9||24-90mm f/1.4-2.3|
|Launch Date||January 2017||September 2012|
|Launch Price||USD 229||USD 699|
|Sensor Specs||Fujifilm XP120||Leica D-LUX 6|
|Sensor Format||1/2.3" Sensor||1/1.7" Sensor|
|Sensor Size||6.17 x 4.55 mm||7.44 x 5.58 mm|
|Sensor Area||28.0735 mm2||41.5152 mm2|
|Sensor Diagonal||7.7 mm||9.3 mm|
|Sensor Resolution||15.9 Megapixels||10 Megapixels|
|Image Resolution||4608 x 3456 pixels||3648 x 2736 pixels|
|Pixel Pitch||1.33 μm||2.05 μm|
|Pixel Density||56.73 MP/cm2||24.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-3200 ISO||80-6400 ISO|
|ISO Boost||no Enhancement||80-12800 ISO|
|Screen Specs||Fujifilm XP120||Leica D-LUX 6|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm XP120||Leica D-LUX 6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Fujifilm XP120||Leica D-LUX 6|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm XP120||Leica D-LUX 6|
|Environmental Sealing||Waterproof body (20m)||Not weather sealed|
|Battery Life (CIPA)||210 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||203 g (7.2 oz)||298 g (10.5 oz)|
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