Fujifilm X70 versus Sony A6000
The Fujifilm X70 and the Sony Alpha A6000 are two digital cameras that were announced, respectively, in January 2016 and February 2014. The X70 is a fixed lens compact, while the A6000 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixel, whereas the Sony provides 24 MP.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X70 and the Sony A6000. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X70 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6000 is notably larger (11 percent) than the Fujifilm X70. In this context, it is worth noting that neither the X70 nor the A6000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X70 has a lens build in, whereas the A6000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the A6000 and their specifications in the Sony E-Mount Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Fujifilm X70 (⇒ rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Sony A6000 (⇒ lft)||120 mm||67 mm||45 mm||344 g||360||no||2014||599||discont.||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2016||699||discont.||check|
|Fujifilm X-A10 (⇒ lft | rgt)||117 mm||67 mm||40 mm||331 g||410||no||2016||399||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Fujifilm X-A2 (⇒ lft | rgt)||117 mm||67 mm||40 mm||350 g||410||no||2015||399||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||699||latest||check|
|Ricoh GR II (⇒ lft | rgt)||117 mm||63 mm||35 mm||251 g||320||no||2015||699||discont.||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||110 mm||63 mm||36 mm||283 g||400||no||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||110 mm||63 mm||36 mm||269 g||420||no||2014||449||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A6000 offers a higher resolution of 24 megapixel, compared with 16 MP of the X70. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X70). Moreover, it should be noted that the X70 is a somewhat more recent model (by 1 year and 11 months) than the A6000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X70 (⇒ rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Sony A6000 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-E2S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-M1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Ricoh GR II (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A5100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80|
|Sony A5000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X70 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X70, the Sony A6000, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Fujifilm X70 (⇒ rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Sony A6000 (⇒ lft)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X-E2S (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-A10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||no||4000||6.0||5||no|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Fujifilm X-A2 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-M1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Ricoh GR II (⇒ lft | rgt)||no||no||3.0||1230||fixed||no||4000||4.0||3||no|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A5100 (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||6.0||4||no|
|Sony A5000 (⇒ lft | rgt)||no||no||3.0||461||tilting||no||4000||3.5||4||no|
The X70 is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6000 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300.
So what is the bottom line? Is the Fujifilm X70 better than the Sony A6000 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X70:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Ready to shoot: Has a lens build-in, whereas the A6000 requires a separate lens.
- Less heavy: Is lighter even though it comes with a build-in lens (unlike the A6000).
- More modern: Is somewhat more recent (announced 1 year and 11 months after the A6000).
Arguments in favor of the Sony Alpha A6000:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (6 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the X70 or the A6000. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X70 (⇒ rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Sony A6000 (⇒ lft)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||-||77/100||4.5/5||-||4.5/5||2016||699||discont.||check|
|Fujifilm X-A10 (⇒ lft | rgt)||-||-||4/5||-||4/5||2016||399||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Fujifilm X-A2 (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2015||399||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Ricoh GR II (⇒ lft | rgt)||-||-||4.5/5||4.5/5||4.5/5||2015||699||discont.||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||5/5||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||Rec||-||4.5/5||reviewed||4.5/5||2014||449||discont.||check|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, please contact me, and I will try to update the database with the necessary infos.
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