Fujifilm XF10 vs Leica D-LUX 6
The Fujifilm XF10 and the Leica D-LUX 6 are two digital cameras that were announced, respectively, in July 2018 and September 2012. Both the XF10 and the D-LUX 6 are fixed lens compact cameras that are based on an APS-C (XF10) and a 1/1.7-inch (D-LUX 6) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Leica provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm XF10||Leica D-LUX 6|
|Fixed lens compact camera||Fixed lens compact camera|
|28mm f/2.8-16||24-90mm f/1.4-2.3|
|24 MP, APS-C Sensor||10 MP, 1/1.7" Sensor|
|4K/15p Video||1080/60p Video|
|ISO 200-12800 (100-51200)||ISO 80-6400 (80-12800)|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|6 shutter flaps per second||11 shutter flaps per second|
|330 shots per battery charge||330 shots per battery charge|
|113 x 64 x 41 mm, 279 g||111 x 68 x 46 mm, 298 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm XF10 and the Leica D-LUX 6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm XF10 and the Leica D-LUX 6. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The XF10 can be obtained in two different colors (black, gold), while the D-LUX 6 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 6 is somewhat larger (4 percent) than the Fujifilm XF10. Moreover, the D-LUX 6 is markedly heavier (7 percent) than the XF10. In this context, it is worth noting that neither the XF10 nor the D-LUX 6 are weather-sealed.
The power pack in the XF10 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm XF10»||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Leica D-LUX 6«||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||Leica D-LUX 6|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Fujifilm X-A7« »||4.7 in||2.7 in||1.6 in||11.3 oz||440||n||Sep 2019||499||Fujifilm X-A7|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X70« »||4.4 in||2.5 in||1.7 in||12.0 oz||330||n||Jan 2016||799||Fujifilm X70|
|Fujifilm X20« »||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||Fujifilm X20|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Leica D-LUX 5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||Leica D-LUX 5|
|Panasonic ZS80« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic ZS80|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic ZS70|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XF10 was launched at a markedly lower price (by 29 percent) than the D-LUX 6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm XF10 features an APS-C sensor and the Leica D-LUX 6 a 1/1.7-inch sensor. The sensor area in the D-LUX 6 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the XF10 has a native 3:2 aspect ratio, while the one in the D-LUX 6 offers a 4:3 aspect. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the XF10 offers a higher resolution than the D-LUX 6 (10MP), but the XF10 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.05μm for the D-LUX 6) due to its larger sensor. Moreover, the XF10 is a much more recent model (by 5 years and 10 months) than the D-LUX 6, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Fujifilm XF10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the XF10 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The XF10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm XF10 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Leica D-LUX 6 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm XF10||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm XF10|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..||Leica D-LUX 6|
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M100||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Fujifilm X-A7||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-A7|
|Fujifilm X-T100||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-T100|
|Fujifilm X100F||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X100F|
|Fujifilm X-E3||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-E3|
|Fujifilm X70||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X70|
|Fujifilm X20||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X20|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..||Leica D-LUX 5|
|Panasonic ZS80||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic ZS80|
|Panasonic ZS70||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the XF10 provides a higher video resolution than the D-LUX 6. It can shoot video footage at 4K/15p, while the Leica is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The XF10 and the D-LUX 6 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The adjacent table lists some of the other core features of the Fujifilm XF10 and Leica D-LUX 6 along with similar information for a selection of comparators.
|Fujifilm XF10||none||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon M100||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Fujifilm X-A7||none||n||3.5||2760||swivel||Y||1/4000s||6.0||Y||n||Fujifilm X-A7|
|Fujifilm X-T100||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X100F||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-E3||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X70||optional||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X70|
|Fujifilm X20||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Panasonic ZS80||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS80|
|Panasonic ZS70||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The XF10 has a touchscreen, while the D-LUX 6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the XF10 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XF10 and the Leica D-LUX 6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 6 is equipped with a zoom lens, while the XF10 comes with a built-in prime. The D-LUX 6 has a 24-90mm f/1.4-2.3 optic and the XF10 offers a 28mm f/2.8 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Fujifilm. The D-LUX 6 offers the faster maximum aperture.
Concerning the storage of imaging data, both the XF10 and the D-LUX 6 write their files to SDXC cards. The XF10 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm XF10 and Leica D-LUX 6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XF10||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M100||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Fujifilm X-A7||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A7|
|Fujifilm X-T100||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X100F||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-E3||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X70||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Fujifilm X20||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Panasonic ZS80||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS80|
|Panasonic ZS70||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the XF10 has a microphone port, which is missing on the D-LUX 6. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The XF10 is a recent model that features in the current product line-up of Fujifilm. In contrast, the D-LUX 6 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D-LUX 6 was succeeded by the Leica D-LUX Typ 109. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So how do things add up? Is there a clear favorite between the Fujifilm XF10 and the Leica D-LUX 6? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm XF10:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/15p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 5 years and 10 months of technical progress since the D-LUX 6 launch.
Arguments in favor of the Leica D-LUX 6:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster burst: Shoots at higher frequency (11 vs 6 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the XF10 is the clear winner of the match-up (16 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XF10 and the Leica D-LUX 6 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the XF10 and the D-LUX 6 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Fujifilm XF10 vs Olympus E-M5 II
- Fujifilm XF10 vs Panasonic FZ330
- Fujifilm XF10 vs Panasonic LX100 II
- Fujifilm XF10 vs Panasonic S1
- Fujifilm XF10 vs Panasonic ZS100
- Fujifilm XF10 vs Panasonic ZS80
- Fujifilm XF10 vs Sony HX99
- Fujifilm XP130 vs Leica D-LUX 6
- Leica D-LUX 6 vs Nikon D5200
- Leica D-LUX 6 vs Nikon D850
- Leica D-LUX 6 vs Sony A77
- Leica D-LUX 6 vs Sony HX95
Specifications: Fujifilm XF10 vs Leica D-LUX 6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XF10||Leica D-LUX 6|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28mm f/2.8-16||24-90mm f/1.4-2.3|
|Launch Date||July 2018||September 2012|
|Launch Price||USD 499||USD 699|
|Sensor Specs||Fujifilm XF10||Leica D-LUX 6|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.5 x 15.7 mm||7.44 x 5.58 mm|
|Sensor Area||368.95 mm2||41.5152 mm2|
|Sensor Diagonal||28.3 mm||9.3 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.92 μm||2.05 μm|
|Pixel Density||6.50 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/15p Video||1080/60p Video|
|ISO Setting||200-12800 ISO||80-6400 ISO|
|ISO Boost||100-51200 ISO||80-12800 ISO|
|Screen Specs||Fujifilm XF10||Leica D-LUX 6|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm XF10||Leica D-LUX 6|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Fujifilm XF10||Leica D-LUX 6|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm XF10||Leica D-LUX 6|
|Battery Life (CIPA)||330 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
113 x 64 x 41 mm
(4.4 x 2.5 x 1.6 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||279 g (9.8 oz)||298 g (10.5 oz)|
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