Fujifilm X-T2 vs Panasonic G9
The Fujifilm X-T2 and the Panasonic Lumix DC-G9 are two enthusiast cameras that were officially introduced, respectively, in July 2016 and November 2017. Both the X-T2 and the G9 are mirrorless interchangeable lens cameras that are based on an APS-C (X-T2) and a Four Thirds (G9) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T2 and the Panasonic Lumix DC-G9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-T2 and the Panasonic G9. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The X-T2 can be obtained in two different colors (black, silver), while the G9 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is notably larger (9 percent) than the Fujifilm X-T2. Moreover, the G9 is markedly heavier (30 percent) than the X-T2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T2) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-T2 gets 340 shots out of its NP-W126S battery, while the G9 can take 400 images on a single charge of its DMW-BLF19 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|2.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|3.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399|
|4.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|5.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799|
|6.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|7.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|8.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|9.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|10.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|11.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|12.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|13.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|14.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|15.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|16.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|17.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-T2 was somewhat cheaper (by 6 percent) than the G9 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T2 features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T2 has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metalâ€“Oxideâ€“Semiconductor) sensors.
With 24MP, the X-T2 offers a higher resolution than the G9 (20.2MP), but the X-T2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the G9) due to its larger sensor. However, the G9 is a somewhat more recent model (by 1 year and 4 months) than the X-T2, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-T2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G9 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The X-T2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the X-T2, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-T2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-G9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|12.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|13.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|14.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|15.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|16.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G9 provides a faster frame rate than the X-T2. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G9 offers a substantially higher resolution than the one in the X-T2 (3680k vs 2360k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-T2 and Panasonic G9 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0||n||n|
|2.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|3.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0||Y||n|
|4.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0||n||Y|
|5.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0||n||n|
|6.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0||n||n|
|7.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|8.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|9.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|10.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0||n||n|
|11.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0||n||n|
|12.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|13.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|14.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0||n||Y|
|15.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|16.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|17.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G9 has a touchscreen, while the X-T2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G9 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-T2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T2 and the Panasonic G9 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-T2 and the G9 write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the X-T2 and the G9 support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T2 and Panasonic Lumix DC-G9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|2.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|3.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|6.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|7.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|12.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|13.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|14.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|16.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|17.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the G9 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-T2 lacks such a headphone port.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the X-T2 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-T2 was succeeded by the Fujifilm X-T3 . Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-T2 or the Panasonic G9 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-T2:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Less heavy: Is lighter (by 151g or 23 percent) and hence easier to carry around.
- More heavily discounted: Has been on the market for longer (launched in July 2016).
Reasons to prefer the Panasonic Lumix DC-G9:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.77x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (20 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (400 versus 340) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the contest (15 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T2 and the Panasonic G9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-T2 and the G9 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|2.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|3.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399|
|4.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|5.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799|
|6.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|7.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|8.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|9.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|10.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|11.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|12.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|13.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|14.||Panasonic GH5 II||4.5/5||..||4.5/5||..||4.5/5||5/5||May 2021||1,699|
|15.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|16.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|17.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 6D vs Fujifilm X-T2
- Canon T1i vs Panasonic G9
- Fujifilm X-M1 vs Panasonic G9
- Fujifilm X-T2 vs Fujifilm XQ2
- Fujifilm X-T2 vs Panasonic GH2
- Fujifilm X-T2 vs Panasonic GM5
- Fujifilm X-T2 vs Panasonic TZ95
- Fujifilm X-T2 vs Sony A7S III
- Olympus E-M5 II vs Panasonic G9
- Panasonic G9 vs Panasonic ZS80
- Panasonic G9 vs Sony A77
- Panasonic G9 vs Sony NEX-C3
Specifications: Fujifilm X-T2 vs Panasonic G9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T2||Panasonic G9|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2016||November 2017|
|Launch Price||USD 1,599||USD 1,699|
|Sensor Specs||Fujifilm X-T2||Panasonic G9|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.92 μm||3.34 μm|
|Pixel Density||6.52 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||200 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||X-Processor Pro2||Venus 10|
|Screen Specs||Fujifilm X-T2||Panasonic G9|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||3680k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-T2||Panasonic G9|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||Dual UHS-II|
|Connectivity Specs||Fujifilm X-T2||Panasonic G9|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 3.0|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X-T2||Panasonic G9|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||340 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
133 x 92 x 49 mm
(5.2 x 3.6 x 1.9 in)
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
|Camera Weight||507 g (17.9 oz)||658 g (23.2 oz)|
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