Fujifilm XP120 vs Kodak S-1

The Fujifilm FinePix XP120 and the Kodak PixPro S-1 are two digital cameras that were revealed to the public, respectively, in January 2017 and January 2012. The XP120 is a fixed lens compact, while the S-1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP120) and a Four Thirds (S-1) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Kodak provides 16.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm XP120		Kodak S-1
Fixed lens compact camera		Mirrorless system camera
28-140mm f/3.9-4.9		Micro Four Thirds lenses
15.9 MP – 1/2.3" sensor		16.1 MP – Four Thirds sensor
1080/60p Video		1080/30p Video
ISO 100-3,200		ISO 200-12,800
No viewfinder, LCD framing		No viewfinder, LCD framing
3.0" LCD – 920k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
10 shutter flaps per second		4 shutter flaps per second
In-body stabilization		In-body stabilization
Waterproof body (20m)		not weather sealed
210 shots per battery charge		410 shots per battery charge
110 x 71 x 28 mm, 203 g		116 x 68 x 36 mm, 290 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP120 and the Kodak PixPro S-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm XP120 and the Kodak S-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The XP120 can be obtained in three different colors (blue, yellow, green), while the S-1 is available in two color-versions (black, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm XP120 and the Kodak S-1 are of equal size. It is worth mentioning in this context that the XP120 is splash and dust resistant, while the S-1 does not feature any corresponding weather-sealing. More than that, the XP120 is water-proof up to 20m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP120 has a lens built in, whereas the S-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the S-1 and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the XP120 gets 210 shots out of its Fujifilm NP-45S battery, while the S-1 can take 410 images on a single charge of its Kodak LB-070 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm XP120	110 mm	71 mm	28 mm	203 g	210	Y	Jan 2017	229	ebay.com
2.		Kodak S-1	116 mm	68 mm	36 mm	290 g	410	n	Jan 2012	299	ebay.com
3.		Fujifilm XP140	110 mm	71 mm	28 mm	207 g	240	Y	Feb 2019	229	ebay.com
4.		Fujifilm XP130	110 mm	71 mm	28 mm	207 g	240	Y	Jan 2018	229	ebay.com
5.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	389	ebay.com
6.		Olympus TG-5	113 mm	66 mm	32 mm	250 g	340	Y	May 2017	449	ebay.com
7.		Olympus TG-4	112 mm	66 mm	31 mm	247 g	380	Y	Apr 2015	379	ebay.com
8.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
9.		Olympus E-PL6	111 mm	64 mm	38 mm	325 g	360	n	May 2013	599	ebay.com
10.		Olympus E-PL5	111 mm	64 mm	38 mm	325 g	360	n	Sep 2012	599	ebay.com
11.		Olympus E-PM2	110 mm	64 mm	34 mm	269 g	360	n	Sep 2012	499	ebay.com
12.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
13.		Pentax WG-90	123 mm	62 mm	30 mm	194 g	300	Y	Nov 2023	279	amazon.com
14.		Ricoh WG-60	123 mm	62 mm	30 mm	193 g	300	Y	Oct 2018	279	ebay.com
15.		Sony HX99	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	449	ebay.com
16.		Sony HX95	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	429	ebay.com
17.		Sony WX800	102 mm	58 mm	36 mm	233 g	370	n	Oct 2018	399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XP120 was launched at a lower price than the S-1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm XP120 features a 1/2.3-inch sensor and the Kodak S-1 a Four Thirds sensor. The sensor area in the S-1 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 16.1MP, the S-1 offers a higher resolution than the XP120 (15.9MP), but the S-1 nevertheless has larger individual pixels (pixel pitch of 3.74μm versus 1.33μm for the XP120) due to its larger sensor. However, the XP120 is a much more recent model (by 4 years and 11 months) than the S-1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the XP120 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Fujifilm FinePix XP120 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Kodak PixPro S-1 are ISO 200 to ISO 12800 (no boost).

In terms of underlying technology, the XP120 is build around a BSI-CMOS sensor, while the S-1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm XP120	1/2.3	15.9	4608	3456	1080/60p	20.5	11.9	900	49
2.		Kodak S-1	Four Thirds	16.1	4640	3480	1080/30p	22.2	11.8	598	65
3.		Fujifilm XP140	1/2.3	15.9	4608	3456	4K/15p	20.7	12.2	1102	52
4.		Fujifilm XP130	1/2.3	15.9	4608	3456	1080/60p	20.6	12.1	1000	51
5.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
6.		Olympus TG-5	1/2.3	12.0	4000	3000	4K/30p	20.5	11.9	934	50
7.		Olympus TG-4	1/2.3	15.9	4608	3456	1080/30p	20.2	11.6	737	47
8.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
9.		Olympus E-PL6	Four Thirds	15.9	4608	3456	1080/30p	22.5	12.0	717	68
10.		Olympus E-PL5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	889	72
11.		Olympus E-PM2	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.2	932	72
12.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
13.		Pentax WG-90	1/2.3	15.9	4608	3456	1080/60p	20.9	12.8	1570	54
14.		Ricoh WG-60	1/2.3	15.9	4608	3456	1080/60p	20.6	12.2	1072	51
15.		Sony HX99	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1058	51
16.		Sony HX95	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1057	51
17.		Sony WX800	1/2.3	18.0	4896	3672	4K/30p	20.6	12.2	1070	51
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the XP120 provides a higher frame rate than the S-1. It can shoot video footage at 1080/60p, while the Kodak is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The XP120 and the S-1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Fujifilm XP120, the Kodak S-1, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm XP120	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
2.		Kodak S-1	none	n	3.0 / 920	tilting	n	1/4000s	4.0/s	n	Y
3.		Fujifilm XP140	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
4.		Fujifilm XP130	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
5.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
6.		Olympus TG-5	none	n	3.0 / 460	fixed	n	1/2000s	20.0/s	Y	Y
7.		Olympus TG-4	none	n	3.0 / 460	fixed	n	1/2000s	5.0/s	Y	Y
8.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
9.		Olympus E-PL6	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
10.		Olympus E-PL5	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
11.		Olympus E-PM2	optional	n	3.0 / 460	fixed	Y	1/4000s	8.0/s	n	Y
12.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
13.		Pentax WG-90	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
14.		Ricoh WG-60	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
15.		Sony HX99	638	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
16.		Sony HX95	638	n	3.0 / 922	tilting	n	1/2000s	10.0/s	Y	Y
17.		Sony WX800	none	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The XP120 has one, while the S-1 does not. While the built-in flash of the XP120 is not very powerful, it can at times be useful as a fill-in light.

The Fujifilm XP120 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the XP120 and the S-1 write their files to SDXC cards. The S-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XP120 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP120 and Kodak PixPro S-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm XP120	-	mono / mono	-	-	micro	2.0	Y	-	-
2.		Kodak S-1	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Fujifilm XP140	-	mono / mono	-	-	micro	2.0	Y	-	Y
4.		Fujifilm XP130	-	mono / mono	-	-	micro	2.0	Y	-	Y
5.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
6.		Olympus TG-5	-	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus TG-4	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-PL6	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Olympus E-PL5	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Olympus E-PM2	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Pentax WG-90	-	mono / mono	-	-	micro	2.0	-	-	-
14.		Ricoh WG-60	-	mono / mono	-	-	micro	2.0	-	-	-
15.		Sony HX99	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
16.		Sony HX95	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
17.		Sony WX800	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the S-1 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The XP120 does not feature such an accessory-socket.

Both the XP120 and the S-1 have been discontinued, but can regularly be found used on ebay. The XP120 was replaced by the Fujifilm XP130, while the S-1 does not have a direct successor. Further information on the features and operation of the XP120 and S-1 can be found, respectively, in the Fujifilm XP120 Manual (free pdf) or the online Kodak S-1 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm XP120 or the Kodak S-1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Fujifilm FinePix XP120:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the S-1 requires a separate lens.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the S-1).
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 4 years and 11 months of technical progress since the S-1 launch.

Reasons to prefer the Kodak PixPro S-1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (410 versus 210) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More heavily discounted: Has been around for much longer (launched in January 2012).

If the count of relative strengths (bullet points above) is taken as a measure, the S-1 emerges as the winner of the match-up (13 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm XP120 and the Kodak S-1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the XP120 or the S-1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm XP120	..	o	..	..	3.5/5	4/5	Jan 2017	229	ebay.com
2.		Kodak S-1	..	..	..	..	4/5	4/5	Jan 2012	299	ebay.com
3.		Fujifilm XP140	..	+	..	..	3.5/5	4/5	Feb 2019	229	ebay.com
4.		Fujifilm XP130	..	o	..	..	3.5/5	4/5	Jan 2018	229	ebay.com
5.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	389	ebay.com
6.		Olympus TG-5	..	+ +	4.5/5	..	4/5	4/5	May 2017	449	ebay.com
7.		Olympus TG-4	..	+	..	79/100	4/5	4/5	Apr 2015	379	ebay.com
8.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
9.		Olympus E-PL6	..	..	..	..	..	..	May 2013	599	ebay.com
10.		Olympus E-PL5	3/5	+ +	..	..	4.5/5	4.5/5	Sep 2012	599	ebay.com
11.		Olympus E-PM2	3/5	..	..	77/100	5/5	4.5/5	Sep 2012	499	ebay.com
12.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
13.		Pentax WG-90	..	..	..	..	..	..	Nov 2023	279	amazon.com
14.		Ricoh WG-60	..	..	..	..	..	..	Oct 2018	279	ebay.com
15.		Sony HX99	..	..	..	..	4/5	4.5/5	Aug 2018	449	ebay.com
16.		Sony HX95	..	..	..	..	..	..	Aug 2018	429	ebay.com
17.		Sony WX800	..	..	..	..	..	..	Oct 2018	399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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