Sony A6000 vs RX1R II
The Sony Alpha A6000 and the Sony Cyber-shot DSC-RX1R II are two digital cameras that were announced, respectively, in February 2014 and October 2015. The A6000 is a mirrorless interchangeable lens camera, while the RX1R II is a fixed lens compact. The cameras are based on an APS-C (A6000) and a full frame (RX1R II) sensor. The A6000 has a resolution of 24 megapixels, whereas the RX1R II provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6000 and the Sony Cyber-shot DSC-RX1R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Sony A6000 and the Sony RX1R II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The A6000 can be obtained in three different colors (black, silver, white), while the RX1R II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R II is notably smaller (9 percent) than the Sony A6000. In this context, it is worth noting that neither the A6000 nor the RX1R II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R II has a lens built in, whereas the A6000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the A6000 gets 360 shots out of its NP-FW50 battery, while the RX1R II can take 220 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|2.||Sony RX1R II||113 mm||65 mm||72 mm||507 g||220||n||Oct 2015||3,299|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|6.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|7.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|8.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|9.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|10.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|11.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|12.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|13.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|14.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|15.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Sony RX1R II a full frame sensor. The sensor area in the RX1R II is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the RX1R II offers a higher resolution than the A6000 (24MP), but the RX1R II nevertheless has larger individual pixels (pixel pitch of 4.50μm versus 3.91μm for the A6000) due to its larger sensor. Moreover, the RX1R II is a somewhat more recent model (by 1 year and 8 months) than the A6000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the RX1R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX1R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Sony A6000 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6000 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the RX1R II offers substantially better image quality than the A6000 (overall score 15 points higher). The advantage is based on 1.7 bits higher color depth, 0.8 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony RX1R II||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|4.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|5.||Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|11.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|14.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the RX1R II offers a substantially higher resolution than the one in the A6000 (2360k vs 1440k dots). The table below summarizes some of the other core capabilities of the Sony A6000 and Sony RX1R II in connection with corresponding information for a sample of similar cameras.
|1.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|2.||Sony RX1R II||2360||n||3.0 / 1229||tilting||n||1/4000s||5.0||n||n|
|3.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|4.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|5.||Leica Q Typ 116||3680||n||3.0 / 1040||fixed||Y||1/2000s||10.0||n||Y|
|6.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|7.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5||Y||n|
|8.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0||Y||n|
|9.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5||Y||n|
|10.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
|11.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
|12.||Sony NEX-6||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
|13.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||Y||n|
|14.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
|15.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The A6000 has one, while the RX1R II does not. While the built-in flash of the A6000 is not very powerful, it can at times be useful as a fill-in light.
Concerning the storage of imaging data, both the A6000 and the RX1R II write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6000 and Sony Cyber-shot DSC-RX1R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Sony RX1R II||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Leica Q Typ 116||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|7.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|11.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Sony NEX-6||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|13.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the RX1R II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The A6000 does not feature such a mic input.
The RX1R II is a recent model that features in the current product line-up of Sony. In contrast, the A6000 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So how do things add up? Is there a clear favorite between the Sony A6000 and the Sony RX1R II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Sony Alpha A6000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (360 versus 220) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been on the market for longer (launched in February 2014).
Advantages of the Sony Cyber-shot DSC-RX1R II:
- More detail: Has more megapixels (42.2 vs 24MP), which boosts linear resolution by 33%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
- Ready to shoot: Has an integrated lens, whereas the A6000 necessitates an extra lens.
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the RX1R II is the clear winner of the contest (12 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6000 and the Sony RX1R II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A6000 or the RX1R II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|2.||Sony RX1R II||5/5||..||..||82/100||..||4.5/5||Oct 2015||3,299|
|3.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|5.||Leica Q Typ 116||5/5||..||..||80/100||4.5/5||4.5/5||Jun 2015||4,249|
|6.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|7.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|8.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|9.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|10.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|11.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|12.||Sony NEX-6||5/5||+ +||..||78/100||4.5/5||4.5/5||Sep 2012||999|
|13.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|14.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|15.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1200D vs Sony A6000
- Canon 760D vs Sony A6000
- Fujifilm X-E3 vs Sony RX1R II
- Hasselblad X1D vs Sony A6000
- Leica S2 vs Sony A6000
- Nikon D300S vs Sony A6000
- Panasonic FZ300 vs Sony RX1R II
- Panasonic GH2 vs Sony RX1R II
- Panasonic GX7 vs Sony RX1R II
- Panasonic LF1 vs Sony RX1R II
- Sigma fp vs Sony A6000
- Sony A7R IV vs Sony RX1R II
Specifications: Sony A6000 vs Sony RX1R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6000||Sony RX1R II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||35mm f/2.0|
|Launch Date||February 2014||October 2015|
|Launch Price||USD 599||USD 3,299|
|Sensor Specs||Sony A6000||Sony RX1R II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||366.6 mm2||855.62 mm2|
|Sensor Diagonal||28.2 mm||43 mm|
|Sensor Resolution||24 Megapixels||42.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||7952 x 5304 pixels|
|Pixel Pitch||3.91 μm||4.50 μm|
|Pixel Density||6.55 MP/cm2||4.93 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 102,400 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||82||97|
|DXO Color Depth (bits)||24.1||25.8|
|DXO Dynamic Range (EV)||13.1||13.9|
|DXO Low Light (ISO)||1347||3204|
|Screen Specs||Sony A6000||Sony RX1R II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A6000||Sony RX1R II|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A6000||Sony RX1R II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Sony A6000||Sony RX1R II|
|Battery Life (CIPA)||360 shots per charge||220 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 45 mm
(4.7 x 2.6 x 1.8 in)
113 x 65 x 72 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||344 g (12.1 oz)||507 g (17.9 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.