Fujifilm XP120 vs Nikon Z7
The Fujifilm FinePix XP120 and the Nikon Z7 are two digital cameras that were announced, respectively, in January 2017 and August 2018. The XP120 is a fixed lens compact, while the Z7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP120) and a full frame (Z7) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Nikon provides 45.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP120 and the Nikon Z7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm XP120 and the Nikon Z7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The XP120 can be obtained in three different colors (blue, yellow, green), while the Z7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z7 is considerably larger (73 percent) than the Fujifilm XP120. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the XP120 is water-proof up to 20m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP120 has a lens built in, whereas the Z7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the XP120 gets 210 shots out of its NP-45S battery, while the Z7 can take 330 images on a single charge of its EN-EL15b power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm XP120||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229||ebay.com|
|2.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||ebay.com|
|3.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229||amazon.com|
|4.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||ebay.com|
|5.||Fujifilm XP130||110 mm||71 mm||28 mm||207 g||240||Y||Jan 2018||229||ebay.com|
|6.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999||amazon.com|
|7.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||ebay.com|
|8.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||amazon.com|
|9.||Olympus TG-5||113 mm||66 mm||32 mm||250 g||340||Y||May 2017||449||ebay.com|
|10.||Olympus TG-4||112 mm||66 mm||31 mm||247 g||380||Y||Apr 2015||379||ebay.com|
|11.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|12.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279||ebay.com|
|13.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499||amazon.com|
|14.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||amazon.com|
|15.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||amazon.com|
|16.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||ebay.com|
|17.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP120 was launched at a lower price than the Z7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XP120 features a 1/2.3-inch sensor and the Nikon Z7 a full frame sensor. The sensor area in the Z7 is 2964 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP120 has a native 4:3 aspect ratio, while the one in the Z7 offers a 3:2 aspect.
With 45.4MP, the Z7 offers a higher resolution than the XP120 (15.9MP), but the Z7 nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 1.33μm for the XP120) due to its larger sensor. Moreover, the Z7 is a somewhat more recent model (by 1 year and 7 months) than the XP120, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon Z7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Fujifilm XP120 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Z7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm FinePix XP120 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Nikon Z7 are ISO 64 to ISO 25600, with the possibility to increase the ISO range to 32-102400.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|6.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|7.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|11.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|13.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|17.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z7 provides a better video resolution than the XP120. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Z7 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP120 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm XP120, the Nikon Z7, and comparable cameras.
|1.||Fujifilm XP120||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|2.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|3.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|4.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|5.||Fujifilm XP130||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|6.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0/s||n||Y|
|7.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0/s||n||Y|
|8.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0/s||Y||Y|
|9.||Olympus TG-5||none||n||3.0 / 460||fixed||n||1/2000s||20.0/s||Y||Y|
|10.||Olympus TG-4||none||n||3.0 / 460||fixed||n||1/2000s||5.0/s||Y||Y|
|11.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|12.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0/s||Y||n|
|13.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|16.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The XP120 has one, while the Z7 does not. While the built-in flash of the XP120 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP120 and the Nikon Z7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XP120 writes its imaging data to SDXC cards, while the Z7 uses XQD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP120 and Nikon Z7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm XP120||-||mono / mono||-||-||micro||2.0||Y||-||-|
|2.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|3.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|4.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|5.||Fujifilm XP130||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|6.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|8.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Olympus TG-5||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Olympus TG-4||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|13.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the Z7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The XP120 does not feature such a mic input.
Both the XP120 and the Z7 have been discontinued, but can regularly be found used on ebay. The XP120 was replaced by the Fujifilm XP130, while the Z7 was followed by the Nikon Z7 II. Further information on the features and operation of the XP120 and Z7 can be found, respectively, in the Fujifilm XP120 Manual (free pdf) or the online Nikon Z7 Manual.
So how do things add up? Which of the two cameras – the Fujifilm XP120 or the Nikon Z7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm FinePix XP120:
- Ready to shoot: Has a lens built-in, whereas the Z7 requires a separate lens.
- More compact: Is smaller (110x71mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the Z7).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2017).
Reasons to prefer the Nikon Z7:
- More detail: Has more megapixels (45.4 vs 15.9MP), which boosts linear resolution by 72%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (330 versus 210) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the Z7 is the clear winner of the contest (23 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP120 and the Nikon Z7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the XP120 or the Z7 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm XP120||..||o||..||..||3.5/5||4/5||Jan 2017||229||ebay.com|
|2.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399||ebay.com|
|3.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229||amazon.com|
|4.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899||ebay.com|
|5.||Fujifilm XP130||..||o||..||..||3.5/5||4/5||Jan 2018||229||ebay.com|
|6.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999||amazon.com|
|7.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999||ebay.com|
|8.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389||amazon.com|
|9.||Olympus TG-5||..||+ +||4.5/5||..||4/5||4/5||May 2017||449||ebay.com|
|10.||Olympus TG-4||..||+||..||79/100||4/5||4/5||Apr 2015||379||ebay.com|
|11.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|12.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279||ebay.com|
|13.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499||amazon.com|
|14.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||amazon.com|
|15.||Sony HX95||..||..||..||..||..||..||Aug 2018||429||amazon.com|
|16.||Sony WX800||..||..||..||..||..||..||Oct 2018||399||ebay.com|
|17.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D vs Fujifilm XP120
- Canon 5D Mark II vs Nikon Z7
- Canon Rebel vs Fujifilm XP120
- Fujifilm XP120 vs Leica Q Typ 116
- Fujifilm XP120 vs Nikon Coolpix A
- Fujifilm XP120 vs Nikon D70
- Fujifilm XP120 vs Sony RX1R
- Nikon D3X vs Nikon Z7
- Nikon D4 vs Nikon Z7
- Nikon Z7 vs Panasonic LX5
- Nikon Z7 vs Panasonic ZS100
- Nikon Z7 vs Panasonic ZS80
Specifications: Fujifilm XP120 vs Nikon Z7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP120||Nikon Z7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-140mm f/3.9-4.9||Nikon Z mount lenses|
|Launch Date||January 2017||August 2018|
|Launch Price||USD 229||USD 3,399|
|Sensor Specs||Fujifilm XP120||Nikon Z7|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.9 x 23.9 mm|
|Sensor Area||28.0735 mm2||858.01 mm2|
|Sensor Diagonal||7.7 mm||43.1 mm|
|Sensor Resolution||15.9 Megapixels||45.4 Megapixels|
|Image Resolution||4608 x 3456 pixels||8256 x 5504 pixels|
|Pixel Pitch||1.33 μm||4.35 μm|
|Pixel Density||56.73 MP/cm2||5.30 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||64 - 25,600 ISO|
|ISO Boost||no Enhancement||32 - 102,400 ISO|
|DXO Sensor Quality (score)||..||99|
|DXO Color Depth (bits)||..||26.3|
|DXO Dynamic Range (EV)||..||14.6|
|DXO Low Light (ISO)||..||2668|
|Screen Specs||Fujifilm XP120||Nikon Z7|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||920k dots||2100k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm XP120||Nikon Z7|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||XQD cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|Connectivity Specs||Fujifilm XP120||Nikon Z7|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm XP120||Nikon Z7|
|Environmental Sealing||Waterproof body (20m)||Weathersealed body|
|Battery Life (CIPA)||210 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
|Camera Weight||203 g (7.2 oz)||675 g (23.8 oz)|
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